Fab's Music Café | Scott Page, The Interview

Fab's Music Café | Scott Page, The Interview

Join Scott Page, saxophone/guitarist for the iconic bands Pink Floyd, Supertramp, and Toto, is also a technologist and business guru, currently mastermind of Think:EXP on the journey that strives to revolutionize the entertainment industry by bridging the gap between the human spirit and technological innovation. He is also an adjunct professor at the University of Southern California's Thornton School of Music. He is currently CEO of Think:EXP, a Los Angeles-based media company focused on live immersive entertainment. Scott has worked on and led a number of ventures, including Walt Tucker Productions, an audio video post production company that produced projects for The Rolling Stones, Bon Jovi, Janet Jackson, Garth Brooks, Scorpions and others. He co-founded 7th Level, Inc., a CD-ROM game and educational software company where he co-produced Tuneland, an interactive musical cartoon (starring Howie Mandel and featuring David Gilmour), the Monty Python interactive series, and was integral to the development of QD7, an interactive multimedia joint venture with Quincy Jones and David Salzman that resulted from Jones' partnering with the company. Page co-founded New Media Broadcasting Company, a social media and collaborative communications enterprise and co-founded and served as CEO of Direct2Care, an online healthcare presence management company. Before his most recent venture with Think:EXP, Scott had co-founded GetYourOPI, an online presence management company and served as CEO of Ignited Network, "a start up music accelerator based in Los Angeles." As an artist, his continued work as a recording and as a session musician continues to draw interest from Pink Floyd fans and other music fans alike.
Duration: 20:56

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Fab's Music Café: Blackberry Smoke's, Charlie Starr - Interview
Fab's Music Café
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Fab's Music Café: Blackberry Smoke's, Charlie Starr - Interview

Charlie Starr is the lead vocalist, guitarist and principle songwriter for southern rock band, Blackberry Smoke. Starr was named in Music Radar’s top 23 guitarists, a list that includes “rock guitar gods” like Keith Richards of Rolling Stones, Slash of Guns N’ Roses, and Billy Gibbons of ZZ Top, among others. He recently took part in Willie Nelsons “Come and Toke It” live stream as well as took over some hosting and DJ duties on Sirius XM’s Outlaw Country. Meanwhile, Blackberry Smoke’s released a new rendition of The Marshall Tucker Band’s “Take The Highway ". “Take The Highway” is the latest song unveiled from Blackberry Smoke’s special new EP, Live From Capricorn Sound Studios, which will be released June 19 with a portion of all proceeds going to the Recording Academy’s MusiCares COVID-19 Relief Fund. It was recorded earlier this year at Capricorn Sound Studios in Macon, GA. The project consists of six new versions of songs that have special ties to the historic studio and town. It was produced by Starr and Blackberry Smoke, the EP is now available for both CD and vinyl pre-order <https://stem.ffm.to/midnightrider>. The project will be released as a lead up to the band’s anticipated “Spirit of the South Tour: A Celebration of Southern Rock and Roll Music” this summer, with Allman Betts Band & Wild Feathers. Starr has also been writing new songs for a new full length Blackberry Smoke album, and recently returned to the studio with Grammy Award-winning producer Dave Cobb to begin work on their next album, including a new song with Jamey Johnson. The new music follows the release of their latest full-length album, Find A Light, which debuted as the best-selling Country and Americana/Folk album in the country, entered at #3 on the Billboard Top Country Albums chart and #2 on the Billboard Americana/Folk Albums chart in 2018. Of the album, NPR Music praises, “pushes the envelope while providing that famous Blackberry Smoke autonomy, delivered with soulful vocals, haunting harmonies and kick ass songs.” After the release of Find A Light, Blackberry Smoke released two additional projects—a live album and concert film, Homecoming: Live In Atlanta which debuted at #1 on Billboard’s Americana/Folk Album Sales chart—and a 6-song acoustic EP, The Southern Ground Sessions. Pigeonholing Blackberry Smoke has never been easy. Since emerging from Atlanta in the early '00s, the quintet—vocalist/lead guitarist Charlie Starr, guitarist/vocalist Paul Jackson, bassist/vocalist Richard Turner, drummer Brit Turner and keyboardist Brandon Still—has become known for a singular sound indebted to classic rock, blues, country and folk. This fluidity has paid off handsomely, in the form of two Billboard chart-topping country albums, 2015's Holding All The Roses and 2016's Like An Arrow. (For good measure, the latter also topped Billboard's Americana/Folk album chart.) Find A Light, Blackberry Smoke's sixth studio album, doubles down on diversity. Songs hew toward easygoing roots-rock ("Run Away From It All") and Southern rock stomps ("The Crooked Kind"), as well as stripped-down acoustic numbers ("I've Got This Song") and bruising alt-country ("Nobody Gives A Damn"). Rich instrumental flourishes—keening fiddle, solemn organ and bar-band piano boogie—add further depth and resonance. "That's one of my favorite things about Blackberry Smoke albums—there's a lot of variety," Starr says. "My favorite albums through the years are built that way, too. I love a record that keeps you guessing. I love the fact that our records are sort of a ride, with different types of songs and different vibes." Within Blackberry Smoke's catalog, Find A Light is distinctive in several notable ways. The record sounds heavier than other albums; in fact, Starr characterizes the churning, scorched-blues album opener, "Flesh And Bone," as "maybe the heaviest song we've ever recorded." The title has deep significance to the record's overarching themes. "Most of our albums have been named either for a song on the album or a lyric, and this time I didn't want to do that," Starr says. "I thought, 'What headspace is humanity in as a whole?' That's pretty hard to argue with that. I think everybody is hoping and looking for something better right now." Accordingly, Find A Light's lyrics portray characters weighed down by the pressures of everyday life. "Flesh And Bone" explores the conundrum of temptation; "Run Away From It All" is about seizing the day and trying to leave troubles behind; and "Nobody Gives A Damn" cautions about letting external achievements such as an attractive partner or a hit song go to one's head. "Inspiration comes from so many different places," Starr says. "A lot of inspiration can be drawn from current events these days, and how complicated the world is." Yet Find A Light's hard-luck characters are soldiering forward despite it all, and remain buoyed by optimism—and deep faith in themselves. "One of these days I’ll get the best seat in the house/It’s the measure of a man, of a man," goes the jangly "Best Seat In The House," while the narrator of "I've Got A Song" asserts, "At the end of the day, it’s the one thing they can’t take away: I’ve got this song." The album's final song, "Mother Mountain," focuses on the belief that redemption and rebirth are always within reach. "It felt good to write that song," Starr says of the latter. "I don't write a whole lot of songs like that, the really optimistic, yearning for something better kind of a song. The album's called Find A Light, and that song is sort of a plea, as far as that goes." Starr switched into writing mode for Find A Light thanks to impromptu songwriting sessions he had with his friend Keith Nelson, formerly of the band Buckcherry. The men had never collaborated before, but found an instant creative connection. In fact, Starr ended up using four songs from their time together—including "Run Away From It All," "Nobody Gives A Damn" and "Best Seat In The House"—on Find A Light. "At some point, I told him, 'Man, I really like these songs for Blackberry Smoke. These are Blackberry Smoke songs,'" Starr says. "He didn't disagree. I hadn't really started to write for another album yet, so these lit the fire, so to speak.” Blackberry Smoke spent a little over two weeks recording Find A Light in Atlanta with engineer/mixer Tom Tapley and long-time collaborator Benji Shanks. As with 2016's Like An Arrow, the band self-produced the record. "With these two albums, we really knew what we wanted them to sound like, and what kind of record we wanted to make," Starr says. "It was a pretty easy decision to say, 'Hey, let's do it ourselves.'" That confident vision informed the band's decision to have several guest musicians appear on Find A Light. The brisk, gospel-tinged Southern rocker "I'll Keep Ramblin'" features the song's co-writer, Robert Randolph, adding frantic pedal steel, while the psychedelic-tinted folk elegy "Mother Mountain" blooms with The Wood Brothers' inimitable harmonies. "As we were recording that song, I was singing it, and from the very beginning of that song—even in its embryonic stage—I wanted it to be a three-part harmony all the way through," Starr says. "I asked The Wood Brothers, because I love their vocal blend. They're fantastic harmony singers." Another Keith Nelson co-write, the easygoing "Let Me Down Easy," features Amanda Shires shading Starr's vocals with her clarion twang. "I thought it would be really cool to have a female harmony on this song, sort of a Gram Parsons-Emmylou Harris kind of thing," Starr explains. "And Amanda came to mind. Her voice is so cool, so genuine and unique." At its core, Find A Light illustrates the efficiency and chemistry of Blackberry Smoke's instrumentalists, who have no trouble translating the band's loose live shows into crisp studio recordings. "We always record together," Starr says. "That's what bands do. And you go in and listen, and think, 'Wow. How did that happen? What just happened? That was magic. That was magical. Can we do that again?' "I'm always blown away by my bandmates' sympathy for the song," he adds. "We all agree that that's the way to be in this band is to play for the song—the song is the vehicle." This commitment to putting the music first above all other considerations is one reason Blackberry Smoke has continued to evolve during their time together. And it also explains why Find A Light's sonic progressions and expansions sound so effortless. "We didn't want to repeat ourselves," Starr says. "I don't ever want to make a record that ourselves or are fans are like, 'It's the same old thing.' But I still get a real lift from listening to Find A Light, even after multiple listens. I really am proud of the work that we accomplished."
37:0320 months ago
Fab's Music café: Fab talks to Alastair Greene
Fab's Music Café
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Fab's Music café: Fab talks to Alastair Greene

Guitarist, singer, and songwriter Alastair Greene has been a mainstay of the Southern California music scene for close to 3 decades. Alastair was born April 18th, 1971 in Santa Barbara, CA. He discovered music through his mother's piano playing at home and whose record collection included classics by The Beatles, Stevie Wonder, and Elton John, while his father's tastes at the time leaned toward Bach and Beethoven. Alastair was inspired to pursue music as a career by his grandfather, the late Chico Alvarez, who played trumpet as a member of the Stan Kenton Band in the '40s and '50s. Growing up, Alastair took piano lessons and played the saxophone before discovering the guitar in high school. Originally interested in hard rock bands and guitar players, he was exposed to blues and roots music through some records loaned to him by a friend of his father. Those records included: B.B. King ‘Live at the Regal’, Buddy Guy ‘A Man and the Blues’, Johnny Winter ‘Second Winter’, The Allman Brother Band ‘Live at Fillmore East’ and Stevie Ray Vaughan & Double Trouble ‘Couldn’t Stand the Weather’. After High School Alastair received a scholarship to attend the Berklee College of Music in Boston, where he studied for two years before returning to southern California to begin playing with blues and rock bands in the early ‘90s. Alastair formed the Alastair Greene Band in 1997 and celebrated the 20 anniversary with a live concert recording in early 2018. Alastair has released 8 solo albums (including 2 live records and a compilation record) the most recent of which is LIVE FROM THE 805 (released in 2018). LIVE FROM THE 805 was nominated for Rock Blues Album of the Year by Blues Blast Magazine in addition to being included on many ‘Best Of 2018” year-end lists by multiple publications. His most recent studio album DREAM TRAIN (2017) features guest appearances by Walter Trout, Debbie Davies, Mike Finnigan, Mike Zito and Dennis Gruenling. DREAM TRAIN was given 4 stars by Down Beat Magazine and was included as one of their ‘Best Albums of the Year’. Alastair was lead guitarist and co-lead vocalist of the Alan Parsons Live Project from 2010 - 2017 with whom he literally toured the world. Greene has also toured with Starship featuring Mickey Thomas, Blues legends Debbie Davies, Mitch Kashmar, and most recently as a member of powerhouse vocalist and Blues Music Award winner Sugaray Rayford’s band from 2018 - 2019. In 2019 Alastair signed with Tab Benoit's Whiskey Bayou Records and will have a new CD released in the summer of 2020 produced by Benoit titled THE NEW WORLD BLUES.
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Fab's Music Café: 'Live': Charlie Starr
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Fab's Music Café: 'Live': Charlie Starr

Charlie Starr is the lead vocalist, guitarist and principle songwriter for southern rock band, Blackberry Smoke. Starr was named in Music Radar’s top 23 guitarists, a list that includes “rock guitar gods” like Keith Richards of Rolling Stones, Slash of Guns N’ Roses, and Billy Gibbons of ZZ Top, among others. He recently took part in Willie Nelsons “Come and Toke It” live stream as well as took over some hosting and DJ duties on Sirius XM’s Outlaw Country. Meanwhile, Blackberry Smoke’s released a new rendition of The Marshall Tucker Band’s “Take The Highway ". “Take The Highway” is the latest song unveiled from Blackberry Smoke’s special new EP, Live From Capricorn Sound Studios, which will be released June 19 with a portion of all proceeds going to the Recording Academy’s MusiCares COVID-19 Relief Fund. It was recorded earlier this year at Capricorn Sound Studios in Macon, GA. The project consists of six new versions of songs that have special ties to the historic studio and town. It was produced by Starr and Blackberry Smoke, the EP is now available for both CD and vinyl pre-order <https://stem.ffm.to/midnightrider>. The project will be released as a lead up to the band’s anticipated “Spirit of the South Tour: A Celebration of Southern Rock and Roll Music” this summer, with Allman Betts Band & Wild Feathers. Starr has also been writing new songs for a new full length Blackberry Smoke album, and recently returned to the studio with Grammy Award-winning producer Dave Cobb to begin work on their next album, including a new song with Jamey Johnson. The new music follows the release of their latest full-length album, Find A Light, which debuted as the best-selling Country and Americana/Folk album in the country, entered at #3 on the Billboard Top Country Albums chart and #2 on the Billboard Americana/Folk Albums chart in 2018. Of the album, NPR Music praises, “pushes the envelope while providing that famous Blackberry Smoke autonomy, delivered with soulful vocals, haunting harmonies and kick ass songs.” After the release of Find A Light, Blackberry Smoke released two additional projects—a live album and concert film, Homecoming: Live In Atlanta which debuted at #1 on Billboard’s Americana/Folk Album Sales chart—and a 6-song acoustic EP, The Southern Ground Sessions.
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SOUL GARAGE EXPERIENCE Right down below OFFICIAL VIDEO
Fab's Music Café
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SOUL GARAGE EXPERIENCE Right down below OFFICIAL VIDEO

Fabrizio Grossi’s Soul Garage Experience is nothing else than the well renowned bassist/producer solo band with his debut single release of ‘Right Down Below’. Fab says of the song ‘ It’s about keeping on pushing to uplift oneself out of dire straits, and the fight against social and income disparity, homelessness & discrimination, especially in a city like Los Angeles where I live. This can be felt all across the world and we must work with each other for change.’ The single is taken from the forthcoming “Counterfeited Blues!” album which provides the soundscape for the explosive live performances of Soul Garage Experience. Fab is well known for working with top level musicians of the community and fronts the band on lead vocals and bass - the album features the stellar Jane’s Addiction drummer Stephen Perkins, American Idol finalist Diimond Meekes on vocals/hammond organ and a string of surprise guests. 24 year old fellow LA based rising star Derek Day provides the incendiary guitar playing on the debut single - he infuses his music with the power of Rock N’ Roll, as he engages with and captures the audience theatrically. Touring all over the US and in parts of Europe, Derek has opened for and performed with luminaries in Steve Vai, Moby, and Slash and as such has the credentials to boot. Just like for his other award winning band Supersonic Blues Machine, fronted by Kris Barras with Kenny Aronoff, Billy F. Gibbons, Warren Haynes, Eric Gales and other sublime talents, the thrilling live shows of the band are heavily jam based, so to embrace the golden era of live Blues Rock & Soul: the 60’s and the 70’s! On stage, the ensemble easily moves between new crafted tunes and all time classics spanning time in Hendrix, Cream, Allman Bros, Stevie Wonder but they are a far cry from your regular covers band! Their sound can be easily associated with contemporary Rock-Blues and Neo- Soul artists such as Vintage Trouble, Gary Clark Jr, The Black Keys, Fantastic Negrito & thanks to the musicians’ own backgrounds, history and their endless love for Cream, Hendrix and Curtis Mayfield alike, the resulting music experience offered by the band is an infectious groove laden combination of old and new school, with a music prowess & ownership that turns heads and instigates curiosity. Fab is excited to bring his music to all, to excite, thrill, enlighten and raise awareness of how we can all come together in the most difficult and not only the best of times. PART OF SOUL GARAGE EXPERIENCE PROCEEDS ARE DONATED TO: HTTPS://GUITARS4VETS.ORG (MUSIC THERAPY FOR VETS AFFECTED BY PTSD) HTTPS://UPWARDBOUNDHOUSE.ORG (HOMELESS FAMILIES SUPPORT NETWORK) PR : Sounds Of Pisces Music inc. Email: accounting@soundsofpiscesmusic.com MANAGEMENT : Music Manager: Jeff Buttermark FM Music Management Mobile (732)-984-2593 jeff@fmmusicmanagement.com www.FMMusicManagement.com
05:0515 months ago
Fab's Music Café: Fab interviews Blues guitar legend, Josh Smith
Fab's Music Café
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Fab's Music Café: Fab interviews Blues guitar legend, Josh Smith

In this episode, Fab interviews Blues guitar legend, Josh Smith. Blues rock guitar virtuoso, singer-songwriter and producer, Josh Smith, is hailed the world over as a master guitarist with raw talent and power to spare. Blending his signature mix of blues, rock and jazz into dynamic original songs, Smith is known for his incendiary live performances, whether at the Grammy Awards or the Kennedy Center Honors with Mick Jagger, Raphael Saadiq and others. Born in 1979, Josh started playing guitar at age six. Praised as a blues prodigy by the time he was 12 years old, he began playing at professional blues jams in South Florida, sitting in with such greats as Jimmy Thackery, Tinsley Ellis, Kenny Neal, Lucky Peterson, Matt “Guitar” Murphy, Johnny “Clyde” Copeland, Double Trouble, Joanna Connor and Kim Simmonds, among others. Jimmy Thackery said of the 14-year-old, “Josh is three heartbreaks away from being a true blues guitar genius.” That insight from Jimmy Thackery proved true as Josh began releasing CDs at age 14. His first national tour with his power trio, Josh Smith and the Frost, featured Josh as bandleader, vocalist as well as guitarist. The legendary producer Jim Gaines (Santana, SRV, Luther Allison, Steve Miller, Jimmy Thackery) produced Josh’s third CD, Too Damn Cold and Woman. By 1998, he had completed four national tours with his band. Josh was then asked to support the great B.B. King on a number of shows. Opening for B.B. King was just the beginning for this in-demand artist and lead guitarist for artists such as Taylor Hicks, Ricky Fante (Virgin Records), Raphael Saadiq, actress Taryn Manning, Universal Music Group hip-hop artists Benny Cassette and Tara Ellis, and more. He has the distinction of inducting Neil Diamond into the Kennedy Center Honors with Raphael Saadiq’s band and honoring Solomon Burke at the Grammys with Mick Jagger. Within a year of moving to L.A. in 2002, Josh was retained by Virgin recording artist Ricky Fante and performed nationally and internationally with Ricky for the next two years. In 2006, Josh recorded his fifth CD, Deep Roots and continued to play with a variety of artists such as actress Taryn Manning, Universal Music hip-hop artists Benny Cassette and Tara Ellis, to name a few. In 2007, Josh was hired by 2006 American Idol winner Taylor Hicks to be his lead guitarist. They completed two national tours before Josh was hired as lead guitarist by Grammy Award winner Raphael Saadiq. Josh continues to tour with Saadiq. In 2009, Josh released his 6th studio CD, Inception and in 2010 he was signed to Crosscut Records based in Germany. Crosscut re-released Josh’s breakout album, Deep Roots as I’m Gonna Be Ready. In 2013, Josh’s CD Don’t Give Up On Me was also released in Germany, followed by Over Your Head in 2014. In 2016, Josh’s jazz album, Still was released to critical acclaim as was Burn To Grow in 2018. Along with touring the world, recording and performing with renowned artists such as Joe Bonamassa, Eric Johnson, Andy Timmons, Kirk Fletcher and others, Smith is also a producer and owns Flat V Studios in Los Angeles. He has produced artists Reese Wynans (Joe Bonamassa), Artur Menezes (winner of the Eric Clapton 2019 Crossroads Festival) Seth Rosenbloom, Jamey Arent and many more. Josh’s latest and 11th album, Live At The Spud, was released January 8, 2020 on Flat V Music, and features Smith and his power trio recorded live over two nights at the legendary Baked Potato in Los Angeles. The new album features Smith on guitar and vocals, Gary Novak on drums and Trevor Carlton on bass. The goal was to present an unedited look at a normal night at the Baked Potato. Compelling, improvisational and explosive. Josh is currently touring worldwide in support of the live album. Josh lives in Los Angeles with his wife and son.
18:1015 months ago

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60th Anniversary ’61 Les Paul SG with Jake Kiszka of Greta Van Fleet
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60th Anniversary ’61 Les Paul SG with Jake Kiszka of Greta Van Fleet

NASHVILLE, TN (January 20, 2022) Gibson--the iconic American instrument brand--has partnered with Jake Kiszka--Guitarist of the GRAMMY-Winning rock group Greta Van Fleet--to honor the SG, a seminal guitar in the rock-n-roll revolution which celebrates its 61st anniversary this year. “My first electric guitar was an SG with P90s, and I haven’t gone back on it since,” says Jake Kiszka, of Greta Van Fleet. “The 61, this particular model, has defined me as a player and I think I’ve defined it in return. Moving forward with Greta Van Fleet and the SG allows me to be more dynamic and create sounds that are more outside the realm of conventional.” Kiszka has been drawn to the unique and modern design of the Gibson SG, since he was only three years-old. From the very beginning, Jake has been determined to unlock the SG’s mystery and has used the influential instrument to forge his own legacy in rock ‘n’ roll. Catch Jake and his SG in action on stage as Greta Van Fleet launch their Dreams in Gold 2022 arena tour on March 10. In 1961, big changes came to the Gibson Les Paul in the form of a sleek, all-new cutaway, all mahogany, modern body guitar design, named the SG. One of Gibson's most popular guitars to date, the SG’s devilish points and curves, blistering tone and fast-playing neck have made the SG, aka “Solid Guitar,” one of the most coveted and revered 1960s Gibson models. The SG has been the favorite of some of the most legendary guitarists ever, including Angus Young, George Harrison, and many more. Gibson’s then president, Ted McCarty, felt the market demanded new and innovative designs, and the now iconic SG shape became one of the greatest guitars of all time. From then to now, the new 60th Anniversary Gibson Custom Shop guitars replicate the first Les Paul SG Custom and Standard ever made, complete with the Sideways Vibrola, a side-pull action vibrato that is similar to those found on models from the early 1960s. In one of Gibson’s most faithful recreations yet, the Gibson Custom Shop 60th Anniversary ’61 Les Paul SG is a stunner from top to bottom, and in the hands of Jake Kiszka, it comes to life.
03:146 days ago