AGN News: Prince's iconic, super-rare Blue Angel Guitar up for auction
AGN News: Prince's iconic, super-rare Blue Angel Guitar up for auction. - the most significant Prince guitar that will ever be auctioned - the long lost Blue Angel cloud guitar which is coming up for auction at Julien's auctions in June. The guitar has been in a private collection since the 90's and was gifted to the current owner by Prince himself. - according to Julien's this particular guitar was played by Prince during his 1984/85 purple rain tour and on the Arsenio hall show, MTV, Saturday Night Live and in various music videos. - Julien's sold a cloud guitar before in 2017 for $700,000 and estimate this one will sell for over $500,000. - Click the info button for more...........
Gibson release the “Slim Harpo Lovell ES-330”
NASHVILLE, TN (March 30, 2021) For 127 years, Gibson has shaped sound across generations and genres and has emerged as the most relevant, played, and loved guitar brand around the world. Gibson is proud to release the legendary American Bluesman’ s signature ES-330 electric guitar, the Lovell. The Slim Harpo “Lovell” ES-330 guitar is handmade by the expert luthiers and artisans of Gibson USA in Nashville, TN and is available worldwide at: www.gibson.com. An homage to blues musician James "Slim Harpo" Moore, Gibson USA has recreated Harpo’s guitar of choice, the Gibson ES-330 in the form of the Slim Harpo "Lovell" ES-330 in Vintage Sunset Burst. The Slim Harpo "Lovell" ES-330 features a three-ply Maple/Poplar/Maple top, back and sides with Spruce bracing, a Mahogany neck with a rounded C profile, Rosewood fretboard with small block inlays, ABR-1 bridge with Trapeze tailpiece, Vintage Deluxe tuners with white buttons, Dog ear P-90 pickups with hand-wired controls, and Orange Drop capacitors. The guitar has a custom “Lovell” logo on the back of the headstock to honor Slim Harpo’s wife, life partner, manager, and the co-writer of some of his biggest hits, Lovell Moore. The story of Slim Harpo and his music is among the most fascinating in all of blues and R&B. With his fusion of blues, rock & roll rhythms, soul, swing and even country vocal inflections, Slim was a prominent torch bearer of a subgenre known as Louisiana swamp blues. His brush with chart topping pop fame was brief as was his life, but his imprint on music is undeniable. Today, 51 years since his passing, Slim is an unsung hero of the blues - that is, outside of the generations of iconic artists he influenced. Born in 1924 among the sugar cane fields of Belmont Plantation across the Mississippi River from Baton Rouge, Louisiana, Slim Harpo, aka James Isaac Moore was among the last of the original down-home bluesmen, but also one of the first to register hits on the pop charts. Slim made an impressive debut with his recordings of I’m a King Bee.” In 1957. Turning professional-against his wife and music manager, Lovell’s advice – Slim found it tough to survive. Lovell booked his gigs, co-wrote his songs (although she was mostly uncredited), and traveled with him to shows out of state. Generations of musicians have been influenced by and recorded Slim Harpo’s songs including the Kinks, Van Morrison, Otis Redding, Muddy Waters, Neil Young, Hank Williams Jr., the Grateful Dead, the Fabulous Thunderbirds. Among the first were the Rolling Stones, as Mick Jagger famously said, “What’s the point in listening to us… when you could be listening to Slim Harpo?” In 1961, Harpo made a crossover entry into the R&B and Popular Music charts when “Rainin’ In My Heart” became one of those barely-categorizable, but unforgettable hits and got him onto American Bandstand in 1961. Soon his blues songs on Excello Records of Nashville, TN--recorded in Crowley, Louisiana with producer J. D. Miller--were covered by the Rolling Stones and Van Morrison, among others. Slim had an ambition that belied his laid-back manner. In 1966, when Slim hit #1 on the Billboard's R&B chart and No. 16 on the Hot 100 singles chart with the soulful rhythmic song “Baby, Scratch My Back”, he decided that elegant guitar grooves were the way to keep his music fresh. Slim bought a Gibson ES-330 and practiced day and night. In 1967, Slim renewed his contract with Excello and started working with session bands in Memphis and Nashville, TN and Muscle Shoals, AL. A string of popular hits followed including such guitar-led hits as “Tip On In” and “Te-Ni-Nee-Ni-Nu,” and other memorable blues tracks including “Mailbox Blues,” “Dynamite,” “Jody Man,” and “The Music’s Hot.” Slim Harpo took his music coast to coast playing venues like the Whisky A Go Go in Los Angeles and the Fillmore East in New York. Slim toured with James Brown and appeared on bills with rock bands- always pictured with his Gibson guitar. He was preparing for a spring 1970 tour to Europe when he died that January, at just 46 years old. Harpo lived, worked, and performed most of his life in Louisiana--and kept his day job hauling sugar cane and scrap iron—that never diminished his stature among his more famous rock peers in New York and Los Angeles. An unassuming and calm man, he nevertheless developed a polished and assured stage appearance. When he died, he left behind one of the most consistently good and coherent bodies of blues recordings. Harpo’s music was pure blues in essence, but also borrowed from and wandered into soul and country styles without losing face. Easy to listen to, easy to love, but real, Slim’s music possesses an underlying intensity that continues to make it appealing to generations of performers. The list of artists influenced by Slim Harpo and his growly, soulful riffs and hooks is a veritable who’s who of Rock & Roll Hall of Fame inductees. And even though he left us way too soon, Slim Harpo left his mark on one of America’s true original art forms. The King Bee’s legacy is alive and well influencing legions of players, whether they realize it, or not.
One of Eddie Van Halen's Guitars is Being Auctioned Online by Former Fiancée.
Auction is Thursday, March 25, at 8 a.m. PDT until March 31 at Midnight PDT. Joey House Quotes: "Eddie Van Halen and I, Joey House, had an amazing deep incredible whirlwind relationship." "He created these House of Petals guitars out of the love and passion we had. We would sit in the garden of House of Petals, play music, laugh and talk late into the night. I will continue to cherish these unforgettable memories forever." "Eddie's beautiful wicked sense of humor and his passion and creativity are unmatched by anyone else I've ever met. He will always be a beautiful amazing man, musician, father, and creative genius in so many areas of life." "We had so many fun wild adventures together. Eddie and I used to go into his 5150 studio at his house, and create music and songs late into the night and morning. It was so fun, inspiring, and creative. We would stay up late, creating beauty and magic. We didn't even care about sleeping!" "Eddie would ask me to come over and watch him create and build guitars. It was so fascinating to watch him build and sculpt guitars from scratch. It was one of his fun creative outlets." "Eddie's passion for music and creativity was part of his life force. He used to tell me all the time that he would let go and just channel, letting the information and inspiration come through him to create his music and magic. It was so beautiful to witness." "These guitars are such a beautiful representation of his creativity, love, joy and passion. He will always be cherished and missed. He was such a magical human being and profound artist and musician, continuing to be alive in all of our hearts forever, cherished and missed incredibly for all of our lifetime." Info: Visit www.eddievanhalenguitars.com or email email@example.com.
Thursday; 3/25: Special Limited-Edition Tom Petty SJ-200 Wildflower Acoustic Available Worldwide on Gibson.com
For 127 years, Gibson has shaped sound across generations and genres and has emerged as the most relevant, played, and loved guitar brand around the world. Gibson is proud to announce it has teamed with the family of world-renowned music icon Tom Petty to create his beloved SJ-200 Wildflower acoustic guitar. Decades in the making, the Tom Petty SJ-200 Wildflower acoustic guitar is handmade by the expert luthiers and artisans of Gibson Acoustic Custom Shop in Bozeman, Montana and is available worldwide at: www.gibson.com. Preferred by famous musicians for decades, Gibson acoustic guitars are known on stages the world over, and in the hands of the most celebrated musicians across the globe. Gibson acoustics are cemented in the zeitgeist as the quintessential American acoustic guitar. The SJ, or Super Jumbo body shape, was first designed in 1937 and is engineered for volume even with a natural touch. The Tom Petty SJ-200 Wildflower is inspired by the guitar Gibson made for Tom around 1996 while he was entering a prolific period of songwriting, recording, and performing around the release of his Wildflowers album. “It is so incredible to see the SJ-200 design our Dad worked on so long ago, lovingly brought to fruition with his long-time guitar tech and friend Alan Weidel and the craftsmen and women at Gibson guitars. There has been much effort made to make certain this guitar lives up to Tom’s musical standards and the specs he wanted for a best-in-class instrument. Alan Weidel has put this instrument through its paces as he has with all Tom Petty signature guitar models. Tom played the SJ-200 while writing and recording Wildflowers and to us it is an honor and a privilege to have Gibson launch this instrument to celebrate his musical masterpiece. That way others can make what my Dad called “the big jangle” a reference to that gorgeous, big, SJ-200 acoustic sound he loved. We hope fans and members of the music community alike enjoy this beautiful instrument as much as we do. It is a beautiful tribute to him.” -- Adria Petty Above: the Tom Petty SJ-200 Wildflower in Antique Natural. Tom Petty SJ-200 Wildflower photos, credit Gibson: Here. Tom Petty SJ-200 Wildflower, spec sheets: Here. Rare and collectible, this first run of the Tom Petty SJ-200 Wildflower acoustic guitar features the detailed SJ-200 ornamentation and beauty expected from Gibson acoustics, it is equipped with a AAA Sitka spruce top, a stunning and highly figured quilted maple back and sides and the neck is flamed maple. With gold Grover Imperial Tuners, as well as an LR Baggs VTC under-saddle pick up with soundhole-mounted volume and tone controls, this SJ-200 is stage-ready, right out of its custom Wildflower case. Personalized artist touches include the Wildflower logo in Mother-of-Pearl on the headstock, the “You Belong Among the Wildflowers” lyric decal on the back of the headstock and Tom Petty’s signature engraved on the double pickguard make this a very special guitar. An acoustic masterpiece, only 100 of these SJ-200 Wildflower guitars will be available. Both solo, and with his band The Heartbreakers, Tom Petty created some of the most beloved and enduring music of our time. Released late 2020, Tom Petty’s final project, the long-awaited Wildflowers & All The Rest, featured all 25 songs from the Wildflowers sessions as they were originally envisioned by Tom. Produced by Tom, Rick Rubin, and Mike Campbell, the Wildflowers & All The Rest collection is a complete look at one of rock music’s most unique and beloved albums allowing fans to see the entire recording process from demos, to the studio, to the stage, and more. Wildflowers & All The Rest can be streamed/purchased Here. Finding Wildflowers (Alternate Versions) will be released on April 16 via Warner Records. The album features 16 studio recordings of alternate takes, long cuts, and jam versions of Wildflowers songs as Tom, band members and co-producer Rick Rubin worked to finalize the album in 1994. The release offers fans further deep access into the writing and recording of Wildflowers, as well as realizing the full vision of the project as Tom had always intended. The tracks on Finding Wildflowers (Alternate Versions) were previously released on the limited-edition Super Deluxe 9-LP version of Wildflowers & All The Rest and will now be available on limited edition gold vinyl for TomPetty.com and indie retail, CDs and on all digital streaming platforms for the first time. For more information on Finding Wildflowers, visit: https://tompetty.lnk.to/findingwildflowers. The new documentary “Tom Petty: Somewhere You Feel Free,” explores the same time period of Petty’s life; creating and touring around the Wildflowers album. Shot by Petty’s filmographer Martyn Atkins and directed by Mary Wharton, “Somewhere You Feel Free” is crafted around a treasure trove of discovered 16mm footage, as well as new interviews with Adria Petty, producer Rick Rubin and Petty’s Heartbreakers bandmates Mike Campbell, Benmont Tench, and Steve Ferrone. For more information on the film “Tom Petty: Somewhere You Feel Free,” which premiered at SXSW last week, visit: www.tompetty.com/film.
PRS announces Limited Edition SE parlor acoustic in Antique White.
PRS Guitars just announced a Limited Edition SE parlor acoustic in Antique White. This Limited Edition maintains all the original appointments of the PRS SE P20E with the addition of an Antique White solid-mahogany top paired with natural mahogany back and sides. The Antique White PRS SE P20E is limited to 3,500 pieces worldwide. PRS Guitars has long been known for its solid-body electric instruments, but PRS proudly announced its first-ever Parlor acoustic guitars in May 2020. The PRS P20 and P20E are parlor-sized acoustics with big presence. Featuring PRS hybrid “X”/Classical bracing, which allows the top to freely vibrate, the SE parlors project with bold, even tone. These guitars boast all-mahogany construction, and have an organic, warm voice. Their smaller size makes playing for hours effortless and comfortable. “The SE parlor acoustics have been received very well by players at all levels, and from their inception, we thought this would be a good platform to have a bit of fun with color,” said Jack Higginbotham, PRS COO. “From Davy Knowles to PRS Pulse Artist Sophia Gripari to thousands of players at home, these guitars offer a new and unique tool for writing, home-recording, and getting lost in playing for hours without ending up with a sore strumming shoulder.” High-quality features include a solid mahogany top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. PRS SE Parlor acoustics come with a high-quality gig bag and are strung with 12-53 strings. The Limited Edition PRS SE P20E Antique White also comes standard with a Fishman GT1 pickups system. Plug in, and this system delivers dynamic, organic tone. Whether writing, recording, or performing, the SE P20E is sure to impress. Parlor-sized acoustics can be miscategorized because of their size, but this electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls, which transforms what some may consider a “couch-only guitar” into a workhorse stage instrument.
Gibson Custom Shop Launches “The Murphy Lab Collection”.mp4
NASHVILLE, TN (March 9, 2021) Gibson, the iconic American instrument brand has announced the launch of The Murphy Lab. The Murphy Lab is an all-new lab within the Gibson Custom Shop in Nashville that is wholly dedicated to the art of aging guitars using the latest and most sophisticated technology, science, and tools. Explore the new Murphy Lab Collection, available worldwide now: hello.gibson.com/murphy-lab. Led by industry pioneer Tom Murphy, each Murphy Lab artisan has been trained by Tom to an expert level by using his patented, chemical processes and specifications to provide four distinct levels of age and wear ranging from Ultra-Heavy to Ultra-Light. Each Murphy Lab guitar is a unique work of art that provides the ultimate vintage look, feel, and ownership experience. The Murphy Lab offers the new Murphy Lab Collection--which is comprised of 50 guitars--as well as a Murphy Lab Menu of aging options for Made to Measure guitars. Every Murphy Lab aged instrument takes a separate path through the Gibson Custom Shop, receiving the new Murphy Lab lacquer formula and hand-applied techniques. For 25 years, Master Artisan Tom Murphy has been replicating the vibe and character of vintage guitars on the canvas of newly-created guitars. Tom’s technique leverages his passion for and deep knowledge of vintage guitars, adding his creative vision to add wear and natural lacquer cracking, that recreate the way a Gibson guitar ages, gracefully, over time. Tom has recreated the aging on guitars of legendary guitarists including Jimmy Page, Eric Clapton, Slash, Joe Walsh, Billy Gibbons, Joe Perry, Peter Frampton, Dickey Betts, Gary Rossington, and many more. Tom was instrumental in the original formation of the world-renowned Gibson Custom Shop and developed the scientific process of aging guitars. The original Nitrocellulose Lacquer used on guitars in the 1950s and 1960s was imperfect and brittle, causing the finish to develop cracks, typically underneath the paint. In partnership with Tom, Gibson has scientifically reverse-engineered the original 1950s-1960s Gibson lacquer. Exclusively for The Murphy Lab, Tom has combined his aging skills and this new lacquer to create improved, ultra-realistic and long-lasting aging patterns. The Murphy Lab was conceived when Tom led an initiative at the Gibson Custom Shop to test prototypes of all different body shapes, finishes and levels of aging and each guitar created, in Tom’s words was “game changing.” The Murphy Lab was then created at Gibson Custom Shop in Nashville, where Tom alongside his expert team are aging guitars with more accuracy, authenticity, and attention to detail than ever before. The Murphy Lab is a living tribute to Tom Murphy, his work, and his legacy, as Tom will forever have a key role in Gibson’s history. “I am incredibly humbled and honored to have an opportunity to bring these instruments to the market; to have my name on them is a tremendous responsibility,” says Tom Murphy, Master Artisan of The Murphy Lab at Gibson Custom Shop. “This work has been my passion for decades and what we have achieved in The Murphy Lab in terms of the different styles of aging and the consistency of the process is truly groundbreaking. I always stack my work up against real deal vintage Gibson guitars, and the effect that we are now able to achieve, well, there's just nothing else out there like it. This is a game changer. This is the future of aging guitars.” “The Gibson Custom Shop is the pinnacle of craftsmanship, quality and sound excellence. Each instrument celebrates Gibson’s legacy,” says Cesar Gueikian of Gibson. “The Murphy Lab, one of our Gibson Labs, is where we re-imagine and implement new ways of delivering the Gibson Custom Shop historic experience. Master Artisan Tom Murphy brings his expertise, authentic style and his passion for building historically accurate guitars to the Murphy Lab Collection.” The Murphy Lab Collection -- Gibson Custom Shop: The Murphy Lab Collection from Gibson Custom Shop is comprised of 50 different aged Historic Reissue models, which are not just a tribute to the priceless original models--they are a clone of them. From laser-scanned dimensions to chemically--recreated plastics and color-matched shades of Gibson’s famous Sunburst, every element has been rendered in unbelievable detail. It represents the culmination of decades of work by Custom Shop's expert team -- a tireless quest to bring accuracy and authenticity into the hands of fans. The definition of cool, these guitars are the best creations since the Gibson Custom Shop began making Historic Reissues over twenty-25 years ago. The Murphy Lab Collection features the following ranges in wear Ultra Heavy-Aged, Heavy-Aged, Light Aged and Ultra-Light Aged, by the skilled artisans of the Murphy Lab. The Murphy Lab finish treatments, paired with coordinating aged hardware, simulate decades of natural playing, giving each guitar its own unique character, vibe, and the feel of an original guitar from the Gibson Golden Era.
Fender Releases American Acoustasonic Jazzmaster.
HOLLYWOOD, Calif., Fender launched the latest model in the cutting-edge American Acoustasonic® Series, the American Acoustasonic Jazzmaster. Breathing new life into one of its most iconic models, the Jazzmaster® joins the Stratocaster® and Telecaster® in the range of guitars built with the Fender and Fishman®-designed Acoustic Engine. As the industry has been defined by "acoustic" or "electric" for decades, the Acoustasonic Jazzmaster® adds all-new, eclectic tones to the series which is ushering in a new category of guitar, opening up a new set of creative capabilities. And who better to talk to than, Lindsey Buckingham, singer-songwriter, guitarist and creative force behind Fleetwood Mac."Even though I've only been with this new Jazzmaster for a short time, I can see that it would have a lot of uses in the studio," said "I'm excited to give it some more time to get to know it a little better, and for it to get to know me a little better. Acoustic guitar has always been my soulmate and alter ego; it got me to a place where I guess I had my own style. Anytime I can take that orchestral approach, I have. The American Acoustasonic Jazzmaster allows you to do just that. Launched in 1959, the original Jazzmaster guitar model was one of Fender's very first shapes and wowed players with its tremolo string system - tried-and-true, yet forward-thinking at the same time. It has been chosen by artists ranging from The Who's Pete Townshend and Television's Tom Verlaine; to Sonic Youth's Thurston Moore and Dinosaur Jr.'s J Mascis. Jazzmaster guitars have been seen during some of music's most groundbreaking moments: from the cover of My Bloody Valentine's genre-defining first album, to Radiohead's 1997 Glastonbury set, and the rule-breaking Saturday Night Live performance which earned Elvis Costello a ban from the show. Now, Acoustasonic technology allows Jazzmaster players to further push the envelope, combining pristine acoustic and electric tones with legendary Fender feel and playability. The new model is loaded with a variety of acoustic voicings: four new settings which take advantage of the larger body shape to access warm, natural tones. Like previous models, the many voicings of the Acoustasonic Jazzmaster are accessed via the Blend Knob. This simple-but-elegant control method allows for dramatic switches between rich acoustic tones to raucous feedback, but with the precision to find just the right balance anywhere in between. The Acoustasonic Jazzmaster® also boasts the most intense electric sound to date in the Acoustasonic series, driven by a powerful Tim Shaw-Designed Humbucking pickup. "The culmination of five years of design, building, and refining the form factor and technology of this guitar has been a proud journey. The Jazzmaster was made iconic by inventive musicians looking for a guitar that could deliver unique sounds," said Billy Martinez, Fender VP Category Manager - Acoustic and Squier Divisions. "The Acoustasonic Jazzmaster expands on this tradition. With three powerful pickups and the Fishman Acoustic Engine, all controlled by a single Blend knob, the Acoustasonic Jazzmaster now gives the player unmatched sonic versatility." Born out of Fender's constant drive to innovate, the American Acoustasonic Jazzmaster is built with the characteristic engineering and craftsmanship that defined the company's 75 years as an industry leader. From the specially-tuned body to the carved neck heel, every aspect of the Acoustasonic Jazzmaster is built for best-in-class performance. The American Acoustasonic Jazzmaster is available in five finishes that nod to the model's heritage while remaining bold and new, including Ocean Turquoise, Natural, Tungsten, Tobacco Sunburst, and Arctic White. "The resounding success of the Acoustasonic Series has allowed us to expand beyond just building a groundbreaking product, and into developing a long-term platform," continued Martinez. "With the Jazzmaster now representing the third iteration of our Acoustasonic technology, we're making it clear that this is more than just an interesting concept — the Acoustasonic Jazzmaster is ready to be your go-to instrument." A mini-documentary on the creation of this latest Acoustasonic, Versatile by Design, is now available, providing a look at how versatility is the driving force in the design process and the personalities who designed this incredible guitar. This intimate, multi-chapter deep dive features Fender® artists including: Michael Lemmo, Henri Cash, Vagabon, and Jordan Hawkins. PRODUCT HIGHLIGHTS INCLUDE: Acoustic engine delivering 10 different body style and tone wood combinations Four New Acoustic Voicings, ranging from the booming lows of the country music classic Jumbo Body Shape to the precise, studio-ready sound of an All-Mahogany Small body Blend knob for selection and combining of voices All-Mahogany body and neck with ebony fingerboard offers a familiar playing feel and adds warmth to the guitar's tone 3 Pickup Systems - New Fender Tim Shaw Designed Acoustasonic Shawbucker; Fishman Under-Saddle Transducer; Fishman Enhancer Color options include Ocean Turquoise, Natural, Tobacco Sunburst, Tungsten, and Arctic White Fender discusses the all-new American Acoustasonic Jazzmaster in an episode of Fender's serialized social video series, Fender Demos™. Fender Demos is an educational video series focused on providing a deep dive into Fender's newest products. The series focuses on showcasing not only the key features and benefits but also the sonic quality of Fender's instruments, amplifiers and pedals. In addition to product demos, the series also provides valuable beginner, intermediate and advanced tone tips, set-up and maintenance guides and insights to getting the most out of your Fender gear. The American Acoustasonic - Jazzmaster ($1,999.99 USD, ¥270,000 JPY, £1,879.00, €2,099.00, $3,999.00 AUD) represents the next phase of purposeful innovation that drives Fender acoustic guitars. The power of the Fender and Fishman Transducers Inc.-designed Acoustic Engine is sure to deliver true inspiration, delivering 10 different body style and tone wood combinations. From acoustic shapeshifting to electric rhythm tones, this extremely versatile guitar opens a new door to discovering endless sonic possibilities.
UPDATE: MARCH 3, 2021: DEAN GUITARS INTRODUCES MD24 FLOYD ROASTED MAPLE VINTAGE ELECTRICS
TAMPA, FL — If you're looking for vintage appeal with modern playability and tone, look no further than the new MD24 Floyd Roasted Maple Vintage models from Dean. The MD24 F is now available with a roasted maple neck and fingerboard for improved stability and bright tones, in two new color finishes, Vintage Blue and Vintage Orange and they're loaded with a Floyd 1000 Series tremolo system and direct mount Seymour Duncan TB5/APH-1 sandblasted Zebra pickups. Like other series extensions in Dean’s collection of high-quality electric guitars, the fundamentals of the MD24 Select style carry over to the new MD24 Floyd Roasted Maple Vintage models. These latest additions feature a solid basswood body with a Flat Top and a contoured arm cut, and roasted maple neck. This tonewood combination provides a great blend of bottom end, sweet mids, and articulate highs. The Floyd Rose 1000 Series tremolo system keeps tuning stable during all your heavy riffing and blistering solos. These guitars offer bolt-on construction with a 25 ½’’ inch scale with a dual-action truss rod that provides an extra midrange punch. The C-shape neck is satin-finished with a roasted maple fingerboard with 12-inch radius and abalone dot inlays. The MD24 Floyd Roasted Maple Vintage has 24 jumbo frets, which widen to more than 2 ¼ -inchs at the last fret. Grover 18:1 tuners provide added stability with a dome black finish against the natural headstock. The exclusive Seymour Duncan TB5/APH-1 sandblasted zebra pickups serve the dual purpose of capturing natural tone as needed and transforming the MD24 Floyd Roasted Maple Vintage models into tone machines when desired. The custom trembucker at the bridge delivers high output crunch and lead tones, while the APH in the neck enables sweet, syrupy neck sustains. The simple controls of the volume knob and 3-way toggle switch provide ample possibilities and the dome black knobs match the black hardware to polish off the look. For more on the MD24 Floyd Roasted Maple Vintage Blue and MD24 Floyd Roasted Maple Vintage Orange, click the INFO button now.......
Update: Feb 23, 2021: FENDER 75 YEARS by author DAVE HUNTER.
Ubiquitous in the music world, Fender guitars and amplifiers are also icons in popular culture, their shapes and sounds instantly recognizable. Authoritatively written and lavishly illustrated, Fender 75 Years is the officially licensed anniversary celebration of the company and its legendary instruments. From Fender’s first instrument—a lap steel guitar produced in 1946—to founder Leo Fender’s groundbreaking early six-string “Spanish-style” guitar designs like the Esquire that set the standard for the electric guitar explosion to follow, author Dave Hunter traces Fender’s entire history to the present. All the innovations and landmark models are here, as well as legendary players who became synonymous with Fender instruments across musical genres. In addition to the instantly recognizable Telecaster and Stratocaster, Hunter examines Fender’s line of legendary offset guitars like the Mustang, Jazzmaster, and Jaguar, and bygone models such as the Marauder, Coronado, Bronco, and more. The Jazz Bass and Precision Bass also feature, as do Fender’s acoustic guitars and workhorse tube amplifiers like the Bassman, Twin Reverb, and Princeton, to name a few. Along the way, readers will get in-depth scoops on the relationships dozens of players have enjoyed with Fender: rock ’n’ roll pioneers like Hank Marvin and James Burton; classic-rock icons like Jimi Hendrix, David Gilmour, and Eric Clapton; blues legends Bonnie Raitt, Stevie Ray Vaughan, and Buddy Guy; alt-rock gods J Mascis and Kurt Cobain…the list goes on. In addition, Hunter explores the work of the award-winning Fender Custom Shop and the wares produced there. Illustrated throughout with rare images from company archives, Fender 75 Years treats readers to rare behind-the- scenes views of the shop floor throughout the years, as well as studio imagery of the guitars, rare period advertising and brochures, and performance images of Fender players. It’s the definitive look at the Fender’s first three-quarters of a century and a must-have for any guitar enthusiast. Dave Hunter is an author, musician, and journalist. He is the author of several popular books about guitars, amps, and effects, including Voyageur Press's Star Guitars, The Fender Stratocaster, The Gibson Les Paul, and 365 Guitars, Amps & Effects You Must Play. A regular contributor to Guitar Player and Vintage Guitar magazines, he resides in Portsmouth, New Hampshire. Fender 75 Years - Hardcover with slip case ∙ 224 pages, 300 color and b&w photos ∙ $50.00 US, $65 CAN - Publishing May 18, 2021 For more, click the info button now.
Update: Feb 22, 2021: Peavey introduce mini Invective Head .mp4
News out of MERIDIAN, MS Peavey Electronics® proves that good things do come in small packages in their second collaboration with Periphery guitarist, Misha Mansoor. The new invective™ MH amplifier packs all of the best tones from the 120 W big brother into a much more portable and proven 20 W MH head format. At the heart of this little monster is a pair of EL84 power tubes shaped by three 12AX7/ECC83 preamp tubes, providing everything from clean pristine tones to the chunky gated distortion.The onboard Tube Status Indication circuit helps the user diagnose a problem with the power tubes and the bias adjustment pot is located on the top of the small, rugged chassis. Additionally, foot switches allow the invective MH to engage or disengage the Tight voicing and any combination of Gate and Boost on the Lead channel, respectively. There’s also an independently foot-switchable buffered effects loop.AND don’t be deceived by the size or format of the invective MH. No matter the venue, this mini amplifier has plenty of oomph for small-to-medium sized gigs and can even work as a backline stage monitor with its attenuator switch directing power at 20 W, 5 W, or 1 W to suit the need.On the clean channel, adaptive low and high EQ help find the sweet spot with ease. The lead channel provides a three-band EQ and the Master Resonance and Master Presence pots help shape the tone. In addition to its new sounds, the invective MH has all of the recording hooks and flexibility of the other Peavey MH amplifiers, including Microphone Simulated Direct Interface Output with XLR and ground lift switch, speaker-simulated USB, speaker defeat switch, power attenuator, headphone out, and more. Dual quarter-inch TRS footswitch jacks allow for easy MIDI control.the invective MH weighs just over 16.5 pounds and it’s approximately 14 inches wide by 7.5 inches tall, with a depth of just over 12 inches. And the the street price of this little monster...? $699USD To learn more about invective MH, click the info button now. visit www.peavey.com.
Update: Feb 18, 2021: Gibson Announces Brand Partnership with Universal Music Publishing in China.
Update: Feb 18, 2021: News out of NASHVILLE, TN that Gibson has formed a full-scale partnership with Universal Music Publishing Group the world’s second largest music publishing company--in China and Hong Kong. With a catalogue of over three million songs and offices in 46 countries worldwide, UMPG is part of Universal Music Group, a subsidiary of Vivendi and Tencent. This means Gibson will offer tailor-made support for artists, songwriters, and producers in China. First up for 2021 are the widely popular UMPG songwriting camps and artist events with Gibson outfitting UMP China’s professional recording studios in Beijing and Shanghai and UMP China marketing and social media working closely with Gibson in expanding social media reach via joint promotional social campaigns and artist content launches regionally and globally. UMPG and Gibson are committed to supporting charity campaigns and causes that serve the music community, from forthcoming opportunities with major content sites such as Tencent, Tik Tok and Bilibili, to promoting respective artists’ charitable efforts globally and regionally throughout Asia. says James "JC" Curleigh, President and CEO of Gibson Brands. “We are very excited about the emerging partnership between Gibson and UMPG China to further our support for musicians and for the broader music community in China,” “We have amazing momentum around the world, and now we have an incredible opportunity to take this momentum to another level with our new partnership in China.” Joe Fang, Managing Director of UMPG China. Added, “I’m excited to announce that UMPG China will be partnering with Gibson, the number one guitar brand in the world,” “With Gibson’s support, we will now have the chance to jointly promote emerging artists, support music education, and create causes for music education and charity events.” In other news, the launch issue of Rolling Stone China, just came out and features Wang Yuan (aka Roy Wang)—leader of the most-popular boyband in China, TF Boys—and Zhang Chu, one of China’s most respected and legendary musicians pictured on the cover and inside pages with Gibson Dove and Hummingbird acoustic guitars For more, click the info button now.....
Update: Feb 8, 2021: FENDER and CHRISSIE HYNDE LAUNCH SIGNATURE TELECASTER
News out of HOLLYWOOD, Calif. that Fender have released the Chrissie Hynde Telecaster® in its first ever collaboration with the singer-songwriter, Pretenders front-woman and guitar icon. The Signature model is a tribute to the Ice Blue Metallic Telecaster that Chrissie bought in a New York City shop nearly forty years ago and has been featured on over a dozen studio albums and has accompanied Hynde in concert halls and stadiums all around the globe. said Chrissie Hynde, “My guitar tech, David Crubly, convinced me to launch a Fender Signature Telecaster by telling me it might encourage more people to get into bands and music. I hope that’s true and know that those who do, won’t look back." Chrissie has played a number of Teles over the years, but her original model remains her number one, most trusted guitar to this day. This all-new Signature Telecaster® is a faithful recreation of one of the world’s most famous electric guitars, recognized for its churning Tele rhythms and the rugged sound it lent to the Pretenders and Hynde’s other projects. It boasts an alder body in Faded Ice Blue Metallic Road Worn™ lacquer finish, vintage-style '50s single-coil Tele pickups voiced to match Chrissie's original set and a 6-stainless steel barrel saddle bridge. With a custom mid-‘60s “C”-shaped maple neck, a 7.25” radius fingerboard and a chrome mirror pickguard, the guitar serves the unmistakable look and feel of Hynde’s treasured ’65 Telecaster® model. An artist-requested player-friendly update on the new Chrissie Hynde Telecaster® are locking tuners for increased tuning stability and quicker string changing. said Justin Norvell, EVP Fender Products. “It was a true honor to bring the Chrissie Hynde Telecaster to life. This guitar is as legendary as the artist who inspired its namesake and personalized design features. Chrissie really wanted this model to be as faithful as possible to its original. – this Telecaster® is packed full of features that punch. From its beautiful Road Worn™ finish to its resilient stainless-steel saddles, the musical possibilities really are endless with this Tele in your hands.” Born in Akron, Ohio, Chrissie Hynde’s long and influential career as an artist and singer-songwriter started shortly after moving to London in 1973. Hynde began writing for NME and associating with the stars of the then-nascent Punk scene, such as Johnny Rotten, Sid Vicious, and Vivienne Westwood. After playing in several bands, she formed The Pretenders in 1978, releasing such classics as the UK #1 "Brass in Pocket," "Talk of the Town," "Message of Love," and “I’ll Stand By You” to commercial and critical acclaim throughout the `70s, `80s and `90s. Uncompromising in her D.I.Y. attitude and persistent work ethic, Chrissie’s career has spanned multiple world tours, number 1charting singles, a performance at the original Live Aid, and legendary collaborations with everyone from Frank Sinatra to Nick Cave. She released her 11th Pretenders studio album, Hate for Sale, in July of 2020. The Fender Artist Signature Series honors iconic musicians through product progression and storytelling, creating instruments inspired by the unique specifications of the world’s greatest guitarists and bassists. Fender discusses the all-new Chrissie Hynde Telecaster® specs and all details in an episode of Fender's serialized social video series: Fender Demos. Fender Demos focuses on showcasing not only the key features and benefits, but also the sonic quality of Fender’s instruments, amplifiers and pedals. In addition to product demos, the series also provides beginner, intermediate and advanced tone tips, set-up and maintenance guides and insights to getting the most out of your Fender gear. For more...click the INFO button.
Update: Feb 1, 2021: Gibson announces partnership with Orianthi.
Gibson has officially announced a new partnership with Australian-born guitarist Orianthi Panagaris, aka Orianthi. The new Gibson Orianthi SJ-200 Custom in Cherry will be available worldwide this coming May 2021 on www.gibson.com. Orianthi has been knocking people out with her playing for over a decade and has played and collaborated with Michael Jackson, Alice Cooper, Carrie Underwood, and Richie Sambora, among many others. In late 2019, Orianthi visited the Gibson Acoustic factory in Bozeman, MT and worked with the luthiers in the Custom Shop to create her perfect signature guitar with a special neck modeled after a Gibson ES 345, a redesigned pickguard with Lotus Flowers, as well as mother-of-pearl dot inlays in the neck. More features include a AAA Sitka spruce top and maple back, gold Grover® Keystone tuners, a stunning and distinctive Cherry nitrocellulose lacquer finish, and an LR Baggs™ Orianthi System, with under-saddle piezo pickup and sound hole mounted preamp and controls and more. says Orianthi. “Creating a signature acoustic with the amazing Gibson team was truly an honor! I couldn’t be happier!” “It’s the same full SJ-200 sound, but it plays much faster with a 345 neck on it, and with the modified unique LR Baggs custom pickup, it’s a balanced guitar and cuts through. I can’t wait for you all to be able to pick it up and shred away on it in May.” “We are thrilled to welcome Orianthi to the Gibson family,” says Elizabeth Heidt, Global Head of Entertainment Relations for Gibson. “We have been fans of her artistry from the start and it is a win for Gibson to have this incredibly talented woman join us.” click the INFO button for more.
Joe Mass with his new 'V'
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jazz guitar player and instructor David Becker talks about his recent tour in Italy and demonstrates some of his techniques and teaching skills on this video! Here he is with a 1969 Gibson Super 400 Sunburst at #NormansRareGuitars! Check out his lessons on the All Guitar Network!