David Becker Jazz Guitar Techniques - Trailer

David Becker Jazz Guitar Techniques - Trailer

Grammy-nominated Jazz guitarist and master educator, David Becker is back with a great 8 chapter masterclass on everything you need to know about Jazz Blues. Here's David's breakdown of each chapter. Episode 2: With the aide of a simple Blues melody written by Vibraphonist Milt Jackson, I will break down a 3 cord Blues using extensions such as (9th, 13th) and also how to voice dominant chords that have the melody note on top. Episode 3: In this chapter I will show how to expand the 3 Chord progression and introduce a II V I turnaround. Episode 4: In this chapter, I will show how to alter some of the dominant 7th chords using flat 9th or sharp 9th as well as a raised 5th. This will also introduce the minor 7th chord to the progression. Episode 5: In this chapter, I will discuss using the shapes directly out of the chord to solo. This includes major, minor and diminished triads. Episodes 6 & 7: In these chapters, there is more on soloing using the shapes, triads. Episode 8: Here are some more advanced methods to consider for soloing over a Blues. This includes chromatic and intervalic ideas. Click the link or head to the My AGN Store to purchase this great series.
David Becker Jazz Guitar Techniques: Jazz Blues; 8 Part SeriesLessonsJazzDavid BeckerRockBluesAcoustic
Duration: 00:52

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David Becker Jazz Guitar: On Green Dolphin Street; The Complete Soloing Series is a comprehensive series of lessons on this Jazz standard from Grammy nominated Jazz guitarist, David Becker.. David introduces the tune, from its beginnings in 1947 as the theme to the movie GREEN DOLPHIN STREET to its introduction into the Jazz standard repertoire by none other than Miles Davis. David explores the unique chord structure and harmonic complexities, all of which add to the possibilities for building great solos. The concepts David unlocks in this 13 episode immersive series of instructional videos will also serve you well in Rock, Blues and other music genres. Available now in the MY AGN STORE in ON Demand on the web version of All Guitar Network.
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AGN News: Todd Rundgren unveils plans for bi-weekly live interactive virtual TV series “The Todd's Honest Truth”

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Nextdoor Sessions: Asher Belsky; 'The Key".

Actually, Asher Belsky just turned 15 and plays guitar with a melodic yet explosive style. Asher began studying the guitar at age five and has yet to put it down. He has drawn from a range of influences, including the Allman Brothers, the Meters, Marcus King, and Tedeschi Trucks Band, to produce a sound that’s all his own. He writes, sings, and performs with his own band, Outer Sunset. Asher is an inaugural member of the Gibson Generation Group (G3), Gibson Guitar’s select group of young guitar players from around the world, and is an endorsed Gibson artist. Asher is also an endorsing artist for Homestead Amps and Moody Leather. In September 2019, Asher performed at Eric Clapton’s Crossroads Festival, playing a featured set with Marcus King. Asher also appeared as a featured artist at Surrealistic Summer Solstice Jam 3 in Golden Gate Park. Asher has shared the stage with the Marcus King Band, the North Mississippi Allstars, Dan “Lebo” Lebowitz of ALO, George Porter Jr. of the Meters, Midnight North, Brandon “Taz” Niederaur, Members of Moonalice, and Norman Greenbaum. In this episode, Asher performs his original song, "The Key".
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NRG Podcast: Episode 11: Jingle Jared from Jingle Punks

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This clip was uploaded by the great Austin based studio guitarist, Larry Seyer. Larry is not only a great player (as you can see and hear...) he's a great engineer and producer. Larry has worked with some of the biggest names in the music industry, including, Asleep At The Wheel, Huey Lewis, George Strait, Manhattan Transfer, The Dixie Chicks, Lyle Lovett, Dolly Parton, George Martin, Willie Nelson and over three-hundred other Texas and national artists. From 1986 through 2007, Larry engineered almost all of the ‘Asleep At The Wheel‘ recordings produced during that time period. Doing so won him several Grammy Awards and Platinum records. In addition to his producing and engineering skills, he has written and scored original music for eight (8) motion pictures as well as national TV shows and documentaries. Here's his uptempo version of the classic Louis Armstrong hit.
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David Becker Jazz Guitar: On Green Dolphin Street - Trailer
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David Becker Jazz Guitar: On Green Dolphin Street; The Complete Soloing Series is a comprehensive series of lessons on this Jazz standard from Grammy nominated Jazz guitarist, David Becker.. David introduces the tune, from its beginnings in 1947 as the theme to the movie GREEN DOLPHIN STREET to its introduction into the Jazz standard repertoire by none other than Miles Davis. David explores the unique chord structure and harmonic complexities, all of which add to the possibilities for building great solos. The concepts David unlocks in this 13 episode immersive series of instructional videos will also serve you well in Rock, Blues and other music genres. Available now in the MY AGN STORE in ON Demand on the web version of All Guitar Network.
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Sidemen: Long Road To Glory: Movie Trailer
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Sidemen: Long Road To Glory: Movie Trailer

Sidemen: Long Road to Glory: the movie package with over 40 minutes of bonus never before seen interviews is available NOW to rent or buy in Fab's Movie Night in AGN On Demand: Sidemen is an intimate look into the incredible lives of three of the last Muddy Waters and Howlin' Wolf sidemen, piano player Pinetop Perkins, drummer Willie 'Big Eyes' Smith and guitarist Hubert Sumlin. These legendary bluesmen, who performed and recorded into their 80's and 90's, played a significant role in shaping modern popular music. The film features some of the last interviews conducted with all three men as well as their final live performances together. These memorable live performances, vividly capture these blues legends with the blues and rock stars they have inspired including, Robby Krieger of The Doors, Elvin Bishop (recent rock ‘n’ Roll Hall inductee with The Paul Butterfield Blues Band), and Tim Reynolds of The Dave Matthews Band. Personal insights from artists such as, Bonnie Raitt, Gregg Allman, Derek Trucks, Shemekia Copeland, Kenny Wayne Shepherd, Joe Perry, Joe Bonamassa and Johnny Winter offer heartfelt accounts of how these three legendary sidemen helped shape their careers as well as rock ‘n’ roll. Sidemen takes us on the road with Pinetop, Willie and Hubert, three of our last direct links to the origins of the blues, as they share the incredible stories about each of their personal histories. From their upbringings on Delta plantations of the Jim Crow south to lives spent on the road in the shadow of two of the biggest figures in music history, their stories are not only a part of music history, but American history as well. As we ride along, we can’t help but fall in love with these three endearing men as we experience all the trials and triumphs of these remarkable lives. In the summer of 2008, a group of legendary bluesmen, some of the last surviving members of the Howlin’ Wolf and Muddy Waters bands, were brought together by director Scott Rosenbaum for a cameo appearance in his feature film, The Perfect Age of Rock ‘n’ Roll.  Pinetop Perkins, Willie "Big Eyes" Smith and Hubert Sumlin were cast for their authenticity and ability to underscore the film’s critical subplot, the evolution of rock ‘n’ roll through the blues.  During breaks in production, these bluesmen thrilled Rosenbaum with their tales of a lifetime spent on the road.  Firsthand accounts of experiences with the mythical Robert Johnson, the larger-than-life Howlin’ Wolf, the seminal Muddy Waters and disciples such as Jimi Hendrix and The Rolling Stones got the director’s creative wheels spinning.  Between takes, Sumlin called Rosenbaum over to the bandstand and prophetically told him of his feeling that they would be working together again.  In an instant, an idea that had been germinating with the director for years took root.     When the bluesmen’s booking agent, Hugh Southard approached Rosenbaum, asking him to lend the film’s name to help galvanize a world tour featuring these legendary musicians, a concept had fully blossomed.  Having grown up on Martin Scorsese’s valediction to The Band, The Last Waltz, Rosenbaum wanted to make a film that similarly honored the life and musical legacy of these aging bluesmen. When Pinetop, Hubert and Willie "Big Eyes," along with Sugar Blue, Robert Stroger and Bob Margolin hit the road as The Perfect Age of Rock ‘n’ Roll Blues Band, Rosenbaum, along with producers Jasin Cadic, Tony Grazia and Joe White were determined to capture this important moment and fleeting history. Over the next three years they would follow these blues legends, shooting live performances, an historic Grammy win, dozens of intimate interviews, countless behind-the-scenes moments, and documenting their lives on the road.  Sadly, the 2011 deaths of Willie, Pine and Hubert altered the film’s initial Last Waltz style vision; to capture these legends performing live versions of classic blues songs with the musicians they had so heavily influenced. Luckily, several of these performance pairings were filmed before their deaths. Those treasured moments are complimented by over two dozen subsequent interviews with some of blues and rock’s biggest names, demonstrating the true impact and tremendous respect that these men engendered over the course of their long careers.   Members of The Doors, The Allman Brothers, The Paul Butterfield Blues Band, Aerosmith, The Dave Matthews Band, as well as artists like Bonnie Raitt, Johnny Winter, Bobby Rush and Shemekia Copeland share their personal and professional recollections of these men and the impact that they’ve had on their own careers.  When asked how they hoped to be remembered, Willie, Pine and Hubert consistently expressed their wish to be known for both having kept the blues alive and to serve as an inspiration for the younger generations of musicians. Interviews with blues acolytes Joe Bonamassa, Eric Gales, Warren Haynes, Kenny Wayne Shepherd, and Derek Trucks affirm that their legacies are alive and well. 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02:444 minutes ago
David Becker Jazz Guitar Techniques - Trailer
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Grammy-nominated Jazz guitarist and master educator, David Becker is back with a great 8 chapter masterclass on everything you need to know about Jazz Blues. Here's David's breakdown of each chapter. Episode 2: With the aide of a simple Blues melody written by Vibraphonist Milt Jackson, I will break down a 3 cord Blues using extensions such as (9th, 13th) and also how to voice dominant chords that have the melody note on top. Episode 3: In this chapter I will show how to expand the 3 Chord progression and introduce a II V I turnaround. Episode 4: In this chapter, I will show how to alter some of the dominant 7th chords using flat 9th or sharp 9th as well as a raised 5th. This will also introduce the minor 7th chord to the progression. Episode 5: In this chapter, I will discuss using the shapes directly out of the chord to solo. This includes major, minor and diminished triads. Episodes 6 & 7: In these chapters, there is more on soloing using the shapes, triads. Episode 8: Here are some more advanced methods to consider for soloing over a Blues. This includes chromatic and intervalic ideas. Click the link or head to the My AGN Store to purchase this great series.
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"Life And Larry Brown" play the TRAILER
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Larry Brown was born in 1953 in Forsyth, Georgia, where he lived in his grandparent’s sharecropper shack along with 15 other children. Forsyth was a town steeped in the nearly century-old statutes of the Jim Crow laws and—as Oprah Winfrey’s 1987 show highlights—one of the hotbeds of unbridled racism in America. By age nine, Larry had already suffered countless acts violence and unspeakable horrors, including repeated torture and abuse at the hands of Forsyth’s townspeople. At eight-years-old, he was tied to a tree by five white men while he was beaten and used for “target practice.” During this incident, he was shot in the face but somehow survived. The incident left him with a bullet embedded in his cheek and severe trauma which caused a stutter so severe that it rendered him unable to speak for years. At age 13, after defending himself against yet another vicious attack, Larry was forced to leave Forsyth and move to Long Island to live with his mother and father, who had relocated to Long Beach in search of employment opportunities not available to them in the south. It was into this foreign land that Larry would receive his first pair of shoes and be forced to adapt to an alien culture. He is quick to admit that he became a “bad kid” and was eventually drawn to a life of juvenile crimes. Although the guitar had seemingly always been around his home, impatient and frustrated with his abilities, Larry paid the instrument little mind despite his mother’s constant encouragement to “stick with it.” Larry’s life would take a disastrous turn when at age 29, an argument with his boss led to a physical altercation. Tragically the conflict led to the death of his employer and Larry was subsequently sentenced to 33 1/3 years to life. He began his incarceration at New York’s Sing Sing maximum-security prison in 1985. It was in Sing Sing that Larry turned to music for solace. The penitentiary made a “state guitar” available for the prisoners to sign out and use. The need to share the guitar led to an altercation with another inmate and—fearing her son would destroy any chance for parole—Larry’s mother immediately brought him his guitar, “raising holy hell” with the prison brass to make sure her son would receive it. The guitar became Larry’s salvation over the next 34 years, across seven different prisons and five parole denials. In 1991, his mother died having never heard her son’s fully realized talents on the guitar. In the spring of 2018, Larry was granted parole and on April 12, 2018, he was released from prison into a world of smartphones and uneven sidewalks; even today he trips often since every surface in prison is perfectly level. He recently found his mom’s burial site and performed several songs by her graveside including, “Judgement Day,” a song he wrote for her in prison. On the one- year anniversary of his release, Larry fulfilled another one of his “bucket-list” items, performing for the first time in front of an audience outside of the penitentiary. Performing at New York’s legendary Iridium, he played a brief set as the opening act for a packed house of 200 people. Today, Larry can be spotted regularly playing in the New York City subways, Port Authority, and in Washington Square Park. One of his stated missions in his new life now is for, “People to be happy to see me coming and sad to see me go.”
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3 Minute Lick with Tim Pierce - Trailer
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Over the last 3 decades Tim Pierce has played guitar with the Who's Who of the music industry. In his new show, he unlocks some great soloing secrets in less than 3 minutes. Tim’s recording discography includes Crowded House, Christina Aguilera, Seal, Avril Lavigne, Tracy Chapman, Joe Cocker, Ricky Martin, Meat Loaf, Rod Stewart, Elton John, Michael Jackson, Bruce Springsteen, Rob Thomas, Rick Springfield, Phil Collins, Madonna, Toy Matinee, Don Henley, Santana, Rascal Flatts, Chris Isaak, Jewel, Faith Hill, Celine Dion, Dave Matthews Band, John Legend, Gavin Degraw, Mika, Carolina Liar, Goo Goo Dolls, Uncle Kracker, Josh Groban, Mylie Cyrus, Demi Lovato, David Cook, Adam Lambert, Daniel Powter, Chris Allen, Jack’s Mannequin,The Band Perry,Shinedown, Jason Mraz, Kelly Clarkson,Il Volo,Lana Del Ray, Gloriana, Colbie Caillat, and many others. He works with producers such as: Rob Cavallo (Green Day, Goo Goo Dolls), Warren Huart (Augustana, The Fray), Matt Serletic (Santana, Rob Thomas), Eric Ross (Sara Bareilles), John Fields (Switchfoot, Jonas Brothers), Walter A (Mariah Carey, Marc Anthony, Josh Groban, Celine Dion, Christina Aguilera, Ricky Martin), Bill Bottrell (Sheryl Crow, ELO, Michael Jackson, Tom Petty), Tim James (Mylie Cyrus, Demi Lovato, Sick Puppies), Ron Nevison (The Who, The Rolling Stones, Meat Loaf, Bad Company, Led Zeppelin, Ozzy Osbourne), Michael Lloyd, Howard Benson (Gavin DeGraw, Daughtry, Chris Cornell), Patrick Leonard (Roger Waters, Bryan Ferry, Elton John, Anna Vissi, Rod Stewart, Madonna), Keith Olsen (Fleetwood Mac), Trevor Horn (Seal, Yes, Art of Noise), Dan Huff (Rascal Flatts, Keith Urban, Faith Hill), Randy Jackson (American Idol and others). Tim still lives in LA and is busier than ever, doing sessions every day.
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The Wrecking Crew: watch trailer
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VintageJazzCountryRockBluesAcousticFab's Music CaféFab's Movie NightRecordingSong Writing

The Wrecking Crew: watch trailer

Rent or buy The Wrecking Crew right here on All Guitar Network now.......and to check out Fab's exclusive interview with the director, Denny Tedesco, head over to Fab's Music Café in On Demand, it's free for all registered users. If you are not yet registered, register now, it's completely free and unlocks more exclusive free content. Music lovers will be astonished at the influence The Wrecking Crew wielded over rock and pop music in the 1960s and early 1970s. These unsung instrumentalists were the de-facto backing band on hit records by The Beach Boys, Phil Spector, Frank Sinatra, Nancy Sinatra, Sonny & Cher, Elvis, The Monkees and many more. These dedicated musicians brought the flair and musicianship that made the American “West Coast Sound” a dominant cultural force around the world. Starring: Brian Wilson, Cher, Dick Clark, Glen Campbell, Lou Adler, Nancy Sinatra. directed by: Denny Tedesco. documentary: PG. 2015.
02:289 minutes ago
Herbie Hancock: Possibilities: watch trailer
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JazzFab's Music CaféFab's Movie Night

Herbie Hancock: Possibilities: watch trailer

Ordinary music soars to extraordinary heights as gifted keyboardist Herbie Hancock joins forces with a variety of well-known music superstars to offer a completely original listening experience. As Hancock collaborates with such artists as Paul Simon, Annie Lennox, Sting, and John Mayer, the cameras are permitted into the studios and behind-the-scenes to show just what happens when some of the greatest music minds of a generation converge. documentary: PG: Director: Doug Biro, Jon Fine Starring: Herbie Hancock, Christina Aguilera, Sting, John Mayer, Raul Midón.
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Fab's Music Cafe, 'Live': Kevin "Brandino" Brandon.
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BassFab's Music CaféFab's Movie Night

Fab's Music Cafe, 'Live': Kevin "Brandino" Brandon.

Kevin was born in Compton, California to loving parents, and into a talented family who where from richly diverse musical cities of Chicago , Illinois and New Orleans, Louisiana. From birth he has congenital club feet and a hip displacement , but he did not allow this condition to deter him from pursuing his passion for music and the zest for life. Meeting Louis Armstrong at one of his concerts was also an inspiration in his early years... Kevin was self-taught at the tender age of 4, playing his sister's piano and at age 7 he took up his brother's saxophone, as he was gifted and enjoyed playing several instruments. When he was 9 his father suggested that he find a dedicated instrument of his own to play. Kevin wanted to play drums, however, his father thought with his handicap, eventually he would become discouraged.His older brother had a band and persuaded him to play electric bass because it was needed. Christmas of that year, Kevin received his first bass, a St George bass obtained from a swap meet. His brother taught him the basic technique and playing position, and the Kevin took it from there. He listened to various musical styles from Nat King Cole, Frank Sinatra, Big Band swing, Classical, Rhythm and Blues, Soul and Rock. During that time there were no stereo systems, stereo sound, or digital technology as we know it today. There were only records players and vinyl records. Many bass notes were difficult to hear, so Kevin put his ear over the record player as it played, to hear the bass notes for the songs he would play in his brothers band. At 13 years of age he began his formal musical training on the flute with Milton Hall from Watts,CA. Acoustic bass began during this time with Mr Hamilton also from Watts as well, which he continued through High School. At Pius the Tenth High School, Kevin learn to read music on both instruments respectively. The flute in treble clef and the bass in bass clef. He studied harmony, 20th century western music, counterpoint, and took other music courses as well.In addition, he performed with the prestigious all-city Pico Rivera Stage Band, yielding him the experience, and understanding of the bass player's role in a big band. This band won numerous awards, and the Hollywood Bowl Competitions for 3 consecutive years. In this same band, Kevin received the Jazz Soloist Award at the Orange Coast College Jazz Band Competitions. After graduating from Pius the Tenth High School, Kevin earned a full scholarship to the University of Southern California; however, his love for jazz prompted him to forego the USC Scholarship. Instead he opted to attend Cerritos and Long Beach Colleges, know for their jazz programs. Soon after, his desire to play professionally, and an opportunity to work with the Tommy Dorsey Orchestra, relocated Kevin to New York City. After his stint with Tommy Dorsey, he returned to Los Angeles, and also returned to his previous classical acoustic bass training, studying under renowned bassist's: David Borkenhagen, Nathaniel Gangursky, Ami Porat, and was a protege of Barry Lieberman from the Los Angeles Philharmonic Orchestra. While working in the Bellflower Symphony Orchestra, Kevin finished his education at the University of Long Beach. As his career escalated, Kevin has become a premier bassist /producer on the music scene. Today, he has found great success working with many of the world's top recording artists, entertainers, musicians, and is involved in a myriad of events within the music, entertainment, television, multimedia, web designing and film industries. In 2007 he was awarded by the National Association of Recording Arts and Science Double Grammy 's for his musicianship and participation on the 2007 Grammy Nominated " Album of the Year " and "Best Pop Vocal Album " Justin Timberlake "FutureSex/LoveSounds", 2006 Best R&B Album of the Year "Breakthrough" by Mary J Blige , 2005 Beyonce and Stevie Wonder " So Amazing " single and the 2004 Grammy Album Of The Year , Best Rap Album , " OUTKAST ".
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FAB'S MUSIC CAFE: Kevin 'BRANDINO' Brandon, the interview
Fab's Music Café
BassFab's Music CaféFab's Movie Night

FAB'S MUSIC CAFE: Kevin 'BRANDINO' Brandon, the interview

Kevin was born in Compton, California to loving parents, and into a talented family who where from richly diverse musical cities of Chicago , Illinois and New Orleans, Louisiana. From birth he has congenital club feet and a hip displacement , but he did not allow this condition to deter him from pursuing his passion for music and the zest for life. Meeting Louis Armstrong at one of his concerts was also an inspiration in his early years... Kevin was self-taught at the tender age of 4, playing his sister's piano and at age 7 he took up his brother's saxophone, as he was gifted and enjoyed playing several instruments. When he was 9 his father suggested that he find a dedicated instrument of his own to play. Kevin wanted to play drums, however, his father thought with his handicap, eventually he would become discouraged.His older brother had a band and persuaded him to play electric bass because it was needed. Christmas of that year, Kevin received his first bass, a St George bass obtained from a swap meet. His brother taught him the basic technique and playing position, and the Kevin took it from there. He listened to various musical styles from Nat King Cole, Frank Sinatra, Big Band swing, Classical, Rhythm and Blues, Soul and Rock. During that time there were no stereo systems, stereo sound, or digital technology as we know it today. There were only records players and vinyl records. Many bass notes were difficult to hear, so Kevin put his ear over the record player as it played, to hear the bass notes for the songs he would play in his brothers band. At 13 years of age he began his formal musical training on the flute with Milton Hall from Watts,CA. Acoustic bass began during this time with Mr Hamilton also from Watts as well, which he continued through High School. At Pius the Tenth High School, Kevin learn to read music on both instruments respectively. The flute in treble clef and the bass in bass clef. He studied harmony, 20th century western music, counterpoint, and took other music courses as well.In addition, he performed with the prestigious all-city Pico Rivera Stage Band, yielding him the experience, and understanding of the bass player's role in a big band. This band won numerous awards, and the Hollywood Bowl Competitions for 3 consecutive years. In this same band, Kevin received the Jazz Soloist Award at the Orange Coast College Jazz Band Competitions. After graduating from Pius the Tenth High School, Kevin earned a full scholarship to the University of Southern California; however, his love for jazz prompted him to forego the USC Scholarship. Instead he opted to attend Cerritos and Long Beach Colleges, know for their jazz programs. Soon after, his desire to play professionally, and an opportunity to work with the Tommy Dorsey Orchestra, relocated Kevin to New York City. After his stint with Tommy Dorsey, he returned to Los Angeles, and also returned to his previous classical acoustic bass training, studying under renowned bassist's: David Borkenhagen, Nathaniel Gangursky, Ami Porat, and was a protege of Barry Lieberman from the Los Angeles Philharmonic Orchestra. While working in the Bellflower Symphony Orchestra, Kevin finished his education at the University of Long Beach. As his career escalated, Kevin has become a premier bassist /producer on the music scene. Today, he has found great success working with many of the world's top recording artists, entertainers, musicians, and is involved in a myriad of events within the music, entertainment, television, multimedia, web designing and film industries. In 2007 he was awarded by the National Association of Recording Arts and Science Double Grammy 's for his musicianship and participation on the 2007 Grammy Nominated " Album of the Year " and "Best Pop Vocal Album " Justin Timberlake "FutureSex/LoveSounds", 2006 Best R&B Album of the Year "Breakthrough" by Mary J Blige , 2005 Beyonce and Stevie Wonder " So Amazing " single and the 2004 Grammy Album Of The Year , Best Rap Album , " OUTKAST ".
31:2613 hours ago
Episode 2: Michael Lemmo & the 1966 Gibson 'Trini Lopez'
Me, Myself & My Looper
VintageTips, Tech & RepairsNorman's Rare Guitars PodcastMichael LemmoGuitar Of The DayJazzRockBlues

Episode 2: Michael Lemmo & the 1966 Gibson 'Trini Lopez'

Someone requested seeing a Trini Lopez in action so in case ya missed this a few months back, here's the loop master himself, host of Guitar Of The Day, Michael Lemmo with a beautiful, rare, 1966 Gibson 'Trini Lopez' and his trusty Ditto for some serious looping action.
05:5713 hours ago
Norman Harris just bought a RARE 1960 Gibson ES-330
Norman's Rare Guitars

Norman Harris just bought a RARE 1960 Gibson ES-330

Norman Harris from Norman's Rare Guitars just bought a bunch of vintage guitars, here is one of his latest additions to his collection - a 1960 Gibson ES-330!
01:1114 hours ago
AGN YOUTUBE PICKS: Johnny Guitar Watson; "Gangster Of Love"
AGN Youtube Picks

AGN YOUTUBE PICKS: Johnny Guitar Watson; "Gangster Of Love"

I know Norm has recommended this Johnny Guitar Watson tune before, but this clip is another 'live' version and it's a completely different arrangement.......Brandon's AGN YOUTUBE PICK: Johnny Guitar Watson; "Gangster Of Love"
00:5840 hours ago