Fab's Music Café: Blackberry Smoke's, Charlie Starr - Interview
Charlie Starr is the lead vocalist, guitarist and principle songwriter for southern rock band, Blackberry Smoke. Starr was named in Music Radar’s top 23 guitarists, a list that includes “rock guitar gods” like Keith Richards of Rolling Stones, Slash of Guns N’ Roses, and Billy Gibbons of ZZ Top, among others. He recently took part in Willie Nelsons “Come and Toke It” live stream as well as took over some hosting and DJ duties on Sirius XM’s Outlaw Country. Meanwhile, Blackberry Smoke’s released a new rendition of The Marshall Tucker Band’s “Take The Highway ". “Take The Highway” is the latest song unveiled from Blackberry Smoke’s special new EP, Live From Capricorn Sound Studios, which will be released June 19 with a portion of all proceeds going to the Recording Academy’s MusiCares COVID-19 Relief Fund. It was recorded earlier this year at Capricorn Sound Studios in Macon, GA. The project consists of six new versions of songs that have special ties to the historic studio and town. It was produced by Starr and Blackberry Smoke, the EP is now available for both CD and vinyl pre-order <https://stem.ffm.to/midnightrider>. The project will be released as a lead up to the band’s anticipated “Spirit of the South Tour: A Celebration of Southern Rock and Roll Music” this summer, with Allman Betts Band & Wild Feathers. Starr has also been writing new songs for a new full length Blackberry Smoke album, and recently returned to the studio with Grammy Award-winning producer Dave Cobb to begin work on their next album, including a new song with Jamey Johnson. The new music follows the release of their latest full-length album, Find A Light, which debuted as the best-selling Country and Americana/Folk album in the country, entered at #3 on the Billboard Top Country Albums chart and #2 on the Billboard Americana/Folk Albums chart in 2018. Of the album, NPR Music praises, “pushes the envelope while providing that famous Blackberry Smoke autonomy, delivered with soulful vocals, haunting harmonies and kick ass songs.” After the release of Find A Light, Blackberry Smoke released two additional projects—a live album and concert film, Homecoming: Live In Atlanta which debuted at #1 on Billboard’s Americana/Folk Album Sales chart—and a 6-song acoustic EP, The Southern Ground Sessions. Pigeonholing Blackberry Smoke has never been easy. Since emerging from Atlanta in the early '00s, the quintet—vocalist/lead guitarist Charlie Starr, guitarist/vocalist Paul Jackson, bassist/vocalist Richard Turner, drummer Brit Turner and keyboardist Brandon Still—has become known for a singular sound indebted to classic rock, blues, country and folk. This fluidity has paid off handsomely, in the form of two Billboard chart-topping country albums, 2015's Holding All The Roses and 2016's Like An Arrow. (For good measure, the latter also topped Billboard's Americana/Folk album chart.) Find A Light, Blackberry Smoke's sixth studio album, doubles down on diversity. Songs hew toward easygoing roots-rock ("Run Away From It All") and Southern rock stomps ("The Crooked Kind"), as well as stripped-down acoustic numbers ("I've Got This Song") and bruising alt-country ("Nobody Gives A Damn"). Rich instrumental flourishes—keening fiddle, solemn organ and bar-band piano boogie—add further depth and resonance. "That's one of my favorite things about Blackberry Smoke albums—there's a lot of variety," Starr says. "My favorite albums through the years are built that way, too. I love a record that keeps you guessing. I love the fact that our records are sort of a ride, with different types of songs and different vibes." Within Blackberry Smoke's catalog, Find A Light is distinctive in several notable ways. The record sounds heavier than other albums; in fact, Starr characterizes the churning, scorched-blues album opener, "Flesh And Bone," as "maybe the heaviest song we've ever recorded." The title has deep significance to the record's overarching themes. "Most of our albums have been named either for a song on the album or a lyric, and this time I didn't want to do that," Starr says. "I thought, 'What headspace is humanity in as a whole?' That's pretty hard to argue with that. I think everybody is hoping and looking for something better right now." Accordingly, Find A Light's lyrics portray characters weighed down by the pressures of everyday life. "Flesh And Bone" explores the conundrum of temptation; "Run Away From It All" is about seizing the day and trying to leave troubles behind; and "Nobody Gives A Damn" cautions about letting external achievements such as an attractive partner or a hit song go to one's head. "Inspiration comes from so many different places," Starr says. "A lot of inspiration can be drawn from current events these days, and how complicated the world is." Yet Find A Light's hard-luck characters are soldiering forward despite it all, and remain buoyed by optimism—and deep faith in themselves. "One of these days I’ll get the best seat in the house/It’s the measure of a man, of a man," goes the jangly "Best Seat In The House," while the narrator of "I've Got A Song" asserts, "At the end of the day, it’s the one thing they can’t take away: I’ve got this song." The album's final song, "Mother Mountain," focuses on the belief that redemption and rebirth are always within reach. "It felt good to write that song," Starr says of the latter. "I don't write a whole lot of songs like that, the really optimistic, yearning for something better kind of a song. The album's called Find A Light, and that song is sort of a plea, as far as that goes." Starr switched into writing mode for Find A Light thanks to impromptu songwriting sessions he had with his friend Keith Nelson, formerly of the band Buckcherry. The men had never collaborated before, but found an instant creative connection. In fact, Starr ended up using four songs from their time together—including "Run Away From It All," "Nobody Gives A Damn" and "Best Seat In The House"—on Find A Light. "At some point, I told him, 'Man, I really like these songs for Blackberry Smoke. These are Blackberry Smoke songs,'" Starr says. "He didn't disagree. I hadn't really started to write for another album yet, so these lit the fire, so to speak.” Blackberry Smoke spent a little over two weeks recording Find A Light in Atlanta with engineer/mixer Tom Tapley and long-time collaborator Benji Shanks. As with 2016's Like An Arrow, the band self-produced the record. "With these two albums, we really knew what we wanted them to sound like, and what kind of record we wanted to make," Starr says. "It was a pretty easy decision to say, 'Hey, let's do it ourselves.'" That confident vision informed the band's decision to have several guest musicians appear on Find A Light. The brisk, gospel-tinged Southern rocker "I'll Keep Ramblin'" features the song's co-writer, Robert Randolph, adding frantic pedal steel, while the psychedelic-tinted folk elegy "Mother Mountain" blooms with The Wood Brothers' inimitable harmonies. "As we were recording that song, I was singing it, and from the very beginning of that song—even in its embryonic stage—I wanted it to be a three-part harmony all the way through," Starr says. "I asked The Wood Brothers, because I love their vocal blend. They're fantastic harmony singers." Another Keith Nelson co-write, the easygoing "Let Me Down Easy," features Amanda Shires shading Starr's vocals with her clarion twang. "I thought it would be really cool to have a female harmony on this song, sort of a Gram Parsons-Emmylou Harris kind of thing," Starr explains. "And Amanda came to mind. Her voice is so cool, so genuine and unique." At its core, Find A Light illustrates the efficiency and chemistry of Blackberry Smoke's instrumentalists, who have no trouble translating the band's loose live shows into crisp studio recordings. "We always record together," Starr says. "That's what bands do. And you go in and listen, and think, 'Wow. How did that happen? What just happened? That was magic. That was magical. Can we do that again?' "I'm always blown away by my bandmates' sympathy for the song," he adds. "We all agree that that's the way to be in this band is to play for the song—the song is the vehicle." This commitment to putting the music first above all other considerations is one reason Blackberry Smoke has continued to evolve during their time together. And it also explains why Find A Light's sonic progressions and expansions sound so effortless. "We didn't want to repeat ourselves," Starr says. "I don't ever want to make a record that ourselves or are fans are like, 'It's the same old thing.' But I still get a real lift from listening to Find A Light, even after multiple listens. I really am proud of the work that we accomplished."
The Wrecking Crew
VintageJazzCountryRockBluesAcousticFab's Music CaféFab's Movie NightRecordingSong Writing
The Wrecking Crew: watch trailer
Rent or buy The Wrecking Crew right here on All Guitar Network now.......and to check out Fab's exclusive interview with the director, Denny Tedesco, head over to Fab's Music Café in On Demand, it's free for all registered users. If you are not yet registered, register now, it's completely free and unlocks more exclusive free content. Music lovers will be astonished at the influence The Wrecking Crew wielded over rock and pop music in the 1960s and early 1970s. These unsung instrumentalists were the de-facto backing band on hit records by The Beach Boys, Phil Spector, Frank Sinatra, Nancy Sinatra, Sonny & Cher, Elvis, The Monkees and many more. These dedicated musicians brought the flair and musicianship that made the American “West Coast Sound” a dominant cultural force around the world. Starring: Brian Wilson, Cher, Dick Clark, Glen Campbell, Lou Adler, Nancy Sinatra. directed by: Denny Tedesco. documentary: PG. 2015.
The Wrecking Crew
VintageJazzCountryRockBluesAcousticFab's Music CaféFab's Movie NightRecording
The Wrecking Crew
Music lovers will be astonished at the influence The Wrecking Crew wielded over rock and pop music in the 1960s and early 1970s. These unsung instrumentalists were the de-facto backing band on hit records by The Beach Boys, Phil Spector, Frank Sinatra, Nancy Sinatra, Sonny & Cher, Elvis, The Monkees and many more. These dedicated musicians brought the flair and musicianship that made the American “West Coast Sound” a dominant cultural force around the world. Starring: Brian Wilson, Cher, Dick Clark, Glen Campbell, Lou Adler, Nancy Sinatra. directed by: Denny Tedesco. documentary: PG. 2015.
Fab's Music Café 'Live'
VintageCountryRockBluesAcousticFab's Music CaféFab's Movie Night
Fab's Music Café: 'Live': Charlie Starr
Charlie Starr is the lead vocalist, guitarist and principle songwriter for southern rock band, Blackberry Smoke. Starr was named in Music Radar’s top 23 guitarists, a list that includes “rock guitar gods” like Keith Richards of Rolling Stones, Slash of Guns N’ Roses, and Billy Gibbons of ZZ Top, among others. He recently took part in Willie Nelsons “Come and Toke It” live stream as well as took over some hosting and DJ duties on Sirius XM’s Outlaw Country. Meanwhile, Blackberry Smoke’s released a new rendition of The Marshall Tucker Band’s “Take The Highway ". “Take The Highway” is the latest song unveiled from Blackberry Smoke’s special new EP, Live From Capricorn Sound Studios, which will be released June 19 with a portion of all proceeds going to the Recording Academy’s MusiCares COVID-19 Relief Fund. It was recorded earlier this year at Capricorn Sound Studios in Macon, GA. The project consists of six new versions of songs that have special ties to the historic studio and town. It was produced by Starr and Blackberry Smoke, the EP is now available for both CD and vinyl pre-order <https://stem.ffm.to/midnightrider>. The project will be released as a lead up to the band’s anticipated “Spirit of the South Tour: A Celebration of Southern Rock and Roll Music” this summer, with Allman Betts Band & Wild Feathers. Starr has also been writing new songs for a new full length Blackberry Smoke album, and recently returned to the studio with Grammy Award-winning producer Dave Cobb to begin work on their next album, including a new song with Jamey Johnson. The new music follows the release of their latest full-length album, Find A Light, which debuted as the best-selling Country and Americana/Folk album in the country, entered at #3 on the Billboard Top Country Albums chart and #2 on the Billboard Americana/Folk Albums chart in 2018. Of the album, NPR Music praises, “pushes the envelope while providing that famous Blackberry Smoke autonomy, delivered with soulful vocals, haunting harmonies and kick ass songs.” After the release of Find A Light, Blackberry Smoke released two additional projects—a live album and concert film, Homecoming: Live In Atlanta which debuted at #1 on Billboard’s Americana/Folk Album Sales chart—and a 6-song acoustic EP, The Southern Ground Sessions.
Fab's Music Café
Tim PierceJosh SmithNorman's Rare GuitarsNewsVintageTips, Tech & RepairsKirk FletcherGuitar Of The DayJazzCountryRockBluesAcousticFab's Music Café
Fab's Music Café: Fab interviews Blues guitar legend, Josh Smith
In this episode, Fab interviews Blues guitar legend, Josh Smith. Blues rock guitar virtuoso, singer-songwriter and producer, Josh Smith, is hailed the world over as a master guitarist with raw talent and power to spare. Blending his signature mix of blues, rock and jazz into dynamic original songs, Smith is known for his incendiary live performances, whether at the Grammy Awards or the Kennedy Center Honors with Mick Jagger, Raphael Saadiq and others. Born in 1979, Josh started playing guitar at age six. Praised as a blues prodigy by the time he was 12 years old, he began playing at professional blues jams in South Florida, sitting in with such greats as Jimmy Thackery, Tinsley Ellis, Kenny Neal, Lucky Peterson, Matt “Guitar” Murphy, Johnny “Clyde” Copeland, Double Trouble, Joanna Connor and Kim Simmonds, among others. Jimmy Thackery said of the 14-year-old, “Josh is three heartbreaks away from being a true blues guitar genius.” That insight from Jimmy Thackery proved true as Josh began releasing CDs at age 14. His first national tour with his power trio, Josh Smith and the Frost, featured Josh as bandleader, vocalist as well as guitarist. The legendary producer Jim Gaines (Santana, SRV, Luther Allison, Steve Miller, Jimmy Thackery) produced Josh’s third CD, Too Damn Cold and Woman. By 1998, he had completed four national tours with his band. Josh was then asked to support the great B.B. King on a number of shows. Opening for B.B. King was just the beginning for this in-demand artist and lead guitarist for artists such as Taylor Hicks, Ricky Fante (Virgin Records), Raphael Saadiq, actress Taryn Manning, Universal Music Group hip-hop artists Benny Cassette and Tara Ellis, and more. He has the distinction of inducting Neil Diamond into the Kennedy Center Honors with Raphael Saadiq’s band and honoring Solomon Burke at the Grammys with Mick Jagger. Within a year of moving to L.A. in 2002, Josh was retained by Virgin recording artist Ricky Fante and performed nationally and internationally with Ricky for the next two years. In 2006, Josh recorded his fifth CD, Deep Roots and continued to play with a variety of artists such as actress Taryn Manning, Universal Music hip-hop artists Benny Cassette and Tara Ellis, to name a few. In 2007, Josh was hired by 2006 American Idol winner Taylor Hicks to be his lead guitarist. They completed two national tours before Josh was hired as lead guitarist by Grammy Award winner Raphael Saadiq. Josh continues to tour with Saadiq. In 2009, Josh released his 6th studio CD, Inception and in 2010 he was signed to Crosscut Records based in Germany. Crosscut re-released Josh’s breakout album, Deep Roots as I’m Gonna Be Ready. In 2013, Josh’s CD Don’t Give Up On Me was also released in Germany, followed by Over Your Head in 2014. In 2016, Josh’s jazz album, Still was released to critical acclaim as was Burn To Grow in 2018. Along with touring the world, recording and performing with renowned artists such as Joe Bonamassa, Eric Johnson, Andy Timmons, Kirk Fletcher and others, Smith is also a producer and owns Flat V Studios in Los Angeles. He has produced artists Reese Wynans (Joe Bonamassa), Artur Menezes (winner of the Eric Clapton 2019 Crossroads Festival) Seth Rosenbloom, Jamey Arent and many more. Josh’s latest and 11th album, Live At The Spud, was released January 8, 2020 on Flat V Music, and features Smith and his power trio recorded live over two nights at the legendary Baked Potato in Los Angeles. The new album features Smith on guitar and vocals, Gary Novak on drums and Trevor Carlton on bass. The goal was to present an unedited look at a normal night at the Baked Potato. Compelling, improvisational and explosive. Josh is currently touring worldwide in support of the live album. Josh lives in Los Angeles with his wife and son.
Update: Jan 21, 2021: Gibson just announced new Kirk Douglas SG signature model
News out of NASHVILLE, that Gibson has just announced the new Kirk Douglas SG signature model marking the second instrument collaboration between GIBSON and Captain Kirk Douglas, guitarist for the legendary, multiple GRAMMY-Award winning hip-hop group The Roots. Kirk’s newest Gibson signature guitar illustrates Kirk’s own modern take on the SG. Today. Said Kirk Douglas, “What I love about the Gibson SG is I am able to get my Les Paul tones and I’m able to get the single coil pickup tones, this guitar is extremely versatile, and by utilizing the pull up feature on each volume knob you can get a lot of tones,”. “I find with the SG you are able to get a lot of different musical colors, all out of this one guitar.” said Cesar Gueikian of Gibson. “Captain Kirk Douglas is a talented vocalist, guitarist, all-around musician, and Gibson Alliance member who has taken a classic design such as the Gibson SG, and modified it with modern concepts that fit his playing style,” “It’s been an incredible journey for us and this guitar is a perfect example of how we put the Gibson Innovation Lab to work in service of our artists and the outcome in this case is pretty epic; we are all in love with this new signature SG.” As the guitarist for The Roots, the beloved house band for Late Night with Jimmy Fallon on NBC, Captain Kirk Douglas has developed a well-earned reputation as a stellar player. His guitar collection includes several Gibson models, but arguably the best is his three-pickup Gibson™ SG™ Custom, which is now commemorated in the new Kirk Douglas signature SG. The guitar features non-locking Keystone tuners, a mahogany neck and body, rosewood fretboard with 22 medium jumbo frets and large block acrylic inlays, a Graph Tech® nut, ABR-1 Tune-O-Matic™ bridge and Kirk Douglas signature "Captain" Lyre Tail Vibrola tailpiece, black Top Hat knobs with metal inserts, and three BurstBucker™ humbucking pickups. Like the Captain himself, the pickups and controls on his SG are incredibly versatile. On a basic level, they operate somewhat similarly to a two-pickup SG, but with significant added capabilities. The three-way toggle switch selects the bridge pickup, neck pickup, or both. Each of these pickups has its own volume control, and each is equipped with a push/pull pot that switches from humbucker to single coil when the switch is pulled out. A single master tone knob located in the usual lead tone control position, is provided, and where you’d normally expect to find the second tone control, an additional volume control (again, with a push/pull switch for coil tapping) is installed. This controls the middle pickup and can be used to blend its signal in with the other (one or two) pickups, regardless of how the three-way pickup selector switch is positioned. This means you can run the neck and/or bridge pickups alone or together, the neck and middle, bridge and middle, or all three pickups simultaneously, and at any relative volume amounts desired. Even better--once you have dialed up the exact balance you want, you can adjust the overall output level of the entire guitar with the pickguard-mounted master volume control. For more, click the info button now.....
Alamo Music Center
Cheap Stratocaster vs. Expensive Stratocaster: Can You Hear The Difference?
"Today we're taking a look at different ranges of Stratocasters-- a "cheap" one, an "expensive" one, and something right in between. The Squier Affinity, Fender Player (Plus Top), and American Professional II Stratocasters all follow the same formula: 3 single coil pickups, tremolo system, satin neck finish; but at 3 distinctly different prices, can you hear the difference? Take a listen to the demos of each of these, and see which one you think might be right for you."
Guitar Of The Day
Guitar of the Day 1960's Coral Vincent Bell Electric Sitar Norman's Rare Guitars
Happy Birthday to the boss man, Norm!!! Stay safe, be kind and hope you’re all well! Enjoy this new episode of #GuitarOfTheDay: Lemmo playing an Original 1960's Coral Vincent Bell Electric Sitar available here at #NormansRareGuitars! For any questions you may have or price inquiries about this #Coral #Sitar #ElectricGuitar please give us a call at 818-344-8300.
Guitar Of The Day
Guitar of the Day: 1981 Gibson Korina Flying V Norman's Rare Guitars
Guitar of the Day 1981 Gibson Korina Flying V Norman's Rare Guitars.
Alamo Music Center
Should You Learn Guitar on Nylon or Steel Strings
"Today we're here to discuss one of the classic questions around learning guitar-- should you start on steel or nylon strings? Nylon may be easier on the fingers, but is the traditional build of a classical guitar too much of a physical stretch for the beginner? Are some of the more uncomfortable aspects to learning guitar actually good for conditioning? Which has more versatility? Chris and Cooper both have some heavy opinions on these questions, so take a listen to their conversation here! How did you learn? Let us know in the comments, then browse our selection of both nylon and steel string acoustic guitars!"
Update: Jan 19, 2021: Epiphone Introduces the New Prophecy Collection:Les Paul, Flying V, SG, and Extura. Available Worldwide Now.
News out of NASHVILLE, TN that Epiphone has unveiled their new Prophecy Collection. Featuring a modern take on classic Gibson blueprints including the Les Paul, Flying V, SG and Extura, they're available worldwide now at Authorized Epiphone Dealers. Across the Prophecy Collection, each Les Paul, Flying V, SG, and Extura features standard specs including custom-voiced active Fishman Fluence® pickups that deliver three distinct tones--a warm vintage humbucker, a hot modern humbucker, and a shimmering optimized single-coil--all accessed by push/pull volume and tone pots. Additionally, attention-grabbing color finishes with specially designed inlays, 24 frets for reaching new octaves, fast-playing necks, and high-end appointments round out every guitar. explains Aljon Go, Product Manager of Epiphone. “The proprietary Fishman Fluence pickups deliver tones that modern guitarists love, all of which are extremely usable,” “The ability to change from modern punch or warm vintage Gibson humbucker tone to the glassy shimmer of a single coil at your fingertips, gives players the versatility to capture the widest array of sounds. Married to modern Inspired by Gibson body styles, it is a force to be reckoned with.” The newly reimagined Flying V™ Prophecy collection features the above standard specs, as well as Grover® locking Rotomatic® tuners, Epiphone's LockTone™ Tune-O-Matic™ bridge and tailpiece for added sustain, a Graph Tech® NuBone® nut that boosts harmonic content and increases tuning stability, custom binding, ebony fretboard, jumbo frets, and an asymmetrical SlimTaper™ neck for comfort and speed. Available in a AAA figured maple top in Yellow Tiger Aged Gloss or plain top in Black Aged Gloss. The newly reimagined Epiphone Les Paul™ Prophecy collection features the same standard specs, and is Available with a AAA figured maple top in Red Tiger Aged Gloss, and Olive Tiger Aged Gloss, or plain top in Black Aged Gloss. The Epiphone SG™ Prophecy brings high-performance features to the classic SG™ design. The mahogany body is topped with a 1/2" maple cap and beautiful AAA frame maple veneer, along with a thinner Aged Vintage Gloss finish. The SlimTaper™ asymmetrical mahogany neck features a 24-fret ebony fingerboard with jumbo frets, Block and Triangle pearloid/abalone inlays with abalone selected to complement the body color, brushed nickel Grover® Locking Rotomatic® tuners, and a black Graph Tech® NuBone® nut. The Epiphone Prophecy SG comes with brushed nickel hardware and is equipped with a pair of proprietary Fishman Fluence® pickups with three voicing options that are selected with the push/pull master volume and tone controls – high gain, modern active high-output humbucker™ with both controls pushed in, classic “Patent Applied For”-style humbucker when the tone control is pulled out, and shimmering, optimized single-coil tones when the volume control is pulled out. Epiphone Prophecy SG colors include a Red Tiger Aged Gloss, Blue Tiger Aged Gloss, and Black Aged Gloss; an optional hardshell case, EpiLite™ case, and premium gig bag are available. The new Extura body style combines the Gibson Explorer™ with the narrower waist and deeper cutaway of the Gibson Futura™. Front-and-center is a pair of custom voiced Fishman Fluence® pickups that deliver three distinct tones--a warm Gibson BurstBucker™ "Patent Applied For" vintage humbucker™, hot modern humbucker, and a shimmering, optimized single-coil sound, all accessed by push/pull Volume and Tone pots. The Prophecy Extura also includes Grover® locking Rotomatic® tuners, Epiphone's LockTone™ Tune-O-Matic™ bridge and tailpiece for added sustain, a Graph Tech® NuBone® nut that boosts harmonic content and increases tuning stability, custom binding, ebony fretboard, jumbo frets, and an asymmetrical SlimTaper™ neck with a contoured heel for comfort and speed. Available in a AAA figured maple top in Yellow Tiger Aged Gloss or Purple Tiger Aged Gloss, and a plain top in Black Aged Gloss; cases are sold separately. For more information, click the INFO button now.
FRET BUZZ Episode 16: 'Haunted by the Bean' part 1. (part 2 coming soon)
The latest from our great friends at Mike's Music.
The Upload Crew - (you can upload media to the AGN app, try it..!)
Jason Stuck: "latin groove"
Hey Jason, welcome to the AGN Upload Crew..... luv ya work....Keep on Uploading....!!
The Upload Crew - (you can upload media to the AGN app, try it..!)
Kristian Daley: All the best for 2021
"keep on strumming and picking " well said Kristian, we'll do just that. Luv ya work, keep on uploading....!
Guitar Of The Day
Guitar of the Day 1945 Gibson J-45 Banner Sunburst Norman's Rare Guitars.
Guitar of the Day 1945 Gibson J-45 Banner Sunburst Norman's Rare Guitars.
Exclusive Interview with Andrew Kastner
Andrew Kastner, guitarist, songwriter and founding member of the great LA band, Jack Mack And The Heart Attack opens up about the time as a 15 year old kid back in 1965, he called The Beatles hotel in Boston and somehow managed to get through to John Lennon's room. After Paul McCartney hung up on him, he called back and had a casual conversation with John Lennon for 15 minutes.
IBANEZ ANNOUNCES NEW ADDITIONS TO THEIR 2021 ELECTRIC GUITAR LINEUP
Bensalem, PA. Ibanez has JUST announced the latest editions to their vast selection of electric guitars. New for 2021, the exceptional AZ-N Series and three new Prestige Hollow Body models are sure to help guitarists ring in the new year. New for 2021, the AZ line is adding a new offshoot called the AZ-N series. This new breed of AZ is built around three principal differences from the originals. The first, are newly designed Seymour Duncan® Fortuna™ pickups with a more scooped mid-range, giving them a classic, organic, open voice. As a result, the guitar is extremely natural sounding which is what the “N” in AZ-N represents. This design also features a Rosewood fingerboard, with a compound radius; 9” towards the nut and 12” towards the bridge. This creates a neck that strikes the perfect ergonomic balance for clean melodies and chordal playing along with searing fast solo work higher up on the neck. The AZ-N still retains the musically flexible nature of the originals, while offering specifically tailored elements aimed at the player whose sound centers on a more traditional tone. No word yet on the ESTIMATED STREET PRICE: Ibanez also Announced Three New Prestige Hollow Body Models the professional-grade Artstar series. The influences of these legendary instruments are immediately apparent with a bone nut, ebony fretboard, and Ibanez's signature Super 58 custom pickups. The critical eye will appreciate the attention to detail poured into these instruments like the smoothness of the fretboard and the skill applied to the fretwork, generally found on instruments costing twice as much. The Artstar embodies the pure jazz-box and the continual evolution the genre represents. For 2021, there are three revamped made-in-Japan Artstar models: the AF2000, AS2000, and AM2000. The AF2000 represents the quintessential Jazz Box and is the most traditional design among the three. It’s full-hollow body construction produces a rich, complex tone, expressed with a pure voice and full body, the tonal characteristics most highly desired among the discerning Jazz player. The AS2000 utilizes a semi-hollow body construction and is built to tackle just about any genre of music you throw at it, with the pickups mounted directly to the center block for increased sustain and feedback elimination. The AM2000H Is smaller in size than other two models, but this guitar provides warm, punchy tone and abundant sustain. It offers the added benefit being compact enough that players more accustomed to a solid body electric will feel right at home on this new Artstar guitar. For more information click the info button now.