108 ROCK STAR GUITARS AT NAMM 2020: Vernon Reid, 'Living Colour'
Vernon Reid is best known as being the founder, guitar player and primary songwriter of the rock band Living Colour, Reid was named No. 66 on Rolling Stone magazine's 2003 list of the 100 Greatest Guitarists of All Time. Critic Steve Huey writes, "Reid's rampant eclecticism encompasses everything from heavy metal and punk to funk, R&B and avant-garde jazz, and his anarchic, lightning-fast solos have become something of a hallmark as well."
108 Rock Star Guitars: The NAMM 2020 Interviews
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108 ROCK STAR GUITARS AT NAMM 2020: Rock journalist, Shawn Perry.
Lisa and Lonn chat with Rock journalist and musicologist, Shawn Perry.
108 Rock Star Guitars: The NAMM 2020 Interviews
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108 ROCK STAR GUITARS AT NAMM 2020: Marc Ferrari
Marc was born near New York City and relocated upstate where he stayed through graduation. It was here that he first cut his teeth on the bar circuit of Western New York. Though under-aged at the time, this didn’t stop him from pursuing his life-long passion of performing. By 19, already a veteran of the club wars, he moved to Boston for greener and more lucrative pastures which quickly earned him a reputation as a dynamic performer/writer playing on studio sessions with various artists and producers such as former Rolling Stones producer Jimmy Miller. Unsatisfied with his musical urges while recording/performing in the New England area, he sensed something was missing...his calling was elsewhere. In January 1984 Marc took a plane to Los Angeles never to look back, for it was there that his destiny was waiting. A chance meeting with long-time friend and correspondent, Mike Varney (Shrapnel Records president and all-around metal guru) changed his life forever. Mike told Marc that Ron Keel was starting his own project and was looking for hungry, hard-working people to share his vision. Marc called Ron the same day and the partnership was formed. Almost immediately the band was selling out all over Los Angeles at the Roxy and the Troubadour, then larger venues such as the Country Club. These shows brought the band to the attention of Goldmountain Records and future producer Gene Simmons of KISS. While awaiting a decision from the major labels, the band decided to waste no time and went into the studio to record their first LP for Mike Varney’s label. Recorded in just eight days, Lay Down The Law has become a cult classic among rock aficionados, and to this day is still selling strong. In August 1984 the band signed to Goldmountain Records and entered the renowned Record Plant Studios with Gene Simmons to record their epic The Right To Rock LP. This album, a virtual audial avalanche, sky-rocketed the band to instant acclaim upon its release in January 1985. Anti-censorship groups quickly aligned themselves with the title track and its message garnering the song a battle-cry of thousands across the country. 1986 Concert Shots The band toured all year in support of the LP, teaming up with such groups as Loudness, Accept, and Helix. The barnstorming paid off handsomely, and the group was voted “Best New Band” in not one, or two, but THREE of the nation’s biggest rock magazines: Circus, Metal Edge, and Rock Scene, beating out such luminaries as Bon Jovi, Dokken and Metallica. Capping off a brilliant year, the boys went back into the studio once again with Gene Simmons to record their 3rd LP, The Final Frontier. Just days before its release in early spring 1986, the space shuttle Challenger tragedy shook the world, and the band paid its tribute to the fallen heroes by dedicating the album to them. Putting the tragedy behind them, the band took the world by storm. They toured Europe for the first time as special guests of Dio. They criss-crossed America with Krokus, Quiet Riot and Queensryche. They were invited to play at the annual Texxas Jam with Van Halen for 81,000 people. They did stadium dates with Aerosmith, and to top it off, a whirlwind tour of Japan, where the band received the biggest welcome one could hope for... complete with Beatlemania-type scenes at the airport and hotels. They returned to the studio in December... this time with Michael Wagener (Dokken, Great White, Accept, Alice Cooper) at the helm. Pantera with Marc Upon completion of the album, Marc took on some other projects to keep busy. He produced a track for up and coming Texas rockers, Pantera and through his involvement, helped them to land a label deal. He took on a project from a Japanese advertising agency who had heard of his songwriting prowess and produced/recorded 12 songs for international use. He wrote 3 songs with ex-KISS skinbasher Peter Criss. He designed his own guitar which Peavey Corp. manufactured for him, and Peavey went as far as to purchase the rights to some of his design modifications. He was clearly starting to expand his horizons, welcoming all new challenges in front of him. 1987 Metal Mania The 4th LP, self-titled Keel, was released in May 1987. That summer, the boys landed the gig of the decade - the last leg of the Bon Jovi Slippery When Wet tour. How did they get that prestigious slot over countless other bands? A little luck and a lot of initiative made it happen. Marc himself explains, “I had known Jon (Bon Jovi) for a couple of years. He had always been real cordial to me whenever we met, so I kept in touch with him whenever he was in town. I ran into him at a club in L.A., just after the release of our Keel LP. We had a couple of drinks, and the next day I played him some of the tracks off the album. One thing led to another, and before I knew it, we were asked to open up the last leg of his tour. It all comes down to establishing a good rapport among your peers and associates. I like to build bridges, not burn them.” Following the ultra-successful Bon Jovi tour, the band returned to the clubs, grinding their way across the country for most of the summer and culminating with a Christmas show at their old stomping grounds, the Country Club in Los Angeles, a well deserved “welcome home” for the local heroes. “I had known Jon (Bon Jovi) for a couple of years. He had always been real cordial to me whenever we met, so I kept in touch with him whenever he was in town. I ran into him at a club in L.A., just after the release of our Keel LP. We had a couple of drinks, and the next day I played him some of the tracks off the album. One thing led to another, and before I knew it, we were asked to open up the last leg of his tour. It all comes down to establishing a good rapport among your peers and associates. I like to build bridges, not burn them.” 1988 Cold Sweat Following his departure from Keel in 1988, Marc diversified his interests in the music business. He started a new band which would eventually be signed to MCA called Cold Sweat. The highly-praised, but sadly overlooked debut album from Cold Sweat, entitled Break Out was released on MCA Records in June 1990. That summer, they supported Dio and Love/Hate on their U.S. tour, as well as being invited as special guests to Whitesnake on the Monsters of Rock festival in Mannheim, Germany. After a solid year on the road, the band returned to Los Angeles, only to find that their A&R rep at MCA had been fired. Due to lack of label support, the group disbanded in 1991. Marc concentrated on writing, producing, and music publishing. He co-wrote a song entitled “5-Card Stud” with former KISS guitarist Ace Frehley, which appeared on Ace’s album Trouble Walking. He also wrote a song with ex-Loudness vocalist Minuro Niihara which appeared on his solo album in Japan. Wayne's World Marc began doing clinics for St. Louis Music, representing Alvarez electric guitars and the fine line of Crate amplifiers as well, quickly becoming one of the most proficient and respected clinicians in the country. In Summer 1991, Marc was asked to be the guitarist in the now-classic Wayne’s World. Having worked with director Penelope Spheeris for a Keel video, Marc had developed a relationship which resulted in his first major motion picture appearance. Wayne’s World went on to become one of the most popular movies of its generation, and Marc was asked back to reprise his role of Tia Carrere’s guitarist in the smash sequel, Wayne’s World 2. He also appeared in the hit TV shows Murder She Wrote and Step By Step as well. In 1992 he formed MasterSource, which became one of the most successful independent music publishing companies in the world, licensing over 4,000 songs to film and television. 1992 also saw the formulation of his next band Medicine Wheel, which went on to release its debut album entitled First Things First via the Dream Circle label in Europe and Alfa/Brunette in Japan. In November 1994 the band played in Japan and released 2 other titles: Immoral Fabric and Small Talk. 1995 saw the release of Marc’s first ever solo effort entitled Marc Ferrari & Friends: Guest List. This exciting release features many of Marc’s friends from the rock community, and showcases his diverse writing and playing talents. Including performances from MSG’s Robin McAuley, Autograph’s Steve Plunkett, Medicine Wheel’s Michael Mulholland, Blackthorne’s Bob Kulick, and Black ’n Blue’s Tommy Thayer, Guest List is a first-rate collection of first-rate talent, and another page in the ever-expanding book of Marc Ferrari’s illustrious career. Rock Star 101 In 1996 the Summer Olympics came calling, and Marc responded by writing 2 theme songs that were used for video productions, “Capture The Dream” and “Chance Of A Lifetime.” In addition, 9 other songs from his catalog were used in various athlete profiles and special segments. Later that year, he was presented with a special achievement award from the National Academy of Television Arts and Sciences for his contributions to the 1996 Emmy-award winning daytime soap opera Guiding Light. 2008 Billboard Magazine In 2003 Marc released his 2nd solo album entitled Lights, Camera, Action, a collection of songs specifically written for film and TV projects and also became a published author with the release of his book Rock Star 101, published by Allworth Press. A unique look at the world of music from a performing artist’s point of view, the book offers valuable first-hand advice regarding the business aspect of playing in a band combined with many anecdotal road stories that only a rock star can tell. It received many glowing reviews and Marc did several high-profile book signings to promote it. In January 2007 MasterSource was acquired by Universal Music Publishing and is now part of the Universal Publishing Production Music family alongside Killer Tracks and FirstCom. Marc ran the MasterSource division for 5 years, stepping down in 2012 to explore new opportunities in both the production music space and the angel investment community. Few musicians have been able to accomplish the broad achievements that Marc Ferrari has done in such a short time. As new challenges are presented and conquered, one thing is certain... Marc Ferrari is just getting started!
108 Rock Star Guitars: The NAMM 2020 Interviews
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108 ROCK STAR GUITARS AT NAMM 2020: Nikki Stevens
Nikki has taught hundreds of students during 13 of her 22 years experience playing. She co-owned and operated a musical instrument store in Montana and was also the director of the private lesson program. She joined Jason Newsted's "Chophouse" jam crew, then moved back home to Los Angeles to join Paradise Kitty-- the all female tribute to Guns N' Roses. She not only teaches on Fender Play, but also contributes to curriculum development as a lesson writer. Besides music, Nikki is obsessed with hummingbirds and has been known to save baby birds in damaged nests.
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AGN News: Get Ya EarPlugs Out...NAMM 2021 gets the green light...!
If you were wondering whether winter NAMM 2021 will go ahead, well at this stage, the organizers are saying, YES, ...!! So, got the mask? CHECK...! got the ear plugs? CHECK...I can't imagine how you could even begin to practice social distancing at NAMM but I guess there'll be a lot less people there if things remain the way they are now. Just imagine a NAMM where you can hear, park the car, get a coffee and go to the bathroom....!? Also, beginning Tuesday, July 7 and running through Friday, July 10, NAMM will present The 2020 NAMM U Virtual Summit: four days of career and business-enhancing webinars and strategies designed to help businesses take advantage of new opportunities and supercharge their future. Presented by NAMM U, TEC Tracks, and Advanced Audio + Applications Exchange, the free, online Summit will offer a suite of sessions across three unique tracks... Business, Audio and Technology. The sessions will cover topics ranging from online marketing strategies to the future of music technology, presented by experts in each area. Session presenters include Doug Stephens (best-selling author & founder of “Retail Prophet”, (customer experience expert) Scott McKain;(sound engineer) Mark Frink, Mr. Bonzai, Mindi Abair, Leland Sklar, Russ Kunkel, and many others. The NAMM U Virtual Summit will offer a dozen Zoom super-sessions that hone in on the most vital topics going forward, along with some fascinating sessions that highlight the changing industry.” The Summit will feature one webinar per day, per track, for a total of 12 sessions. The Summit is free and open to all industry professionals but A NAMM.org account is required to register; click the INFO button to visit NAMM.org.
News: Oct 22, 2020: Black American Music Association (BAM) And Georgia Entertainment Caucus (GEC) Announce the Formation of The Black Music & Entertainment Walk of Fame
Today the Black American Music Association (BAM) and the Georgia Entertainment Caucus (GEC) announced the formation of the Black Music & Entertainment Walk of Fame (WOF). The momentous event featured remarks from BAM Founders, Michael T Mauldin and Demmette Guidry, and GEC Founders Georgia State Representative Erica Thomas and Catherine Brewton. Also in attendance, was renowned artist, D.L. Warfield, who is creating the official WOF emblem that will be embedded in the sidewalk representing each inductee. The emblem is being created in collaboration with sculptor and historian Ed Dwight. Located in the historic downtown Atlanta area, the WOF will reside on the sidewalks of Martin Luther King, Jr. Drive and Northside Drive, 1 AMB Drive, NW, Atlanta, GA 30313. The event was hosted by the Mercedes Benz Stadium. GEC Logo GEC Logo BAM Logo BAM Logo Also in attendance were musician, songwriter, record and film producer, Dallas Austin, R&B Singer, songwriter, producer, Sean Garrett, Entertainment Executive & Head of Artist & Talent Relations at Spotify, Chaka Zulu, Georgia House of Representatives members Rep. Miriam Paris, Rep. Park Cannon, Whip William Boddie, Director, Mayor's Office of Film & Entertainment at City of Atlanta, Phillana Williams and Atlanta City Council member, Antonio Brown, who presented the BAM and GEC team with a proclamation from the City Council. Known as the "Capital of the South," Atlanta has long been the mecca of Black music and entertainment and the WOF will be a key addition to showcase the industry's greatest contributors. With both a national and international appeal, the WOF will honor the iconic individuals and organizations that have impacted Black culture and community alongside those who continue to lead us into the future. Groundbreaking for the WOF is slated for late December, weather permitting, with an official inaugural celebration scheduled for January 2021 over M.L.K., Jr. weekend. "As a proud Black man in America, who has been a part of the professional entertainment community for 45 years, I'm elated to have the opportunity to help usher into Atlanta, Georgia, this historic and innovative international Walk of Fame," shared Mauldin. "Represented as the "Eternal Crown Jewel of Black Culture," there could be no better location in the world than M.L.K., Jr. Drive to profile the heritage, legacy and future of our global Black music and entertainment culture." "Black American Music, as an art form, is the driver of Black culture, which drives popular culture worldwide. So, it is fitting that we honor those who are the 'bedrock' of culture," stated Guidry. The Black Music & Entertainment Walk of Fame will be a permanent monument to achievement in Black excellence. We are designing the Walk of Fame in hopes that it will become a popular tourist destination, illuminating our rich cultural heritage." "I am ecstatic to be a founding member of the Black Music and Entertainment Walk of Fame. This initiative makes me so proud, with everything going on in the world African Americans need some positivity and hope and the Walk of Fame will bring just that," shared Georgia State Representative, District 39, Erica Thomas. "This symbolic gesture proves that we as a community have come a long way and although we have many miles to go this effort shows an overall sense of respect for the individuals of color that helped pave the way for our entertainment professionals." "I'm extremely proud to be a part of this initiative to create the Black Music and Entertainment Walk of Fame," commented Catherine Brewton. "Not only does Georgia have deep roots in black music and entertainment, but Atlanta continues to be the center of black excellence. This walk of fame will symbolize, memorialize, and celebrate many of our black creatives and entertainers who have made significant impacts both here and around the world." About Black American Music Association (BAM) Founded in 2017, BAM a 501(c)(6) membership professional trade organization, dedicated to preserving, protecting and promoting the legacy and the future of AUTHENTIC Black American Music as an indigenous art form. Black American Music is a major piece of the foundation of the African American experience. BAM provides music industry professionals, creators, scholars and music industry stakeholders with opportunities to transform global cultural relevance into community relevance that will empower future generations through professional training, education, preservation, financial literacy and advocacy. About Georgia Entertainment Caucus (GEC) The GEC is an Atlanta-based organization that focuses on bridging the gap between the Georgia Political Sector and the Entertainment industry. GEC was founded by Georgia State Representative, Erica Thomas, and Broadcast Music, Inc. (BMI) executive, Catherine Brewton. for more, click the INFO button.
Guitar Of The Day
Guitar of the Day Late 1960's Fender Coronado II Wildwood I .
It’s #WackyWednesday!!! Stay safe, be kind and hope you’re all well! Enjoy this new episode of #GuitarOfTheDay: Lemmo playing an Original Late 1960’s Fender Coronado II Wildwood I here at #NormansRareGuitars! For any questions you may have or price inquiries about this #Fender #Coronado #Wildwood #ElectricGuitar please give us a call at 818-344-8300.
AGN News: Oct 21st, 2020; GIBSON: LAUNCHES WORLDWIDE ‘GIBSON VIRTUAL GUITAR TECH SERVICE
Gibson the iconic, American-made, leading instrument brand is proud to launch a FREE, virtual and fully interactive guitar tune-up service, the Gibson Virtual Guitar Tech Service. A global experience, the service matches players worldwide with Gibson’s team of professional techs in real-time to cover basic tune-ups for guitar, bass, electric and acoustic players in any genre or style. The Gibson Virtual Guitar Tech Service in available in multiple languages, including Spanish, French, German and English, reaching across time zones in Europe and the USA with more territories to be added. For more information on the Gibson Virtual Guitar Tech Service, visit: https://www.gibson.com/Support/Virtual-Guitar-Tech. Gibson Virtual Guitar Tech Service is personalized for any player who wants to self-service their instrument. Unlike online instructional videos, you will not be alone; the Gibson Virtual Guitar Tech Service provides you with real-time, interactive, video assistance from an experienced Gibson technician to help guide the process. With Gibson’s FREE online one-on-one video conference calls, the Gibson Virtual Guitar Tech Service will assist with your Gibson, Epiphone, Kramer or Steinberger electric or acoustic guitar, ukulele, banjo, mandolin, or electric bass. The Gibson Virtual Guitar Tech experience two-step process is entirely FREE: Step # 1: Go to Gibson.com and schedule a FREE 30-minute one-on-one consultation call with a VGT. On this video conference call, you’ll discuss the instrument type, condition, any issues you’re currently experiencing and what type of services are needed. The VGT will ask questions about your playing and style, as well as, your experience and comfort level with working on your own instrument. The VGT will give you a list of the basic tools and supplies needed to successfully perform the tune-up tasks. Step #2: Upon completing Step #1, schedule a FREE 60-minute one-on-one Basic Guitar Tune Up Service with a VGT. This appointment is confirmed after your initial consultation call in order to give you time to order the recommended supplies and tools. The VGT will guide you--via real-time video--step-by-step through the process of servicing your instrument. click the INFO button for more.
Josh Smith's Guitars: Josh Williams ES-335
.....Josh Smith loves his Josh Williams ES-335. It's a classic with a twist, P90 in the front and Humbucker in the back....!!
AGN NEWS: OCT 20th; Black American Music Association (BAM) and Voting Rights Are Civil Rights Initiative align to combat voter suppression
AGN NEWS: OCT 20th;The Black American Music Association (BAM), has announced a partnership with the Voting Rights Are Civil Rights Initiative. The effort is specifically focused on protecting the vote in 14 swing states and 54 counties with high African American and Latino populations. BAM and the Voting Rights Are Civil Rights Initiative have aligned with several entertainment industry groups, community organizations, activists and former election commissioners. Together the coalition is focusing on three main initiatives – recruiting GenZ to help staff the polls; educating people on their legal rights so they can make sure their votes are counted and how to address voter suppression and intimidation. To accomplish this, they are recruiting and training poll workers; providing unique information from professional election administrators and providing information and tools to fight voter suppression tactics and intimidation. The first initiative, which is already underway, includes partnerships with the Georgia Youth Poll Workers Project and Poll Heros. Both of these organizations were started and are run by college students interested in recruiting fellow members of GenZ to be paid poll workers. BAM was created to Preserve, Protect, and Promote the Legacy and Future of authentic Black American Music as a global art form. In its mission to support and advocate for its membership and the music community as a whole, BAM understands the impact that government policies and elected officials have on these groups. BAM also understands the power of voting and embraces the importance of every American citizen being able to exercise their Constitutional right to vote, which is why they've partnered with Voting Rights Are Civil Rights Initiative. BAM co-founder Demmette Guidry says, "In the past four months we've seen the power of the youth when they stand up and make themselves heard. This is the next step in harnessing the power of the streets in conjunction with the industry and artist community to not only make change on the national level, but also on the state and local levels. Something we are committed to pursuing over the next several years. Through working in coalition with our artists, industry executives and election officials we can transform our cultural relevance into community relevance empowering future generations." Ion Sancho of Voting Rights Are Civil Rights, who oversaw the 2000 Bush vs. Gore Recount for the Florida Supreme Court states, "The 2020 election provides America with her greatest opportunity to remedy the poisonous legacy of slavery and it's spawn, institutional racism, since the end of the Civil War. Today we are all video witnesses to the injustices we have kept hidden from ourselves, lest we question the myth of American Exceptionalism we use to cloak our history. Slavery flawed our Founders, but their wisdom gave us a government that we can change, at the ballot box, to make, in their words, "a more perfect union". Today, our efforts, allied with the greatest artists and talent we possess, act in concert to ensure all Americans can vote, fulfilling the real greatness of America - one nation, with liberty and justice for all. In addition to BAM and Voting Rights Are Civil Rights Initiative, the coalition includes BMAC, The Kevin Lyman Group and The Publicists Forum. A leading voice in the music industry, BAM is focused on several other key Social Justice and Community focused initiatives in addition to its anti-voter suppression work. The organization will break ground on the Black Music & Entertainment Walk of Fame in Atlanta, GA this fall, and has established partnerships with other non-profit organizations including, The Otis Redding Foundation, Hope For Harvest, NXG Leaders, and Power2Inspire Foundation. To learn more about the BAM and Voting Rights Are Civil Rights anti-voter suppression campaign, visit www.votingrightsarecivilrights.com. About Black American Music Association Founded in 2017, the Black American Music Association (BAM) is a professional trade organization dedicated to preserving, protecting and promoting the legacy and the future of authentic Black American Music as an indigenous art form. Black American Music is a major piece of the foundation of the African American experience. BAM provides music industry professionals, creators, scholars and music industry stakeholders with opportunities to transform global cultural relevance into community relevance that will empower future generations through professional training, education, preservation, financial literacy and advocacy. About Voting Rights Are Civil Rights VotingRightsAreCivilRights is an initiative to combat voter suppression in the 2020 election. Every national election millions of votes are not counted due to technicalities in registration, filling out ballots or vote counting mistakes. The initiative includes professionals from the entertainment and professional election administrators and activists. www.votingrightsarecivilrights.com Also visit: www.blackama.org Instagram: @blackamaorg; Facebook: blackamaorg; Twitter: @blackamaorg
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Joe Bonamassa solos in Josh Smith's studio.
Joe Bonamassa came by Josh Smith's studio 'Flat Five Studio' to record lead guitar for Norman's new song that will be featured in his upcoming Netflix documentary. Check out Bonamassa's new guitar 'Gate Crasher' purchased from George Kooymans of Golden Earring. As Joe says, 'You can never have too many guitars Norm...'
Fender releases their highly anticipated recreation of George Harrison’s iconic “Rocky” Stratocaster
HOLLYWOOD, Calif. —Fender have just released their highly anticipated recreation of George Harrison’s iconic “Rocky” Stratocaster initially previewed at Winter NAMM 2020. With only 100 being made available worldwide, its debut sparked major conversation that only further emphasizes its ultimate, limited-edition status. The “Rocky” Stratocaster is considered to be one of music’s most celebrated guitars, known for several iconic appearances including the live performance of “All You Need Is Love” on Our World, the very first global satellite TV program. Harrison’s spontaneous psychedelic paint job continues to serve as a special homage to the late ‘60s and to Harrison’s artistry. Fender Custom Shop Master Builder Paul Waller worked hand in hand with the Harrison estate to personally examine the original version himself in order to create this identical replica. Everything about the original was measured in exacting detail—body, neck (with a rare asymmetrical C-shaped profile), pickups, wiring and everything else—right down to Harrison’s famous DIY paint job. Even the “Grimwoods” decal remains in place on the back of the headstock. With these features and more, it’s a meticulously-crafted Fender Custom Shop tribute to a truly magical guitar, played and loved by one of rock’s greatest guitarists.The Fender Custom Shop Limited Artist series celebrates the storied guitars of legendary musicians by building recreations of their instruments in exacting detail. Based on close examination of the original guitars, every nuance is noted and incorporated into the build. Reverse-engineering the model, vintage, wood, hardware, electronics, finish and player customizations are all vital to the process. Most importantly, the player’s wear patterns are recorded: every nick, scratch, gouge and bump are vital to the authenticity of the recreation–they are mapped and documented with precision.The Fender Custom Shop is proud to include the Rocky Stratocaster in the Dream Factory Series, a collection of short documentaries that showcase the journey of custom-built guitars created at the Fender Custom Shop. Watch the “Dream Factory” episode on this model here.For technical specs, additional information on new Fender products and to find a retail partner near you, visit www.fender.com. Join the conversation on social media by following @Fender.
Jack Barksdale: "Hello In There", John Prine Cover
'I watched "Picture Show," the tribute to John Prine. It was beautiful. It was sad. It reminded me of "Hello In There" one of my favorite John Prine songs.'
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Guitar of the Day: 1954 Fender Stratocaster Hardtail & Joe Bonamassa
This is the stuff of Vintage Dreams.........Joe Bonamassa puts a 1954 Fender Stratocaster Hardtail thru it's paces at Norman's Rare Guitars.
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Ain't Talkin' 'Bout Love - Michael Lemmo Eddie Van Halen Tribute.mp4
Official Music Video - Michael Lemmo "Ain't Talkin' 'Bout Love" Tribute to late Eddie Van Halen. Off the first upcoming solo record. Produced by Paul Brown. Video by Jen Angkahan http://www.instagram.com/manalophoto http://www.instagram.com/michaellemmo
Tim Pierce: Oct 17th, 2020: WEIRD (and VERY Cool) Soprano Guitar, Churango.
Here are two acoustic instruments that are very unique AND useful. The Soprano guitar is one octave above normal, while the Contra guitar is one octave below normal. Click the INFO button to take the 14 day free trial in the Masterclass. Over 1500 videos and over 120 hours of lessons and content! Thanks so much for all your support Tim
Oct 16th, 2020: The Undefeated Music Companion Piece "I Can't Breathe:Music for the Movement" Set For Release Today
The "I Can't Breathe/Music for the Movement" EP is set for release today on Hollywood Records. In music form, the EP release highlights the social injustice protests taking place in America through the mediums of music and art. The project, a collaboration between The Undefeated and Hollywood Records, reimagines historically significant songs, as well as an original song, by and for Black America with contemporary artists and producers.Each song has exclusive artwork created by Black artists. The art gives deeper meaning to each song. In a year of racial disparity, as well as a global pandemic and economic downturn, the music reminds and evokes the importance of voting. The track listing for "I Can't Breathe/Music for the Movement" is as follows: Pray Momma Don't Cry, performed by Grammy-nominated Rapsody, featuring Bilal and produced by 9th Wonder. Original artwork by NUWARHOL. People Get Ready, performed by Grammy-nominated Terrace Martin & Alex Isley, featuring Grammy and Emmy Award-winner Robert Glasper and produced by Terrace Martin and Robert Glasper. Original artwork by Al-Baseer. Strange Fruit, performed by Jensen McRae and produced by Rahki. Original artwork by Blue the Great. Mercy Mercy Me (The Ecology), performed by 13-year-old sensation Keedron Bryant and produced by Dem Joints. Original artwork by Laurence "Sketch" Cheatham. The Undefeated is ESPN's multiplatform content initiative exploring the intersections of sports, race and culture. The digital hub, TheUndefeated.com, which launched in May 2016, combines innovative long-form and short-form storytelling, investigation, original reporting and provocative commentary to enlighten and entertain African Americans, as well as sports fans seeking a deeper understanding of black athletes, culture and related issues. In addition to its cutting-edge content, The Undefeated seeks to be a thought-leader on race, sports and culture in the country – convening insightful forums to discuss and debate topical issues affecting sports and race in America. click the INFO button for more