Fab's Music Café | Scott Page, The Interview

Fab's Music Café | Scott Page, The Interview

Join Scott Page, saxophone/guitarist for the iconic bands Pink Floyd, Supertramp, and Toto, is also a technologist and business guru, currently mastermind of Think:EXP on the journey that strives to revolutionize the entertainment industry by bridging the gap between the human spirit and technological innovation. He is also an adjunct professor at the University of Southern California's Thornton School of Music. He is currently CEO of Think:EXP, a Los Angeles-based media company focused on live immersive entertainment. Scott has worked on and led a number of ventures, including Walt Tucker Productions, an audio video post production company that produced projects for The Rolling Stones, Bon Jovi, Janet Jackson, Garth Brooks, Scorpions and others. He co-founded 7th Level, Inc., a CD-ROM game and educational software company where he co-produced Tuneland, an interactive musical cartoon (starring Howie Mandel and featuring David Gilmour), the Monty Python interactive series, and was integral to the development of QD7, an interactive multimedia joint venture with Quincy Jones and David Salzman that resulted from Jones' partnering with the company. Page co-founded New Media Broadcasting Company, a social media and collaborative communications enterprise and co-founded and served as CEO of Direct2Care, an online healthcare presence management company. Before his most recent venture with Think:EXP, Scott had co-founded GetYourOPI, an online presence management company and served as CEO of Ignited Network, "a start up music accelerator based in Los Angeles." As an artist, his continued work as a recording and as a session musician continues to draw interest from Pink Floyd fans and other music fans alike.
Duration: 20:56

Related

Fab's Music Café: Blackberry Smoke's, Charlie Starr - Interview
Fab's Music Café
VintageCountryRockBluesAcousticFab's Music CaféFab's Movie Night

Fab's Music Café: Blackberry Smoke's, Charlie Starr - Interview

Charlie Starr is the lead vocalist, guitarist and principle songwriter for southern rock band, Blackberry Smoke. Starr was named in Music Radar’s top 23 guitarists, a list that includes “rock guitar gods” like Keith Richards of Rolling Stones, Slash of Guns N’ Roses, and Billy Gibbons of ZZ Top, among others. He recently took part in Willie Nelsons “Come and Toke It” live stream as well as took over some hosting and DJ duties on Sirius XM’s Outlaw Country. Meanwhile, Blackberry Smoke’s released a new rendition of The Marshall Tucker Band’s “Take The Highway ". “Take The Highway” is the latest song unveiled from Blackberry Smoke’s special new EP, Live From Capricorn Sound Studios, which will be released June 19 with a portion of all proceeds going to the Recording Academy’s MusiCares COVID-19 Relief Fund. It was recorded earlier this year at Capricorn Sound Studios in Macon, GA. The project consists of six new versions of songs that have special ties to the historic studio and town. It was produced by Starr and Blackberry Smoke, the EP is now available for both CD and vinyl pre-order <https://stem.ffm.to/midnightrider>. The project will be released as a lead up to the band’s anticipated “Spirit of the South Tour: A Celebration of Southern Rock and Roll Music” this summer, with Allman Betts Band & Wild Feathers. Starr has also been writing new songs for a new full length Blackberry Smoke album, and recently returned to the studio with Grammy Award-winning producer Dave Cobb to begin work on their next album, including a new song with Jamey Johnson. The new music follows the release of their latest full-length album, Find A Light, which debuted as the best-selling Country and Americana/Folk album in the country, entered at #3 on the Billboard Top Country Albums chart and #2 on the Billboard Americana/Folk Albums chart in 2018. Of the album, NPR Music praises, “pushes the envelope while providing that famous Blackberry Smoke autonomy, delivered with soulful vocals, haunting harmonies and kick ass songs.” After the release of Find A Light, Blackberry Smoke released two additional projects—a live album and concert film, Homecoming: Live In Atlanta which debuted at #1 on Billboard’s Americana/Folk Album Sales chart—and a 6-song acoustic EP, The Southern Ground Sessions. Pigeonholing Blackberry Smoke has never been easy. Since emerging from Atlanta in the early '00s, the quintet—vocalist/lead guitarist Charlie Starr, guitarist/vocalist Paul Jackson, bassist/vocalist Richard Turner, drummer Brit Turner and keyboardist Brandon Still—has become known for a singular sound indebted to classic rock, blues, country and folk. This fluidity has paid off handsomely, in the form of two Billboard chart-topping country albums, 2015's Holding All The Roses and 2016's Like An Arrow. (For good measure, the latter also topped Billboard's Americana/Folk album chart.) Find A Light, Blackberry Smoke's sixth studio album, doubles down on diversity. Songs hew toward easygoing roots-rock ("Run Away From It All") and Southern rock stomps ("The Crooked Kind"), as well as stripped-down acoustic numbers ("I've Got This Song") and bruising alt-country ("Nobody Gives A Damn"). Rich instrumental flourishes—keening fiddle, solemn organ and bar-band piano boogie—add further depth and resonance. "That's one of my favorite things about Blackberry Smoke albums—there's a lot of variety," Starr says. "My favorite albums through the years are built that way, too. I love a record that keeps you guessing. I love the fact that our records are sort of a ride, with different types of songs and different vibes." Within Blackberry Smoke's catalog, Find A Light is distinctive in several notable ways. The record sounds heavier than other albums; in fact, Starr characterizes the churning, scorched-blues album opener, "Flesh And Bone," as "maybe the heaviest song we've ever recorded." The title has deep significance to the record's overarching themes. "Most of our albums have been named either for a song on the album or a lyric, and this time I didn't want to do that," Starr says. "I thought, 'What headspace is humanity in as a whole?' That's pretty hard to argue with that. I think everybody is hoping and looking for something better right now." Accordingly, Find A Light's lyrics portray characters weighed down by the pressures of everyday life. "Flesh And Bone" explores the conundrum of temptation; "Run Away From It All" is about seizing the day and trying to leave troubles behind; and "Nobody Gives A Damn" cautions about letting external achievements such as an attractive partner or a hit song go to one's head. "Inspiration comes from so many different places," Starr says. "A lot of inspiration can be drawn from current events these days, and how complicated the world is." Yet Find A Light's hard-luck characters are soldiering forward despite it all, and remain buoyed by optimism—and deep faith in themselves. "One of these days I’ll get the best seat in the house/It’s the measure of a man, of a man," goes the jangly "Best Seat In The House," while the narrator of "I've Got A Song" asserts, "At the end of the day, it’s the one thing they can’t take away: I’ve got this song." The album's final song, "Mother Mountain," focuses on the belief that redemption and rebirth are always within reach. "It felt good to write that song," Starr says of the latter. "I don't write a whole lot of songs like that, the really optimistic, yearning for something better kind of a song. The album's called Find A Light, and that song is sort of a plea, as far as that goes." Starr switched into writing mode for Find A Light thanks to impromptu songwriting sessions he had with his friend Keith Nelson, formerly of the band Buckcherry. The men had never collaborated before, but found an instant creative connection. In fact, Starr ended up using four songs from their time together—including "Run Away From It All," "Nobody Gives A Damn" and "Best Seat In The House"—on Find A Light. "At some point, I told him, 'Man, I really like these songs for Blackberry Smoke. These are Blackberry Smoke songs,'" Starr says. "He didn't disagree. I hadn't really started to write for another album yet, so these lit the fire, so to speak.” Blackberry Smoke spent a little over two weeks recording Find A Light in Atlanta with engineer/mixer Tom Tapley and long-time collaborator Benji Shanks. As with 2016's Like An Arrow, the band self-produced the record. "With these two albums, we really knew what we wanted them to sound like, and what kind of record we wanted to make," Starr says. "It was a pretty easy decision to say, 'Hey, let's do it ourselves.'" That confident vision informed the band's decision to have several guest musicians appear on Find A Light. The brisk, gospel-tinged Southern rocker "I'll Keep Ramblin'" features the song's co-writer, Robert Randolph, adding frantic pedal steel, while the psychedelic-tinted folk elegy "Mother Mountain" blooms with The Wood Brothers' inimitable harmonies. "As we were recording that song, I was singing it, and from the very beginning of that song—even in its embryonic stage—I wanted it to be a three-part harmony all the way through," Starr says. "I asked The Wood Brothers, because I love their vocal blend. They're fantastic harmony singers." Another Keith Nelson co-write, the easygoing "Let Me Down Easy," features Amanda Shires shading Starr's vocals with her clarion twang. "I thought it would be really cool to have a female harmony on this song, sort of a Gram Parsons-Emmylou Harris kind of thing," Starr explains. "And Amanda came to mind. Her voice is so cool, so genuine and unique." At its core, Find A Light illustrates the efficiency and chemistry of Blackberry Smoke's instrumentalists, who have no trouble translating the band's loose live shows into crisp studio recordings. "We always record together," Starr says. "That's what bands do. And you go in and listen, and think, 'Wow. How did that happen? What just happened? That was magic. That was magical. Can we do that again?' "I'm always blown away by my bandmates' sympathy for the song," he adds. "We all agree that that's the way to be in this band is to play for the song—the song is the vehicle." This commitment to putting the music first above all other considerations is one reason Blackberry Smoke has continued to evolve during their time together. And it also explains why Find A Light's sonic progressions and expansions sound so effortless. "We didn't want to repeat ourselves," Starr says. "I don't ever want to make a record that ourselves or are fans are like, 'It's the same old thing.' But I still get a real lift from listening to Find A Light, even after multiple listens. I really am proud of the work that we accomplished."
37:038 months ago
Fab's Music café: Fab talks to Alastair Greene
Fab's Music Café
RockBluesAcousticFab's Music CaféFab's Movie Night

Fab's Music café: Fab talks to Alastair Greene

Guitarist, singer, and songwriter Alastair Greene has been a mainstay of the Southern California music scene for close to 3 decades. Alastair was born April 18th, 1971 in Santa Barbara, CA. He discovered music through his mother's piano playing at home and whose record collection included classics by The Beatles, Stevie Wonder, and Elton John, while his father's tastes at the time leaned toward Bach and Beethoven. Alastair was inspired to pursue music as a career by his grandfather, the late Chico Alvarez, who played trumpet as a member of the Stan Kenton Band in the '40s and '50s. Growing up, Alastair took piano lessons and played the saxophone before discovering the guitar in high school. Originally interested in hard rock bands and guitar players, he was exposed to blues and roots music through some records loaned to him by a friend of his father. Those records included: B.B. King ‘Live at the Regal’, Buddy Guy ‘A Man and the Blues’, Johnny Winter ‘Second Winter’, The Allman Brother Band ‘Live at Fillmore East’ and Stevie Ray Vaughan & Double Trouble ‘Couldn’t Stand the Weather’. After High School Alastair received a scholarship to attend the Berklee College of Music in Boston, where he studied for two years before returning to southern California to begin playing with blues and rock bands in the early ‘90s. Alastair formed the Alastair Greene Band in 1997 and celebrated the 20 anniversary with a live concert recording in early 2018. Alastair has released 8 solo albums (including 2 live records and a compilation record) the most recent of which is LIVE FROM THE 805 (released in 2018). LIVE FROM THE 805 was nominated for Rock Blues Album of the Year by Blues Blast Magazine in addition to being included on many ‘Best Of 2018” year-end lists by multiple publications. His most recent studio album DREAM TRAIN (2017) features guest appearances by Walter Trout, Debbie Davies, Mike Finnigan, Mike Zito and Dennis Gruenling. DREAM TRAIN was given 4 stars by Down Beat Magazine and was included as one of their ‘Best Albums of the Year’. Alastair was lead guitarist and co-lead vocalist of the Alan Parsons Live Project from 2010 - 2017 with whom he literally toured the world. Greene has also toured with Starship featuring Mickey Thomas, Blues legends Debbie Davies, Mitch Kashmar, and most recently as a member of powerhouse vocalist and Blues Music Award winner Sugaray Rayford’s band from 2018 - 2019. In 2019 Alastair signed with Tab Benoit's Whiskey Bayou Records and will have a new CD released in the summer of 2020 produced by Benoit titled THE NEW WORLD BLUES.
20:2410 months ago
The Wrecking Crew: watch trailer
The Wrecking Crew
VintageJazzCountryRockBluesAcousticFab's Music CaféFab's Movie NightRecordingSong Writing

The Wrecking Crew: watch trailer

Rent or buy The Wrecking Crew right here on All Guitar Network now.......and to check out Fab's exclusive interview with the director, Denny Tedesco, head over to Fab's Music Café in On Demand, it's free for all registered users. If you are not yet registered, register now, it's completely free and unlocks more exclusive free content. Music lovers will be astonished at the influence The Wrecking Crew wielded over rock and pop music in the 1960s and early 1970s. These unsung instrumentalists were the de-facto backing band on hit records by The Beach Boys, Phil Spector, Frank Sinatra, Nancy Sinatra, Sonny & Cher, Elvis, The Monkees and many more. These dedicated musicians brought the flair and musicianship that made the American “West Coast Sound” a dominant cultural force around the world. Starring: Brian Wilson, Cher, Dick Clark, Glen Campbell, Lou Adler, Nancy Sinatra. directed by: Denny Tedesco. documentary: PG. 2015.
02:285 months ago
The Wrecking Crew
The Wrecking Crew
VintageJazzCountryRockBluesAcousticFab's Music CaféFab's Movie NightRecording

The Wrecking Crew

Music lovers will be astonished at the influence The Wrecking Crew wielded over rock and pop music in the 1960s and early 1970s. These unsung instrumentalists were the de-facto backing band on hit records by The Beach Boys, Phil Spector, Frank Sinatra, Nancy Sinatra, Sonny & Cher, Elvis, The Monkees and many more. These dedicated musicians brought the flair and musicianship that made the American “West Coast Sound” a dominant cultural force around the world. Starring: Brian Wilson, Cher, Dick Clark, Glen Campbell, Lou Adler, Nancy Sinatra. directed by: Denny Tedesco. documentary: PG. 2015.
01:41:537 months ago

New

Update: Jan 22, 2021: Epiphone introduces ‘Nancy Wilson Fanatic’
AGN News
News

Update: Jan 22, 2021: Epiphone introduces ‘Nancy Wilson Fanatic’

Update: Jan 22, 2021: News out of NASHVILLE, that Epiphone, has introduced the new Nancy Wilson Fanatic. The Fanatic is created and co-designed by Nancy Wilson of Heart and marks Wilson’s first Epiphone signature guitar and her second guitar overall with Gibson Brands.  A guitar virtuoso from the age of 9, Nancy--and her sister Ann--lead the multi-platinum group, Heart, who have sold over 35 million albums, garnered 10, Top Ten albums, been nominated for four GRAMMY Awards, and were inducted into the Rock and Roll Hall of Fame. Nancy is revered as an ingenious guitar player, as well as a gifted songwriter and lead vocalist. In an era when females in rock ‘n’ roll were scarce, Nancy carved out a place for women to front rock bands and dominate on stage across the globe. In fact, that’s Nancy singing on Heart’s first #1 hit song, “These Dreams.” As a songwriter, Nancy has co-written a collection of indelible songs that have earned their way into the classic rock canon including “Magic Man,” “Crazy on You,” “Barracuda,” “Straight On” and more. says Nancy Wilson."In the midst of the distant eighties, I was approached by Gibson to design a signature model,” “I put pencil to paper to first design the body shape and chose a curvy female diminutive silhouette for the cut away. Many years later the body shape remains exact and the hardware I requested makes the Fanatic a solid citizen amongst the great rock guitar screamers.”  The Nancy Wilson Fanatic features a classic Nighthawk shaped mahogany body and a figured maple veneer top. The Epiphone Nancy Wilson Fanatic comes equipped with ProBucker™ humbuckers, a 5-way pickup selector switch for a wide variety of tonal options, master volume and tone controls, a fast-playing rounded C profile mahogany neck with an Ebony fretboard, and an attractive Fireburst Gloss finish and hardshell case. says Krista Gilley, Brand Director of Epiphone and Kramer. “We are proud to present the exclusive, Nancy Wilson Fanatic guitar to the world,” “It’s such an honor to work with Nancy, an icon who has been instrumental and influential to generations of players around the world. She has paved the way for female musicians to believe in their passion, talent and in music, and that comes with an obligation for all of us at Epiphone to pay tribute to Nancy.” The Epiphone Nancy Wilson Fanatic is now available worldwide www.epiphone.com. Click the INFO button for more.
02:2818 hours ago
Update: Jan 21, 2021: Gibson just announced new Kirk Douglas SG signature model
AGN News

Update: Jan 21, 2021: Gibson just announced new Kirk Douglas SG signature model

News out of NASHVILLE, that Gibson has just announced the new Kirk Douglas SG signature model marking the second instrument collaboration between GIBSON and Captain Kirk Douglas, guitarist for the legendary, multiple GRAMMY-Award winning hip-hop group The Roots. Kirk’s newest Gibson signature guitar illustrates Kirk’s own modern take on the SG. Today.   Said Kirk Douglas, “What I love about the Gibson SG is I am able to get my Les Paul tones and I’m able to get the single coil pickup tones, this guitar is extremely versatile, and by utilizing the pull up feature on each volume knob you can get a lot of tones,”. “I find with the SG you are able to get a lot of different musical colors, all out of this one guitar.”   said Cesar Gueikian of Gibson. “Captain Kirk Douglas is a talented vocalist, guitarist, all-around musician, and Gibson Alliance member who has taken a classic design such as the Gibson SG, and modified it with modern concepts that fit his playing style,” “It’s been an incredible journey for us and this guitar is a perfect example of how we put the Gibson Innovation Lab to work in service of our artists and the outcome in this case is pretty epic; we are all in love with this new signature SG.” As the guitarist for The Roots, the beloved house band for Late Night with Jimmy Fallon on NBC, Captain Kirk Douglas has developed a well-earned reputation as a stellar player. His guitar collection includes several Gibson models, but arguably the best is his three-pickup Gibson™ SG™ Custom, which is now commemorated in the new Kirk Douglas signature SG. The guitar features non-locking Keystone tuners, a mahogany neck and body, rosewood fretboard with 22 medium jumbo frets and large block acrylic inlays, a Graph Tech® nut, ABR-1 Tune-O-Matic™ bridge and Kirk Douglas signature "Captain" Lyre Tail Vibrola tailpiece, black Top Hat knobs with metal inserts, and three BurstBucker™ humbucking pickups. Like the Captain himself, the pickups and controls on his SG are incredibly versatile. On a basic level, they operate somewhat similarly to a two-pickup SG, but with significant added capabilities. The three-way toggle switch selects the bridge pickup, neck pickup, or both. Each of these pickups has its own volume control, and each is equipped with a push/pull pot that switches from humbucker to single coil when the switch is pulled out. A single master tone knob located in the usual lead tone control position, is provided, and where you’d normally expect to find the second tone control, an additional volume control (again, with a push/pull switch for coil tapping) is installed. This controls the middle pickup and can be used to blend its signal in with the other (one or two) pickups, regardless of how the three-way pickup selector switch is positioned. This means you can run the neck and/or bridge pickups alone or together, the neck and middle, bridge and middle, or all three pickups simultaneously, and at any relative volume amounts desired. Even better--once you have dialed up the exact balance you want, you can adjust the overall output level of the entire guitar with the pickguard-mounted master volume control. For more, click the info button now.....
03:132 days ago
Update: Jan 19, 2021: Epiphone Introduces the New Prophecy Collection:Les Paul, Flying V, SG, and Extura. Available Worldwide Now.
AGN News

Update: Jan 19, 2021: Epiphone Introduces the New Prophecy Collection:Les Paul, Flying V, SG, and Extura. Available Worldwide Now.

News out of NASHVILLE, TN that Epiphone has unveiled their new Prophecy Collection. Featuring a modern take on classic Gibson blueprints including the Les Paul, Flying V, SG and Extura, they're available worldwide now at Authorized Epiphone Dealers. Across the Prophecy Collection, each Les Paul, Flying V, SG, and Extura features standard specs including custom-voiced active Fishman Fluence® pickups that deliver three distinct tones--a warm vintage humbucker, a hot modern humbucker, and a shimmering optimized single-coil--all accessed by push/pull volume and tone pots. Additionally, attention-grabbing color finishes with specially designed inlays, 24 frets for reaching new octaves, fast-playing necks, and high-end appointments round out every guitar. explains Aljon Go, Product Manager of Epiphone. “The proprietary Fishman Fluence pickups deliver tones that modern guitarists love, all of which are extremely usable,” “The ability to change from modern punch or warm vintage Gibson humbucker tone to the glassy shimmer of a single coil at your fingertips, gives players the versatility to capture the widest array of sounds. Married to modern Inspired by Gibson body styles, it is a force to be reckoned with.” The newly reimagined Flying V™ Prophecy collection features the above standard specs, as well as Grover® locking Rotomatic® tuners, Epiphone's LockTone™ Tune-O-Matic™ bridge and tailpiece for added sustain, a Graph Tech® NuBone® nut that boosts harmonic content and increases tuning stability, custom binding, ebony fretboard, jumbo frets, and an asymmetrical SlimTaper™ neck for comfort and speed. Available in a AAA figured maple top in Yellow Tiger Aged Gloss or plain top in Black Aged Gloss. The newly reimagined Epiphone Les Paul™ Prophecy collection features the same standard specs, and is Available with a AAA figured maple top in Red Tiger Aged Gloss, and Olive Tiger Aged Gloss, or plain top in Black Aged Gloss. The Epiphone SG™ Prophecy brings high-performance features to the classic SG™ design. The mahogany body is topped with a 1/2" maple cap and beautiful AAA frame maple veneer, along with a thinner Aged Vintage Gloss finish. The SlimTaper™ asymmetrical mahogany neck features a 24-fret ebony fingerboard with jumbo frets, Block and Triangle pearloid/abalone inlays with abalone selected to complement the body color, brushed nickel Grover® Locking Rotomatic® tuners, and a black Graph Tech® NuBone® nut. The Epiphone Prophecy SG comes with brushed nickel hardware and is equipped with a pair of proprietary Fishman Fluence® pickups with three voicing options that are selected with the push/pull master volume and tone controls – high gain, modern active high-output humbucker™ with both controls pushed in, classic “Patent Applied For”-style humbucker when the tone control is pulled out, and shimmering, optimized single-coil tones when the volume control is pulled out. Epiphone Prophecy SG colors include a Red Tiger Aged Gloss, Blue Tiger Aged Gloss, and Black Aged Gloss; an optional hardshell case, EpiLite™ case, and premium gig bag are available.
The new Extura body style combines the Gibson Explorer™ with the narrower waist and deeper cutaway of the Gibson Futura™. Front-and-center is a pair of custom voiced Fishman Fluence® pickups that deliver three distinct tones--a warm Gibson BurstBucker™ "Patent Applied For" vintage humbucker™, hot modern humbucker, and a shimmering, optimized single-coil sound, all accessed by push/pull Volume and Tone pots. The Prophecy Extura also includes Grover® locking Rotomatic® tuners, Epiphone's LockTone™ Tune-O-Matic™ bridge and tailpiece for added sustain, a Graph Tech® NuBone® nut that boosts harmonic content and increases tuning stability, custom binding, ebony fretboard, jumbo frets, and an asymmetrical SlimTaper™ neck with a contoured heel for comfort and speed. Available in a AAA figured maple top in Yellow Tiger Aged Gloss or Purple Tiger Aged Gloss, and a plain top in Black Aged Gloss; cases are sold separately. For more information, click the INFO button now.
03:533 days ago