Griff Hamlin_ Blues Guitar Unleashed
Griff Hamlin_ Blues Guitar Unleashed
Blues Soloing Move - House Pattern (Major) To Box 3 Pentatonic Minor To Pentatonic 6 Pattern
This video is one of my favorite "moves" around and through some of my favorite blues soloing scales and sounds.
If you've ever heard me talk about what I call the, "core position," for many blues players... this is it.
"Notice how, with minimal movement, I can go through 3 unique sounds easily and comfortably, with only minor adjustments getting from one scale to the next...
In my opinion, that should be your goal, not moving around the fretboard in large leaps and bounds."....Griff
Griff Hamlin_ Blues Guitar Unleashed
Beginning Blues Guitar Lesson - The 4 Blues Chord Shapes You Should Know
"The blues typically revolves around 7th chords... not major 7th, and no minor 7th, but dominant 7th chords.
Those chords can come in a few different shapes and sizes, but there are some basics that you really should know, and that's today's video."...Griff.
Griff Hamlin_ Blues Guitar Unleashed
Blues Guitar Soloing Lesson - Sliding Through The Pentatonic Scale On The Ring Finger
"It's fairly common using the "boxes" of the pentatonic or blues scale to get stuck in one pattern (which is often box 1 or maybe 2)...
But if you can get used to starting with your ring finger, there's a cool little slip and slide move that will take you through over 2 octaves of pentatonic scale real estate pretty darn quickly!
Aside from being a good way to play some cool blues/rock sounds because of the increase in speed, this is just another great way to visualize your fretboard that you may not be that familiar with.
So have fun, and try it out..." Griff.
Griff Hamlin_ Blues Guitar Unleashed
Griff Hamlin | Using The "Blues Half Step" In Your Soloing - The Altered Dominant Scale (Modern Blues Soloing)
In talking about more Modern Blues Soloing, and getting away from the standard Pentatonic and Blues scales for a bit, one of the things we have to discuss is the way chords influence the sound we play...And notice that I say "sound" and not "scale..." because, to me, scale implies a single correct choice, whereas saying that we are playing a certain "sound" implies that it's a choice we are making. Which is, of course, what Modern Blues Soloing is all about - having the know-how and the freedom to make a variety of sound choices in a variety of settings. Well, in a slow blues (or any blues, really) there's a tendency to use the "blues half step" going into the IV chord (or the V, or the IV) and if you use that "half step away" chord as part of your soloing, you get a pretty cool sound.
Griff Hamlin_ Blues Guitar Unleashed
Griff Hamlin's, Blues Guitar Unleashed_Best Online Blues Instructional Series
If you're a budding Blues player or a seasoned professional, Griff Hamlin's Blues Guitar Unleashed is a MUST HAVE.....check out Griff's latestYoutube Blues tip and subscribe to Blues Guitar Unleashed now.....
Griff Hamlin, "There are a lot of different tunes that, while "bluesy," aren't really blues songs (they aren't a 12 bar blues.)
This particular progression, which is used in songs like, "Blue On Black," "Sweet Home Alabama," and a lot of other classic rock and "blues" tunes, lends itself really well to experimenting with both the major and minor blues and pentatonic scales.
So, in this video, I'll show you the progression, how I put it in the looper, and how I go back and forth between those major and minor pentatonic scales to hear how they work and how they create contrast when used together."