108 Rock Star Guitars at NAMM 2020: "if you could play any guitar from Rock history, what would it be...?
"if you could play any guitar from Rock history, what would it be...? Lisa and Lonn ask some of Rock's greatest players .
NewsVintageTips, Tech & RepairsNorman's Rare Guitars PodcastGuitar Of The DayJazzCountryRockBluesAcousticMrs SmithFab's Music Café108 Rock Star GuitarsFab's Movie NightRecordingYoutube PicksSong Writing
AGN News: Get Ya EarPlugs Out...NAMM 2021 gets the green light...!
If you were wondering whether winter NAMM 2021 will go ahead, well at this stage, the organizers are saying, YES, ...!! So, got the mask? CHECK...! got the ear plugs? CHECK...I can't imagine how you could even begin to practice social distancing at NAMM but I guess there'll be a lot less people there if things remain the way they are now. Just imagine a NAMM where you can hear, park the car, get a coffee and go to the bathroom....!? Also, beginning Tuesday, July 7 and running through Friday, July 10, NAMM will present The 2020 NAMM U Virtual Summit: four days of career and business-enhancing webinars and strategies designed to help businesses take advantage of new opportunities and supercharge their future. Presented by NAMM U, TEC Tracks, and Advanced Audio + Applications Exchange, the free, online Summit will offer a suite of sessions across three unique tracks... Business, Audio and Technology. The sessions will cover topics ranging from online marketing strategies to the future of music technology, presented by experts in each area. Session presenters include Doug Stephens (best-selling author & founder of “Retail Prophet”, (customer experience expert) Scott McKain;(sound engineer) Mark Frink, Mr. Bonzai, Mindi Abair, Leland Sklar, Russ Kunkel, and many others. The NAMM U Virtual Summit will offer a dozen Zoom super-sessions that hone in on the most vital topics going forward, along with some fascinating sessions that highlight the changing industry.” The Summit will feature one webinar per day, per track, for a total of 12 sessions. The Summit is free and open to all industry professionals but A NAMM.org account is required to register; click the INFO button to visit NAMM.org.
SlashSarah RogoTim PierceBassJosh SmithNorman's Rare GuitarsUpload Of The DayDeke DickersonLessonsNewsVintageTips, Tech & RepairsKirk FletcherMorning Joe MassNorman's Rare Guitars PodcastMichael LemmoGuitar Of The DayJazzCountryRockBluesAcousticFab's Music Café108 Rock Star GuitarsFab's Movie NightRecordingJohn 5Youtube PicksSong Writing
AGN News: June 21st is "Make Music Day"
AGN News: June 21st is "Make Music Day"....For most of us, June 21st this year is Father’s Day, but it’s also the date for this year's lesser known, Make Music Day. Make Music Day was first launched in 1982 in France as the Fête de la Musique, when the country’s Ministry of Culture conceived an idea for a day where free, live music would be everywhere throughout the country and now nearly 40 years later, it's not only a national holiday in France, but it's celebrated in more than 120 countries around the world. Make Music Day is presented in the U.S. by the NAMM Foundation and is quote, “open to anyone who wants to take part. Every kind of musician – young and old, amateur and professional, of every musical persuasion – pours onto streets, parks, plazas, and porches to share their music with friends, neighbors, and strangers. All of it is free and open to the public.” June 21, the summer solstice, was chosen as the date for the event, and last year, more than 1,000 cities around the world threw citywide music celebrations to make the occasion. To find out about Make Music events in your city and how to get involved, click the INFO button and check out makemusicday.org.
108 Rock Star Guitars: The NAMM 2020 Interviews
NewsVintageGuitar Of The DayJazzCountryRockBluesAcoustic108 Rock Star Guitars
108 ROCK STAR GUITARS AT NAMM 2020: Marc Ferrari
Marc was born near New York City and relocated upstate where he stayed through graduation. It was here that he first cut his teeth on the bar circuit of Western New York. Though under-aged at the time, this didn’t stop him from pursuing his life-long passion of performing. By 19, already a veteran of the club wars, he moved to Boston for greener and more lucrative pastures which quickly earned him a reputation as a dynamic performer/writer playing on studio sessions with various artists and producers such as former Rolling Stones producer Jimmy Miller. Unsatisfied with his musical urges while recording/performing in the New England area, he sensed something was missing...his calling was elsewhere. In January 1984 Marc took a plane to Los Angeles never to look back, for it was there that his destiny was waiting. A chance meeting with long-time friend and correspondent, Mike Varney (Shrapnel Records president and all-around metal guru) changed his life forever. Mike told Marc that Ron Keel was starting his own project and was looking for hungry, hard-working people to share his vision. Marc called Ron the same day and the partnership was formed. Almost immediately the band was selling out all over Los Angeles at the Roxy and the Troubadour, then larger venues such as the Country Club. These shows brought the band to the attention of Goldmountain Records and future producer Gene Simmons of KISS. While awaiting a decision from the major labels, the band decided to waste no time and went into the studio to record their first LP for Mike Varney’s label. Recorded in just eight days, Lay Down The Law has become a cult classic among rock aficionados, and to this day is still selling strong. In August 1984 the band signed to Goldmountain Records and entered the renowned Record Plant Studios with Gene Simmons to record their epic The Right To Rock LP. This album, a virtual audial avalanche, sky-rocketed the band to instant acclaim upon its release in January 1985. Anti-censorship groups quickly aligned themselves with the title track and its message garnering the song a battle-cry of thousands across the country. 1986 Concert Shots The band toured all year in support of the LP, teaming up with such groups as Loudness, Accept, and Helix. The barnstorming paid off handsomely, and the group was voted “Best New Band” in not one, or two, but THREE of the nation’s biggest rock magazines: Circus, Metal Edge, and Rock Scene, beating out such luminaries as Bon Jovi, Dokken and Metallica. Capping off a brilliant year, the boys went back into the studio once again with Gene Simmons to record their 3rd LP, The Final Frontier. Just days before its release in early spring 1986, the space shuttle Challenger tragedy shook the world, and the band paid its tribute to the fallen heroes by dedicating the album to them. Putting the tragedy behind them, the band took the world by storm. They toured Europe for the first time as special guests of Dio. They criss-crossed America with Krokus, Quiet Riot and Queensryche. They were invited to play at the annual Texxas Jam with Van Halen for 81,000 people. They did stadium dates with Aerosmith, and to top it off, a whirlwind tour of Japan, where the band received the biggest welcome one could hope for... complete with Beatlemania-type scenes at the airport and hotels. They returned to the studio in December... this time with Michael Wagener (Dokken, Great White, Accept, Alice Cooper) at the helm. Pantera with Marc Upon completion of the album, Marc took on some other projects to keep busy. He produced a track for up and coming Texas rockers, Pantera and through his involvement, helped them to land a label deal. He took on a project from a Japanese advertising agency who had heard of his songwriting prowess and produced/recorded 12 songs for international use. He wrote 3 songs with ex-KISS skinbasher Peter Criss. He designed his own guitar which Peavey Corp. manufactured for him, and Peavey went as far as to purchase the rights to some of his design modifications. He was clearly starting to expand his horizons, welcoming all new challenges in front of him. 1987 Metal Mania The 4th LP, self-titled Keel, was released in May 1987. That summer, the boys landed the gig of the decade - the last leg of the Bon Jovi Slippery When Wet tour. How did they get that prestigious slot over countless other bands? A little luck and a lot of initiative made it happen. Marc himself explains, “I had known Jon (Bon Jovi) for a couple of years. He had always been real cordial to me whenever we met, so I kept in touch with him whenever he was in town. I ran into him at a club in L.A., just after the release of our Keel LP. We had a couple of drinks, and the next day I played him some of the tracks off the album. One thing led to another, and before I knew it, we were asked to open up the last leg of his tour. It all comes down to establishing a good rapport among your peers and associates. I like to build bridges, not burn them.” Following the ultra-successful Bon Jovi tour, the band returned to the clubs, grinding their way across the country for most of the summer and culminating with a Christmas show at their old stomping grounds, the Country Club in Los Angeles, a well deserved “welcome home” for the local heroes. “I had known Jon (Bon Jovi) for a couple of years. He had always been real cordial to me whenever we met, so I kept in touch with him whenever he was in town. I ran into him at a club in L.A., just after the release of our Keel LP. We had a couple of drinks, and the next day I played him some of the tracks off the album. One thing led to another, and before I knew it, we were asked to open up the last leg of his tour. It all comes down to establishing a good rapport among your peers and associates. I like to build bridges, not burn them.” 1988 Cold Sweat Following his departure from Keel in 1988, Marc diversified his interests in the music business. He started a new band which would eventually be signed to MCA called Cold Sweat. The highly-praised, but sadly overlooked debut album from Cold Sweat, entitled Break Out was released on MCA Records in June 1990. That summer, they supported Dio and Love/Hate on their U.S. tour, as well as being invited as special guests to Whitesnake on the Monsters of Rock festival in Mannheim, Germany. After a solid year on the road, the band returned to Los Angeles, only to find that their A&R rep at MCA had been fired. Due to lack of label support, the group disbanded in 1991. Marc concentrated on writing, producing, and music publishing. He co-wrote a song entitled “5-Card Stud” with former KISS guitarist Ace Frehley, which appeared on Ace’s album Trouble Walking. He also wrote a song with ex-Loudness vocalist Minuro Niihara which appeared on his solo album in Japan. Wayne's World Marc began doing clinics for St. Louis Music, representing Alvarez electric guitars and the fine line of Crate amplifiers as well, quickly becoming one of the most proficient and respected clinicians in the country. In Summer 1991, Marc was asked to be the guitarist in the now-classic Wayne’s World. Having worked with director Penelope Spheeris for a Keel video, Marc had developed a relationship which resulted in his first major motion picture appearance. Wayne’s World went on to become one of the most popular movies of its generation, and Marc was asked back to reprise his role of Tia Carrere’s guitarist in the smash sequel, Wayne’s World 2. He also appeared in the hit TV shows Murder She Wrote and Step By Step as well. In 1992 he formed MasterSource, which became one of the most successful independent music publishing companies in the world, licensing over 4,000 songs to film and television. 1992 also saw the formulation of his next band Medicine Wheel, which went on to release its debut album entitled First Things First via the Dream Circle label in Europe and Alfa/Brunette in Japan. In November 1994 the band played in Japan and released 2 other titles: Immoral Fabric and Small Talk. 1995 saw the release of Marc’s first ever solo effort entitled Marc Ferrari & Friends: Guest List. This exciting release features many of Marc’s friends from the rock community, and showcases his diverse writing and playing talents. Including performances from MSG’s Robin McAuley, Autograph’s Steve Plunkett, Medicine Wheel’s Michael Mulholland, Blackthorne’s Bob Kulick, and Black ’n Blue’s Tommy Thayer, Guest List is a first-rate collection of first-rate talent, and another page in the ever-expanding book of Marc Ferrari’s illustrious career. Rock Star 101 In 1996 the Summer Olympics came calling, and Marc responded by writing 2 theme songs that were used for video productions, “Capture The Dream” and “Chance Of A Lifetime.” In addition, 9 other songs from his catalog were used in various athlete profiles and special segments. Later that year, he was presented with a special achievement award from the National Academy of Television Arts and Sciences for his contributions to the 1996 Emmy-award winning daytime soap opera Guiding Light. 2008 Billboard Magazine In 2003 Marc released his 2nd solo album entitled Lights, Camera, Action, a collection of songs specifically written for film and TV projects and also became a published author with the release of his book Rock Star 101, published by Allworth Press. A unique look at the world of music from a performing artist’s point of view, the book offers valuable first-hand advice regarding the business aspect of playing in a band combined with many anecdotal road stories that only a rock star can tell. It received many glowing reviews and Marc did several high-profile book signings to promote it. In January 2007 MasterSource was acquired by Universal Music Publishing and is now part of the Universal Publishing Production Music family alongside Killer Tracks and FirstCom. Marc ran the MasterSource division for 5 years, stepping down in 2012 to explore new opportunities in both the production music space and the angel investment community. Few musicians have been able to accomplish the broad achievements that Marc Ferrari has done in such a short time. As new challenges are presented and conquered, one thing is certain... Marc Ferrari is just getting started!
Oct 1st, 2020: GRETSCH INTRODUCES G6120TFM BRIAN SETZER SIGNATURE NASHVILLE, HOLLOW BODY WITH BIGSBY
Gretsch® today announces the all-new G6120TFM Brian Setzer Signature Nashville® Hollow Body with Bigsby® and a stunning new color for the G6120T-HR Brian Setzer Signature Hot Rod Hollow Body with Bigsby®. By spearheading the rockabilly revival with the Stray Cats and jump-starting Big Band Swing with the Brian Setzer Orchestra, Brian Setzer has created a remarkable and lasting legacy. His decorated career includes over 13 million records sold, three Grammy Awards and the Orville H. Gibson Lifetime Achievement Award in honor of his work as a guitarist. Without a doubt, the longtime signature Gretsch artist is one of the most exciting musicians of our time. Gretsch is thrilled to be a part of Setzer’s pivotal rock and roll legacy with the G6120TFM Brian Setzer Signature Nashville® Hollow Body with Bigsby®, a truly rocking instrument that boasts as much swagger as the showman who inspired it. The single-cutaway hollow body features tiger flame maple arched top, back and sides with 1959 trestle bracing and oversized F-holes for improved sonic projection. The set maple neck has a 9.5”-12” compound radius ebony fingerboard with rolled edges for comfortable chording or speedy riffing across 22 medium frets and pearloid Neo-Classic™ thumbnail inlays. Dual TV Jones® Brian Setzer Signature Filter’Tron™ pickups deliver tight and punchy lows with a slightly hotter output that captures Brian’s iconic lively tone. Other performance-enhancing features include period-correct control locations with a three-position pickup toggle switch, three-position tone switch, master volume control with treble bleed circuit and individual bridge and neck pickup volume controls, Adjusto-Matic™ bridge with pinned rosewood base, Bigsby® B6C vibrato tailpiece, Delrin® nut and Gotoh® locking tuning machines. The G6120TFM in Orange Stain duly impresses with a period-correct gold pickguard shape, size and bracket, white body and neck binding, nickel hardware and G-arrow knobs. Now available in a brilliant all-new Magenta Sparkle finish with nickel hardware, the G6120T-HR Brian Setzer Signature Hot Rod Hollow Body with Bigsby® features a single-cutaway hollow body with an arched maple top, '59 trestle bracing and oversized F-holes for improved sonic snap and projection. The maple neck features a 9.5"-12” compound radius rosewood fingerboard with rolled edges for comfortable chording or speedy riffing across 22 medium frets and pearloid Neo-Classic™ thumbnail inlays. Dual TV Jones® Brian Setzer Signature Filter’Tron™ humbucking pickups are also featured here, but with bare-bones Hot Rod controls including only a three-position pickup toggle switch and master volume control with treble bleed circuit. The pinned Adjusto-Matic™ bridge with rosewood base, Bigsby® B6C vibrato tailpiece, Delrin® nut and Gotoh® locking tuners ensure bullet-proof performance night after night. For more information, visit www.gretschguitars.com.
Meanwhile Back At Norm's
Norman's Rare GuitarsNewsVintageNorman's Rare Guitars Podcast
Norman Harris Just Bought More CUSTOM Vintage Guitars For His Collection November 27 2020
Norman Harris Just Bought More CUSTOM Vintage Guitars For His Collection November 27 2020
Update: Thursday, Nov 26, 2020: Happy thanksgiving: Renowned Bass Players Showcase Culinary Creativity in ‘Bass Clef Chefs’ Cookbook
LOS ANGELES, CA — Professional bass players are coming together to showcase a different side of their creativity in the new Bass Clef Chefs cookbook. Available in print and digital download, Bass Clef Chefs features the favorite recipes of bass players from around the world who are “cooking on and off the stage.” As touring musicians, these players know the comfort of preparing a favorite dish or whipping up a rejuvenating treat after the show. They also know the power of collaboration in support of a good cause. Fond memories with friends and family helped inspire the pages of Bass Clef Chefs, and all proceeds from sales will benefit the Alzheimer's Association. Bass Clef Chefs began with a group of friends who were stuck inside and trading recipes during the COVID-19 lockdown. These friends are not only bass players, but also love to cook. After some drinks and conversation, they came up with the seemingly "bad idea" of putting together a cookbook. The initial concept evolved into an excellent idea of reaching out to several friends they've collectively made over 50 years in the music industry. The recipes in Bass Clef Chefs span breakfast, lunch, and dinner, and everything in between, from appetizers, soups and salads, to sauces and salsas, and desserts and cocktails. Dietary preferences are also taken into account, with keto recipes submitted by Bubby Lewis, bassist for Snoop Dogg and Dr. Dre. Some contributors even put a musical spin on their dishes, like “And Justice For Blackened Shrimp” from Dan Kenny of death metal bands Suicide Silence and Animosity, and “Baked Fleetwood Mac and Cheese” by J.D. Pinkus of Butthole Surfers and the Melvins. Adding their professional touch are culinary graduates Julie Slick, bassist for EchoTest and Adrian Belew Power Trio, and Rob Van der Loo, metal bassist for Mayan and Epica. Julie offers her spin on homey favorites, like Buttermilk Drop Biscuits, Springtime Risotto, and Zucchini Feta Fritters, while Rob shares his special training in Indonesian food with Sambal Goreng Tahu and Chicken Satay. “Some recipes have been passed down through generations, some are adaptations of our favorite classics, and some are results of being way too hungry late at night and going for it with what was available in the house at that time. But, one thing is consistent in all these recipes — LOVE,” said Loren Hill, Artist Relations Director for Darkglass Electronics. Hill compiled the project along with the help of editor Karla Mendelson. Love is a common thread not only in music and cooking, but in caring for someone with an incurable disease. While collaborating, the contributors of Bass Clef Chefs discovered another commonality—many have lost a close family member to Alzheimer's disease or dementia. The players resolved that all proceeds from Bass Clef Chefs would benefit the Alzheimer's Association. The book is dedicated to patients and families with the message: “Stay strong. Stay hopeful. And keep rockin’.” The contributors of Bass Clef Chefs invite readers to clear off the counter top, put on an apron, grab a bowl and measuring cup, and get cooking—and don’t forget to rock ‘n roll! Bass Clef Chefs is available worldwide through Amazon’s self-publishing service, in digital download ($19.95) or print ($34.95) Happy Thanksgiving
Josh Smith's AMAZING GUITAR COLLECTION
Josh Smith's arsenal all in one clip.....these are the hardworking tools of a hardworking professional guitar player. They all have a purpose...!
Meanwhile Back At Norm's
Norman's Rare GuitarsVintageNorman's Rare Guitars PodcastGuitar Of The Day
Norman Harris' INSANE Vintage Guitar Collection Norman's Rare Guitars November 2020.
somehow, ya can never get enough of this.....Norm doin' what Norm does best.
Norman's Rare Guitars
Joe Bonamassa & Frank Stallone Signs a Frank Stallone Guitar Tigress For the The Midnight Mission
Joe Bonamassa & Frank Stallone Signs a Frank Stallone Guitar Tigress For the The Midnight Mission
UPDATE: Wednesday Nov 25, 2020: Gibson partners with Reverb to launch the Gibson Demo Shop, offering a direct source for Gibson prototypes, demo guitars, pre-played artist models . .mp4
NASHVILLE, TN: Gibson the iconic American instrument brand has partnered with Reverb--the largest online marketplace dedicated to buying and selling new and used musical instruments--to launch the Gibson Demo Shop. The Gibson Demo Shop on Reverb offers a direct source for one-of-a-kind Gibson prototypes, demo guitars, pre-played artist models and Gibson mods, at an exceptional value. The Gibson Demo Shop is live on Reverb now with an exclusive run of 40 guitars, Here. Featuring one-of-a-kind guitars, the Gibson Demo Shop brings unique guitars to the online marketplace for fans. All Gibson Demo Shop guitars are certified through the Gibson Repair and Restoration team’s 35-point inspection process and will receive a certificate of verification. Additionally, all Gibson Demo Shop guitars will be covered by a two-year warranty centered on playability. Fans can check back every week for updates and “follow” the Gibson Demo Shop on Reverb to get instant notifications on the next run of guitars: “We are excited to launch the Gibson Demo Shop in partnership on Reverb, as they’re the established online marketplace for guitars and beyond,” says Cesar Gueikian of Gibson. “We are making unique prototypes, demo and modified guitars, and over time guitars played by our artists that fans love will be available on the Gibson Demo Shop.” “Gibson is giving players an incredible opportunity to own some truly unique guitars--many that weren’t previously available for purchase--and I couldn’t be more excited that Reverb’s global community of music makers will have access to this gear,” adds Jim Tuerk of Reverb. After more than a century, Gibson artists, players and fans continue to experience the #1 guitar brand rejuvenated. Gibson is played by the best and brightest artists, across generations and genres and has emerged as the most relevant, most played, and most loved guitar brand around the world. About Gibson: Gibson, the world’s most iconic guitar brand, has shaped the sounds of generations of musicians and music lovers across genres for more than 100 years. Founded in 1894 and headquartered in Nashville, TN, with a premiere acoustic facility in Bozeman, MT, Gibson Brands has a legacy of world-class craftsmanship, legendary music partnerships, and progressive product evolution that is unrivaled among musical instrument companies. The Gibson Brands portfolio includes Gibson, the number one guitar brand, as well as many of the most beloved and recognizable music brands, including Epiphone, Kramer, Steinberger, and the Gibson Pro Audio Division, KRK Systems. Gibson Brands is dedicated to quality, innovation, and sound excellence so that music lovers for generations to come will continue to experience music shaped by Gibson Brands About Reverb: Reverb is the largest online marketplace dedicated to buying and selling new, used, and vintage musical instruments. Since launching in 2013, Reverb has grown into a vibrant community of buyers and sellers all over the world. By focusing on inspiring content, price transparency, musician-focused, eCommerce tools, a music-savvy customer service team, and more, Reverb has created an online destination where the global music community can connect over the perfect piece of music gear. A portion of each sale on Reverb goes to Reverb Gives, which provides youth music programs all over the world with the instruments they need to make music. Reverb is a wholly-owned subsidiary of Etsy (NASDAQ: ETSY.) Click the INFO button for more.
Bruce Forman: "There will never be another you"
And.....there will never be anyone else who's plays it quite so sweetly.....!!
Update: Nov 24, 2020: Clapton auctions '54 Strat & luxury 156ft Yacht..
From Gotta Have Rock And Roll: "Eric Clapton’s historic owned and stage played “Slowhand” 1954 sunburst Fender Stratocaster electric guitar. This magnificent guitar, heavily used by Clapton both on and off-stage would be the ultimate star in any guitar collection. Clapton acquired this rare non-tremelo 1954 Stratocaster in 1978 -79 and for the next five years it became his main stage slide guitar which he also used in the recording studio The letters “TG” on the neck-butt are the initials of Tadeo Gomez, a Fender employee who was responsible for shaping the neck, the digits 9-54 indicate the month and the year (September, 1954) the neck was completed. The guitar is a ‘non-tremolo’ model. The story of Clapton and his guitars is a true love story, spanning the career of one of the rock and roll’s most treasured guitarists, filled with fascinating details that has intrigued his fans for years. His deep connection to the Stratocaster, which began early in his career, continued with this this ‘non-tremelo’ model 1954 sunburst Stratocaster that he used both on stage and in the studio for slide work circa 1979-1985. It appears that Clapton first used it on stage circa 1979-1980 to play his opening numbers “Tulsa Time” and “Early in the Morning” in the set list for his 1979 tour. Clapton needed a guitar set-up for slide playing for both of these songs, and for both the guitar was tuned in open G, one of his favorite tunings for playing slide. With serial number 7431, next date and initials T-G-54 in pencil, sunburst finish, maple neck with skunk stripe routing, twenty-one fret fingerboard with dot inlay, three pickups, three rotary controls, five-way selector switch, tailpiece with adjustable saddles and white pickguard; and a tweed rectangular hard-shell case with red plush lining and Lee Dickson’s handwritten adhesive paper label “ ’54 S/Burst Fender Strat #7431; case containing strap. This truly incredible guitar comes with impeccable provenance, including a signed typescript letter from Lee Dickson, Clapton’s guitar technician from 1979 to the present day in which he describes in detail his fond memories for this guitar – stating it that Clapton used it exclusively for slide, that is was the only non-tremelo that Clapton had and that Clapton particularly liked it because of the year 1954 – the year of the Strat. He remembers the tours Clapton used it on and that it always traveled with Clapton’s other beloved guitars “Brownie” and “Blackie”. The guitar is also accompanied by an Eric Clapton signed Certificate from the Christie’s auction, “A Selection of Eric Clapton’s Guitars” held on June 24, 1999 which was Clapton’s first historic benefit auction to support The Crossroads Centre in Antigua, a cause very close to his heart. With the corresponding Christie’s lot card for lot 103 and original auction catalog the guitar also comes with a Gotta Have Rock & Roll™ Certificate of Authenticity. Also included in this lot is an Eric Clapton beautifully signed "Slowhand" gold album and cassette award." Also, Clapton is unloading his luxury yacht, offering it up for auction at a sale of Hollywood memorabilia. The 47.5 meter long (156 foot) Va Bene yacht, he bought in 2005 and refurbished extensively three years later, is expected to fetch $7 million-$10 million at the Nov. 28 sale in Los Angeles, auction house GWS Auctions.
Guitar Of The Day
Guitar of the Day: 2004 Gibson Custom Shop Firebird I Cardinal Red
2004 Gibson Custom Shop Firebird I Cardinal Red Norman's Rare Guitars
Uploads - Submit Media now with the AGN app
Kristian Daley: "Testing out my new Fender Tele"
Kristian Daley: "Testing out my new Fender Tele"
Update: Monday Nov 23, 2020: Guitar Center declares bankruptcy
Guitar Center is filing for Chapter 11 bankruptcy, the latest company to go bankrupt during the pandemic that has decimated America's retail sector. he company said in its bankruptcy filing that it received up to $165 million in new equity investments and lenders agreed to reduce the company's debt by nearly $800 million.
Alamo Music Center
Does Guitar Color Affect Tone!
We're here to discuss one of the most asked questions that we get here at the store and online: how does the color of a guitar change the tone? While some (Cooper) might say NO, some (Billy Corgan) might say YES, and others (Chris) might say MAYBE, we are discussing all the factors that might be correlated to finish affecting tone. Between these two Stratocasters of different finishes, do you hear a difference? Tell us all your thoughts on if color and tone are related!