Blues Soloing Move - House Pattern (Major) To Box 3 Pentatonic Minor To Pentatonic 6 Pattern

This video is one of my favorite "moves" around and through some of my favorite blues soloing scales and sounds.

If you've ever heard me talk about what I call the, "core position," for many blues players... this is it.

"Notice how, with minimal movement, I can go through 3 unique sounds easily and comfortably, with only minor adjustments getting from one scale to the next...

In my opinion, that should be your goal, not moving around the fretboard in large leaps and bounds."....Griff

Griff Hamlin_ Blues Guitar Unleashed

Duration: 14:23

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New Releases - Guitars/Bass/Gear

Epiphone Pre-War SJ-200 Rosewood Reissue – Epiphone Inspired by Gibson

Dinesh demos the new Epiphone Pre-War SJ-200 Rosewood Reissue from the Epiphone Inspired By Gibson Custom collection – new for 2025! ▶ Get YOUR Epiphone Pre-War SJ-200 Rosewood Reissue HERE: https://bit.ly/4flzYTb (https://) ▶ Shop the FULL Inspired by Gibson Custom Collection: https://bit.ly/45kZovB (https://) Watch as Dinesh demos the new Epiphone Pre‑War SJ‑200 Rosewood Reissue acoustic guitar from the Epiphone Inspired by Gibson Custom collection, featuring a thermally aged solid spruce top, solid rosewood back, and a two‑piece maple neck with a rosewood stringer and round‑D profile, presented here in a Vintage Sunburst finish. After the Gibson SJ-200 was introduced in 1937, it quickly earned the title “The King of the Flat-Tops” thanks to its majestic appearance, superior sound, and exceptional projection. The earliest models featured rosewood back and sides, later replaced by maple in 1947. Due to limited post-Depression demand, very few pre-war SJ-200s were made — making rosewood-bodied originals highly prized by today’s collectors. Now, Epiphone and Gibson Custom have partnered to create the Epiphone Pre-War SJ-200 Rosewood Reissue, an Inspired by Gibson Custom recreation of this rare vintage icon. It features solid rosewood back and sides, a thermally aged solid spruce top with traditional scalloped X-bracing made from quarter-sawn spruce, and a two-piece maple neck with a rosewood stringer and Round D profile, attached via a glued-in dovetail joint. The ebony fretboard features mother-of-pearl graduated Crown inlays and 20 standard frets. Additional vintage-style appointments include an SJ-200-style pickguard with traditional graphics and an ebony open two-bar Moustache™ bridge with mother-of-pearl inlays. The nut, saddle, and bridge pins are all bone. The Gibson “open book” headstock features a vintage Epiphone logo and Gibson Crown in aged mother-of-pearl, along with a stinger and Inspired by Gibson Custom Double Diamond logo etched on the rear. For modern stage and studio needs, it comes equipped with an L.R. Baggs™ Element Bronze VTC pickup and preamp, with soundhole-mounted controls — all housed in a Red Line-inspired hardshell case featuring Inspired by Gibson Custom graphics.

02:235 days ago

Guitar Of The Day

1967 Gibson LG-1 Sunburst with Pickup Guitar of the Day

Beautiful guitar for today's new #FlatTopFriday episode of #GuitarOfTheDay with ‪@mikelemmo‬ playing a 1967 Gibson LG-1 Sunburst with Pickup available here at #NormansRareGuitars! For any questions you may have or price inquiries about this #Gibson #LG1 #AcousticGuitar give us a call at 818-344-8300. https://normansrareguitars.com

06:555 days ago

New Releases - Guitars/Bass/Gear

Death By Audio Announces Triple Release: Crossover Fuzz In Black & Limited White, Plus The Photo Modulator

QUEENS, NEW YORK, AUGUST 2025 - Death By Audio, the Queens-based noise-wranglers responsible for some of the world’s most radical effects, are kicking down the doors with not one, but three new product releases: the Crossover Fuzz in standard black, a limited Reverb-exclusive white edition (150 units worldwide), and the Photo Modulator, a light-sensitive expression controller. info@deathbyaudio.com (https://) CROSSOVER FUZZ: Fuzz So Heavy, It Had to Be Split The Crossover Fuzz is more than a fuzz box - it’s a dual-band fuzz engine with linked resonant filters, independent gain and volume controls for highs and lows, and a reactive LED display that shows you where your sound is being torn apart. By splitting your signal into highs and lows, the Crossover Fuzz allows you to sculpt frequencies, annihilate them, or sling them across amps in stereo for massive, spatial tone. CV/expression control enables you to sweep the crossover in real time, turning EQ into an instrument of its own. From subtle tone-shaping to oscillating chaos, this is fuzz re-engineered for the future. "At first I was just psyched about fuzzing out different frequencies with this thing. But once we pushed the design further and further, I realized it had become the ultimate fuzz destroyer - massive, mean, and alive." Oliver Ackermann, Founder & CEO of Death By Audio KEY FEATURES Dual-Band Fuzz - Separate gain and volume for highs and lows. Dual Linked Filters - Sweepable high-pass and low-pass filters with resonance. Flexible Routing - Mono, stereo, or multi-amp setups with unique ins/outs. Expression/CV Input - Modulate the crossover frequency in real time. Reactive LED Display - Stage-ready visuals that shift with your filter position. TECH SPECS Dimensions - 5.73” x 5.2” x 2.37” (including hardware) Weight - 18.5 oz Power - Standard 9V DC (2.1mm, center-negative). Optimized for use with Death By Audio’s Raw Power power supply. Current Draw - 120 mA Lifetime Warranty USA Retail Price - $320 The standard black edition will be available through Death By Audio dealers and deathbyaudio.com, while the limited white edition drops exclusively via Reverb, capped at just 150 units. Both variations will be available worldwide beginning Tuesday, August 19th, 2025 at 11AM EST. PHOTO MODULATOR: Turn Light Into Control The Photo Modulator is an ultra-compact expression accessory that swaps your foot for light. Plug it into any expression-compatible pedal, aim the sensor at a light source, and watch as brightness sweeps your parameters like an invisible hand on the treadle. Bright light = toe down. Darkness = heel down. Using a passive photoresistor circuit, the Photo Modulator is compatible with DBA staples like the Rooms, Evil Filter, and the new Crossover Fuzz, as well as countless other expression-ready pedals. No batteries required, no fuss - just pure, reactive chaos in a device the size of a right-angle jack. KEY FEATURES Light-Sensitive Expression - Control pedals using any light source. Ultra-Compact Form - Built directly into a ¼” right-angle jack. Passive Circuit - No power required. Wide Compatibility - Works with most expression inputs. TECH SPECS Dimensions - 2.6” x 1.9” x 0.6” Weight - 0.9 oz Power - None required (passive circuit) Warranty - 30-day return policy (not covered under lifetime warranty) Regulatory Restrictions - Not available for sale, shipping, or distribution in the European Union, United Kingdom, China, Korea, or Taiwan. USA Retail Price - $39 The Photo Modulator will also be available beginning Tuesday, August 19th, 2025 at 11AM EST. info@deathbyaudio.com (https://)

03:225 days ago

Guitar Of The Day

2021 Fender Custom Shop 1960 Stratocaster Reissue Daphne Blue Guitar of the Day.

Beautiful guitar for today's new #Straturday episode of #GuitarOfTheDay with ‪@mikelemmo‬ playing a 2021 Fender Custom Shop 1960 Stratocaster Reissue Daphne Blue available here at #NormansRareGuitars! For any questions you may have or price inquiries about this #Fender #Stratocaster #ElectricGuitar give us a call at 818-344-8300. https://normansrareguitars.com

12:336 days ago

New Releases - Guitars/Bass/Gear

Epiphone 1957 SJ-200 Reissue – Epiphone Inspired by Gibson

Dinesh demos the new Epiphone 1957 SJ-200 Reissue from the Epiphone Inspired By Gibson Custom collection – new for 2025! ▶ Get YOUR Epiphone 1957 SJ-200 Reissue HERE: https://bit.ly/3Hgjy1P (https://) ▶ Shop the FULL Inspired by Gibson Custom Collection: https://bit.ly/3Hgjz5T (https://) Watch as Dinesh demos the new Epiphone 1957 SJ‑200 Reissue acoustic guitar from the Epiphone Inspired by Gibson Custom collection, boasting a thermally aged solid Sitka spruce top, solid figured maple back and sides and a two‑piece flame maple neck with a walnut stringer in a comfortable C profile, presented here in Antique Natural finish. The Gibson SJ-200™ was introduced in 1937 and quickly earned the nickname “The King of the Flat-Tops” for its size, projection, high-quality sound, and stage presence. Early models featured rosewood, but by 1947, maple became the standard wood for the back and sides. Used by everyone from cowboy crooners to rock icons, vintage SJ-200s remain highly sought after by collectors. Now, Epiphone, in collaboration with Gibson Custom, proudly introduces the 1957 SJ-200 Reissue, an Inspired by Gibson Custom recreation of the iconic 1957 Super Jumbo model. It features all-solid wood construction, with a thermally aged solid Sitka spruce top reinforced with scalloped X-bracing, solid figured maple back and sides, and a two-piece flame maple neck with a walnut stringer and comfortable C profile. The Indian rosewood fretboard is bound and inlaid with mother-of-pearl graduated Crown inlays, and includes 20 standard frets. The body has multi-ply top and back binding, while the SJ-200-style pickguard showcases vintage-style graphics. The rosewood open two-bar Moustache™ bridge includes mother-of-pearl inlays, and the nut, saddle, and bridge pins are made of bone. The bound Gibson-style “open book” headstock features the Epiphone logo and Gibson Crown inlaid in mother-of-pearl. A stinger is present on the rear of the Antique Natural model’s headstock (not on the Vintage Sunburst), along with the Inspired by Gibson Custom Double Diamond logo. Stage- and studio-ready, it comes equipped with an L.R. Baggs™ Element Bronze VTC under-saddle piezo pickup and active preamp with soundhole-mounted controls. A Red Line-inspired hardshell case is also included.

02:537 days ago

New Releases - Guitars/Bass/Gear

Epiphone 1960 Hummingbird Reissue – Epiphone Inspired by Gibson

Dinesh demos the new Epiphone 1960 Hummingbird Reissue from the Epiphone Inspired By Gibson Custom collection – new for 2025! ▶ Get YOUR Epiphone 1960 Hummingbird Reissue HERE: https://bit.ly/3UQYtxX (https://) ▶ Shop the FULL Inspired by Gibson Custom Collection: https://bit.ly/3HirxeI (https://) Watch as Dinesh demos the new Epiphone 1960 Hummingbird Reissue acoustic guitar from the Epiphone Inspired by Gibson Custom collection, built with a thermally aged solid spruce top, solid mahogany back and sides and a thermally aged one‑piece mahogany neck with a rounded profile, presented here in a Heritage Cherry Sunburst finish. Originally introduced in 1960 as Gibson’s first square-shoulder acoustic, the Hummingbird™ has been played by icons like Keith Richards, J Mascis, Thom Yorke, and Joe Bonamassa. Known for its versatility, it delivers rich tone whether fingerpicked, strummed, or used for lead. This Inspired by Gibson Custom model features traditional scalloped X-bracing made from quarter-sawn solid spruce, a 24.75” scale neck with a bound rosewood fretboard, and mother-of-pearl split parallelogram inlays. It also includes a belly-up rosewood bridge with bone saddle, a bone nut and bridge pins, and the signature Hummingbird pickguard. The headstock features Kluson®-style tuners, aged mother-of-pearl inlays, and the Inspired by Gibson Custom double diamond logo on the rear. Equipped with an L.R. Baggs™ Element Bronze VTC pickup system and a Red Line-inspired hardshell case, the 1960 Hummingbird Reissue is stage and studio ready from day one. A Red Line-inspired hardshell case, which features the Inspired by Gibson Custom logo on the exterior, is also included to keep this beautiful acoustic guitar safe when you’re traveling to your next performance.

02:378 days ago

New Releases - Guitars/Bass/Gear

1942 J-45 Banner Reissue – Epiphone Inspired by Gibson Custom.

NASHVILLE, TN. For over 150 years, Epiphone has been a leading innovator in instrument design, inspiring some of the most beloved music artists on the planet. By leveraging its iconic past and leaning into the future, Epiphone has set the stage for the next era of sound for present and future generations. The game-changing Epiphone Inspired by Gibson Custom Collection, developed in close collaboration with the skilled luthiers at Gibson Custom Acoustic in Bozeman, Montana, continues to expand, establishing a new tier of premium Epiphones for every player. Featuring world-renowned Gibson “open book” headstocks, rosewood fretboards, and vintage gloss finishes, the Epiphone Inspired by Gibson Custom Collection brings Gibson Custom designs to the masses, adding to Epiphone’s full array of instruments for all player levels. The Epiphone Inspired by Gibson Custom Collection is available worldwide at authorized Epiphone dealers, the Gibson Garage locations in Nashville and London, and on Epiphone.com (https://). Epiphone, in collaboration with Gibson Custom, proudly unveils the 1942 Banner J-45 Reissue—an inspired recreation of the iconic “Workhorse” acoustic that defined a generation. Originally introduced in 1942, the J-45™ became Gibson’s best-selling acoustic, celebrated for its warm tone, elegant simplicity, and legendary reliability. This reissue features a thermally aged solid spruce top with scalloped X-bracing, solid mahogany back and sides, and vintage-style appointments including a teardrop pickguard, open-back tuners, and the classic Gibson “open book” headstock. The V-shaped mahogany neck is topped with an Indian rosewood fretboard and mother-of-pearl dot inlays. Modern performance is ensured with an L.R. Baggs™ Element Bronze VTC pickup system, making it stage and studio ready. Each guitar ships with a Red Line-inspired hardshell case, proudly bearing the Inspired by Gibson Custom logo.

02:3510 days ago

News & latest Releases

Blood Sweat and Gear - 25 Years of Mojotone

Manufacturer celebrates silver jubilee with major website makeover, retrospective video interview BURGAW, NC, August 12, 2025 – Mojotone, in celebration of its 25th anniversary, has just launched a refreshed website design that comprehensively presents its vast catalogue of vintage reproduction parts, amplifier kits, and custom cabinet, speaker, and pickup offerings. The company has also released a retrospective video interview with co-founders Michael McWhorter and Andy Turner that explores the company’s history from its founding in the early 2000s as a small, print catalogue-driven enterprise to its current status as one of the leading manufacturers of high-quality, hand-crafted goods in the pro audio/MI industry. For more information, please visit: https://mojotone.com/ Vintage supply, modern approach Mojotone initially began as an extension of Turner’s instrument and amplifier repair shop in Winston-Salem, NC, supplying vintage and reproduction parts for guitars and amplifiers. Upon realizing the size and enthusiasm of the market, they quickly adopted a more ‘full-service’ vision that put their experience and expertise to the forefront in an industry that was well on its way to an analog revival. “The boutique amplifier and pedal market was just starting to take off and there was a real need for suppliers and educators who understood vintage-style circuits,” Turner explains. “We decided to put this knowledge at the forefront of everything we did and prioritize educating the market while also providing them with the best possible parts..” In addition to serving vintage enthusiasts, Mojotone quickly made themselves an ally to manufacturers, supplying OEM cabinets, parts and expertise to major brands such as Gibson as well as burgeoning boutique amplifier makers like Budda, Germino, Swart, Victoria, and more. These efforts naturally led to collaborations with artists as well as touring techs for Weezer, Green Day, Neil Young, Phish, Jack White, John Mayer. “It all comes back to that mindset of offering the best equipment we can and trying to solve issues that we felt hadn’t been solved,” McWhorter states. “It’s driven us to develop these new product lines for our own satisfaction, and ultimately attracted interest from some of our most exciting artist partners.” One of the most notable has been Lerxst – a cooperative effort with Rush’s Alex Lifeson that has resulted in a line of amplifiers, guitars, pickups, and effects inspired by the influential guitarist’s tone journey. The high-profile partnership provides insight into the next leg of Mojotone’s plans. “It's a different way for an artist to have ‘signature’ equipment – more holistic with a larger focus on the artist’s involvement and catering directly to their fans, rather than trying to appeal too broadly,” McWhorter explains. “They get 100% control of what happens, and we get to enjoy that collaboration and create something fresh and interesting for the market.” The next generation of Mojo Expanding the company’s product lines and artist relationships has also provided Mojotone with continued opportunities to expand their education and community-engagement efforts. The company now provides regular classes on amp manufacturing and pickup winding, as well as outreach efforts to local educational institutions. All of these efforts serve to seed the next generation of passionate craftspeople in the industry.“We really want to change the perception of manufacturing in this country and show how it can lead to meaningful, exciting careers built on craftsmanship and innovation,” explains Turner. “We have such a passion for all of this, and being able to share that with the youth guarantees that this knowledge will be passed on and continue to develop and grow.” “Over the past 25 years, we’ve helped so many people realize their dreams, start businesses, and create great music – all of this stems from that initial desire to share our experience and knowledge of musical instruments,” concludes McWhorter. “We’ve very proud of what we’ve accomplished, and we can safely say that there is much more to come in the next 25 years!” About MOJOTONE Mojotone was founded in 2000 by partners Michael McWhorter and Andy Turner as a full-service manufacturer and supplier of modern and vintage-reproduction amplifier and guitar parts. In addition to serving as one-stop-shop parts supplier, the brand also manufactures its own lines of USA-made amplifiers, cabinets, pickups, and guitar pedals, as well as signature equipment for artists such as Alex Lifeson, Johnny Winter, Bill Kelliher, Rene Martinez, and many more. For more information about MOJOTONE, please visit: https://mojotone.com/ (https://)

02:5811 days ago

Guitar Of The Day

1966 Fender Telecaster Guitar of the Day

Vintage guitar for today's new #TeleTuesday episode of #GuitarOfTheDay with ‪@mikelemmo‬ playing a beautiful 1966 Fender Telecaster available here at #NormansRareGuitars! For any questions you may have or price inquiries about this #Fender #Telecaster #ElectricGuitar give us a call at 818-344-8300 ALL GUITARS NOW AVAILABLE FOR PURCHASE ONLINE: https://reverb.com/shop/normans-rare-... https://normansrareguitars.com

09:3011 days ago

New Releases - Guitars/Bass/Gear

Range 120 Guitar Amplifier Plugin

"Delivering vintage British amp character with modern routing, cabinet flexibility, and studio-grade effects." Modeled after the iconic Orange OR120* amplifier from the early '70s. Nembrini Audio Range 120 captures its raw power, bold clean tones, and thick, saturated overdrive that shaped the sound of classic and hard rock. Key Features F.A.C. (Frequency Attenuator Control): Six-position rotary switch for tone sculpting and midrange voicing Bass (Hz) and Treble (kHz): Interactive Baxandall tone stack for deep, rich lows and clear, vibrant highs HF Drive: Adds sparkle and bite to the tone Gain: Shape preamp distortion and control overall output level Dual Inputs (High/Low): Offers clean headroom or enhanced saturation depending on selected input Cabinets & Impulse Loader: Includes 6 carefully selected cabinet emulations and an impulse response (IR) loader to load and blend your favorite third-party IRs. Mic selection, positioning, and mixing options provide studio-level control. Pre-Amplifier Stomp Effects: Noise Gate, Compressor, Doubler, and 808 Octane overdrive. All effects are draggable and re-orderable for full signal chain customization. Post-Amplifier Effects: Studio-grade Equalizer, Delay–Reverb, and Studio Compressor. Each effect is draggable for flexible routing and detailed tone sculpting. Standalone Version: Includes a standalone version of the plugin, allowing you to play and tweak tones without a DAW. STOMP EFFECTS Noise Gate: Eliminates unwanted noise for a clean signal. Compressor: Balances dynamics for a smoother tone. Doubler: Creates a wide stereo image from a mono signal using dynamic panning, pitch detuning, and time offsets. 808 Octane: Overdrive based on the classic 808 circuit, delivering smooth gain and midrange punch. Includes an optional octave-up switch. CABINETS Cabinet Emulations: Six carefully selected cabinets, each emulating the sound of classic guitar speaker cabinets. Microphone Emulations: Four premium microphones, each with selectable positions to capture the best tonal qualities. Mixer: Volume and pan controls to blend cabinet and microphone sounds for a customized tone. IR LOADER Up to 3 Simultaneous IRs: Load up to three IRs at once, allowing for complex cabinet sound combinations. IR Graph Representation: Visual graph displays the waveform of the loaded IRs, providing an intuitive way to understand their tonal characteristics. POST EFFECTS Equalizer: Fine-tune your tone with high, mid, and low-frequency controls. Delay - Reverb: Combines analog-style delay and lush reverb with tone, size, and mix controls for rich ambient textures. Studio Compressor: Controls dynamics for a polished, consistent sound. Legal Disclaimer: OR120 is a registered trademark of Orange Music Electronic Company Ltd. NA Range 120 was developed by Nembrini Audio SRL based on its modeling techniques. Orange Music Electronic Company Ltd has not endorsed nor sponsored the NA Range 120 in any manner, nor licensed any intellectual property for use in this product.

01:0721 days ago

Meanwhile Back At Norm's

Joe Bonamassa | 1970 Fender Telecaster Body with a 1964 Stratocaster Neck - UNIQUE GUITAR!!!

JoeBonamassa is back in town and his first stop is #NormansRareGuitars! Joe came to catch up with his uncle Norm, they talk about their future gigs and this super unique guitar, and 1970 Fender Telecaster with a 1964 Stratocaster neck.

11:4427 days ago

Joe Mass

Joe Mass - 1982 Strat body with 1960 Jazzmaster neck

Joe Mass - '82 Strat body with 1960 Jazzmaster neck + old Cry Baby wah

01:3327 days ago