Wildwood Guitars • Fender Custom Shop Wildwood 10 Relic-Ready 1958 Jazzmaster • SN: R96581

Wildwood Guitars • Fender Custom Shop Wildwood 10 Relic-Ready 1958 Jazzmaster • SN: R96581

Though the Jazzmaster was originally designed to appeal to jazz guitarists, it has found a much broader appeal across many genres and eras. In everything from surf music to shoegaze to new wave to indie music, the Jazzmaster has formed the sonic backbone of many classic records, and its offset body is the picture of cool. Our Wildwood 10 Jazzmasters from the Fender Custom Shop capture the inimitable vibe of their vintage forebears while providing incredible modern playability. They feature ridiculously resonant, high-quality tonewoods wearing fifties-style nitrocellulose lacquer finishes that allow the guitar to breathe and resonate like nobody's business. They also have pickups with real flatpole magnets to capture that classic Jazzmaster sound. The wizard-like luthiers at the Fender Custom Shop have also outfitted these guitars with a Wildwood-exclusive 10" radius and narrow-tall 6105 frets, a configuration that facilitates just about every style and technique under the sun. So, these Wildwood 10 Jazzmasters blend comfortable ergonomics with vintage vibe in a truly inspiring way. We invite you to browse through our offset offerings and see what colors, neck shapes, and relic'd finishes inspire you. We're sure you'll find one that tickles your ear drums!
Wildwood Guitars
Duration: 06:25

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Fender Custom Shop Masterbuilt Wildwood 10 1955 Telecaster by Greg Fessler SN R100828.mp4
Wildwood Guitars

Fender Custom Shop Masterbuilt Wildwood 10 1955 Telecaster by Greg Fessler SN R100828.mp4

THE GUITAR IN THIS VIDEO HAS SOLD! Sonic Evaluation From Greg Koch......Greg Fessler has done it again! This Wildwood 10 '55 Tele is a truly magnificent beast. It has the same snappy response time you'd expect from a Masterbuitl Tele, but it sounds uncommonly huge and sonorous. In the bridge position, the midrange is quite rich with overtones, and so are the trebles, but the lows are nice and tight. In other words, it's the perfect sound for chunking away on chords! Bright, sizzling lead lines also have more depth than normal. The neck pickup is also a delight. It has fat, round lows to go with broad, vocal midrange and lively, open highs. Expressive lead lines and fat rhythm tones for days! This fearsome Fessler would make an excellent addition to the quiver of any player seeking a beefy-sounding Tele! Site: https://wildwoodguitars.com/product-c... Facebook: http://on.fb.me/11aLDN5 Amp: The Greg Koch Signature Combo from Koch Amps Serial Number: R100828 Brand Fender Custom Shop Model Masterbuilt Dealer Select Wildwood "10" '55 Telecaster Finish Color Faded Shoreline Gold Aging Heavy Relic Finish Type Nitrocellulose Lacquer Master Builder Greg Fessler Weight 7.13 lbs. Body Wood Ash Neck Wood Quarter Sawn Maple Neck Shape '54 U Neck Dimensions .890 1st - .960 12th Fingerboard Maple Fingerboard Radius Exclusive Wildwood Custom 10" Radius Inlays Black Dots Scale Length 25.5" Width at Nut 1.650" Nut Material Bone Frets 21 6105 Narrow-Tall Pickups Josefina Handwound Twisted Tele wound to Wildwood Specification Controls Volume, Tone, 3-Position Switch Hardware Chrome/Nickel Tuners Vintage Style with Nickel Buttons Pickguard 1-Ply White Case Limited Edition Hardshell Case with Embroidered Custom Shop Logo
06:272 days ago
Fender Custom Shop Wildwood 10 1955 Stratocaster • SN: R103398
Wildwood Guitars

Fender Custom Shop Wildwood 10 1955 Stratocaster • SN: R103398

Fender first introduced the Stratocaster in 1954, but they didn't really hit their stride until 1955 when they locked in the perfect formula for optimum sonic horsepower and good looks. The Wildwood 10 1955 Stratocasters pay homage to these legendary original Strats by replicating crucial details like the one-ply pickguard, dot inlays, resonant ash bodies, and maple necks. Many have also been lovingly relic'd by the masterful Custom Shop team, so they have oodles of vintage vibe. Nevertheless, they feel every bit as good as any modern guitar thanks to their Wildwood-exclusive 10" radius and 6105 frets. We invite you to experience the new-age comfort and fifties mojo of the Wildwood 10 1955 Stratocaster. Once you do, we're sure you'll fall head over heels in love.
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Wildwood Guitars • Fender Custom Shop Jimi Hendrix Voodoo Child Signature Stratocaster • SN: VC0566
Wildwood Guitars

Wildwood Guitars • Fender Custom Shop Jimi Hendrix Voodoo Child Signature Stratocaster • SN: VC0566

We can talk until we're blue in the face about the plethora of reasons why Jimi Hendrix was the greatest player to ever strap on a Strat. No one has ever matched his blend of virtuosic instrumental prowess, intense emotional expression, Picasso-level attention to the colors and hues in his music, and masterful songwriting, but what really puts him head and shoulders above the rest of every other six-string slinger is his universal appeal. Everyone, and I mean EVERYONE, loves Jimi Hendrix. Case in point: Ian Mackaye and Stevie Ray Vaughan could not be more different as people or guitarists. Mackaye was the singer and guitarist in legendary post-hardcore band Fugazi (a group about as far removed from the psychedelic rock of the seventies as humanly possible) while SRV was perhaps the greatest master of electric blues since Hendrix himself. Despite their immense musical, philosophical, geographic, and stylistic differences, both listed Hendrix as their favorite guitarist of all time by a wide margin. So, it doesn't matter if you're a punk in a leather jacket laden with safety pins, a metalhead in a Motorhead shirt, a jazz cat with an expensive hat, a classic rocker with a closet full of vintage concert tees, or a regular 'ol non-musician who listens to whatever's on the radio: chances are, if someone asks you who your favorite guitarist is, Hendrix is going to be one of the first names out of your mouth. If you ever ask someone this question and they DON'T drop Jimi's name, report them to the authorities immediately, because they are not to be trusted, and are probably a lizard person or alien in disguise. Facetiousness aside, Hendrix's music seems to resonate with every single human being on a molecular level, and it is hard to quantify how or why. His singular style of guitar playing has a way of forcibly grabbing you by the heart and making you feel all sorts of emotions that don't really have names, and that's the sort of voodoo that defies complete explanation. The reason that no one can replicate his guitar style is simple: more so than any amp or guitar, the contents of his spirit were the key to his magic Spanish castle of sound.
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Wildwood Guitars • Fender Custom Shop Wildwood 10 1951 Nocaster • SN: R99240
Wildwood Guitars

Wildwood Guitars • Fender Custom Shop Wildwood 10 1951 Nocaster • SN: R99240

In 1951, Leo Fender changed the world of music forever by introducing the first-ever mass-produced solidbody electric guitar. Leo was going to call it the Broadcaster, but the threat of a lawsuit from Gretsch (who produced a drum set called the Broadkaster) forced him to abandon that plan. Ever the resourceful (and frugal) businessman, Leo simply snipped the word “Broadcaster” off the headstock decal and shipped his nameless guitars out. Since the guitars had no model name, musicians dubbed them “Nocasters.” Because of their incredible rarity, original Nocasters have become some of the most desirable vintage pieces out there. So, we decided to team up with our friends at the Fender Custom Shop and issue a Wildwood 10 version that marries the vibe of the originals with modern ergonomics. The Wildwood-exclusive 10″ radius and 6105 frets are a perfect pairing with the chunky Nocaster U-shaped neck profile, and the Custom Shop hand-wound Twisted Tele pickups deliver spectacular sounds. We’re sure you’ll find a Nocaster here that will grab you by your heart strings, so we invite you to browse away–just make sure your keyboard drool shield is in place!
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Alamo Music Center

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UPDATE: DEC 3RD, 2020: Dean Guitars Amps Up Attack with Cadi Select 3 Pickup Classic Black
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AGN News
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NASHVILLE, TN: The Gibson Slash Collection crosses three decades of partnership between Gibson and Slash, and in a history-making move for the brand, is the first evergreen artist collection made by Gibson. Slash and Gibson worked in close collaboration and the collection features multiple acoustic and electric guitars. The Slash Collection represents the influential Gibson guitars Slash has used throughout his career, inspiring multiple generations of players around the world. Today, December 1 marks the release of the new Gibson Slash “Victoria” Les Paul Standard Goldtop; available worldwide. 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Founded in 1894 and headquartered in Nashville, TN, with a premiere acoustic facility in Bozeman, MT, Gibson Brands has a legacy of world-class craftsmanship, legendary music partnerships, and progressive product evolution that is unrivaled among musical instrument companies. The Gibson Brands portfolio includes Gibson, the number one guitar brand, as well as many of the most beloved and recognizable music brands, including Epiphone, Kramer, Steinberger, and the Gibson Pro Audio Division, KRK Music. Gibson Brands is dedicated to quality, innovation, and sound excellence so that music lovers for generations to come will continue to experience music shaped by Gibson Brands. Learn more at Gibson.com and follow us on Twitter, Facebook, Gibson TV, and Instagram.
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Stevie Ray Vaughan’s 1964 Fender Vibroverb, used on David Bowie’s "Let’s Dance", up for sale
AGN News
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Stevie Ray Vaughan’s 1964 Fender Vibroverb, used on David Bowie’s "Let’s Dance", up for sale

Nashville vintage guitar store, Rumble Seat Music has acquired the 1964 Fender Vibroverb guitar amp that Vaughan owned and played on David Bowie’s 1983 album, Let’s Dance. Rumble Seat posted photos of the amp, which is accompanied by a poster promoting Double Trouble, a handwritten note, photos and other documentation on Instagram. For more, click the INFO button...(or just call, Rumble Seat Music in Nashville)
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Fender Custom Shop Masterbuilt Wildwood 10 1955 Telecaster by Greg Fessler SN R100828.mp4
Wildwood Guitars

Fender Custom Shop Masterbuilt Wildwood 10 1955 Telecaster by Greg Fessler SN R100828.mp4

THE GUITAR IN THIS VIDEO HAS SOLD! Sonic Evaluation From Greg Koch......Greg Fessler has done it again! This Wildwood 10 '55 Tele is a truly magnificent beast. It has the same snappy response time you'd expect from a Masterbuitl Tele, but it sounds uncommonly huge and sonorous. In the bridge position, the midrange is quite rich with overtones, and so are the trebles, but the lows are nice and tight. In other words, it's the perfect sound for chunking away on chords! Bright, sizzling lead lines also have more depth than normal. The neck pickup is also a delight. It has fat, round lows to go with broad, vocal midrange and lively, open highs. Expressive lead lines and fat rhythm tones for days! This fearsome Fessler would make an excellent addition to the quiver of any player seeking a beefy-sounding Tele! Site: https://wildwoodguitars.com/product-c... Facebook: http://on.fb.me/11aLDN5 Amp: The Greg Koch Signature Combo from Koch Amps Serial Number: R100828 Brand Fender Custom Shop Model Masterbuilt Dealer Select Wildwood "10" '55 Telecaster Finish Color Faded Shoreline Gold Aging Heavy Relic Finish Type Nitrocellulose Lacquer Master Builder Greg Fessler Weight 7.13 lbs. Body Wood Ash Neck Wood Quarter Sawn Maple Neck Shape '54 U Neck Dimensions .890 1st - .960 12th Fingerboard Maple Fingerboard Radius Exclusive Wildwood Custom 10" Radius Inlays Black Dots Scale Length 25.5" Width at Nut 1.650" Nut Material Bone Frets 21 6105 Narrow-Tall Pickups Josefina Handwound Twisted Tele wound to Wildwood Specification Controls Volume, Tone, 3-Position Switch Hardware Chrome/Nickel Tuners Vintage Style with Nickel Buttons Pickguard 1-Ply White Case Limited Edition Hardshell Case with Embroidered Custom Shop Logo
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Return of the Dragon: Oz Noy Brings Live Fire to Sweetwater Studios with Snapdragon
News Extra
NewsRecording

Return of the Dragon: Oz Noy Brings Live Fire to Sweetwater Studios with Snapdragon

November 20, 2020, Fort Wayne, IN – Oz Noy has created a singular discography of virtuoso instrumental recordings that has won him accolades throughout the guitar community for his deft sense of touch and fearless genre-bending compositions. Always looking for the best way to capture the unique alchemy of his live performances in the studio ultimately led Noy to Sweetwater Studios where he laid down the tracks that ultimately became his Booga Looga Loo album. Eager to recreate the energy of these sessions, the guitarist/composer returned to Sweetwater to record his latest collection, Snapdragon. Out now on Abstract Logix, the album continues Noy’s signature explorations through jazz, blues, and rock with an all-star cast of rhythm sections that were captured live in the studio during a series of Sweetwater Studios Master Class sessions The right room One of Noy’s ongoing challenges has been capturing the improvisational ensemble feel of his live performances in his studio recordings. Eschewing the typical practice of recording in separate rooms with headphones, he prefers a setup that allows him to feed off the energy of his fellow musicians. Not only does this allow him to tap into the creativity of the group, but it gives him total control of the guitar. “If you record guitar and you aren’t in the room with the amp to feel the air moving, it’s very difficult to play,” he explained. “You can’t feel that interaction between the guitar and the amplifier in headphones and it makes things really hard.” When Noy first visited Sweetwater Studios in 2017, he immediately knew that it would work for his methods. The large live room of Sweetwater Studios’ Studio A and its flexible isolation booths gave him the ability to play together in the room with his ensemble while having total quality control of the sound in the room and on record. “The guys at Sweetwater totally understood what I was going for and they had all the right equipment to make my ideal setup work,” he said. “It was such a simple process, all we had to do was plug in and play!” A different class In an added twist to the live sessions, Noy also scheduled them during Sweetwater Studios’ ongoing Recording Master Classes, which allowed both fans of his music and budding engineers to sit in on the tracking and learn the art of recording under real working conditions. Sweetwater Studios Producer/Engineer Bobby Dellarocco remarked that the addition of the built-in audience gave another angle to the performances that helped the album take shape. “With Oz’s style it’s always a performance whether there is an audience or not,” he said. “Doing it this way though, you’re really ensuring that you capture that kind of energy on a track, and it gives the attendees something really special while they are experiencing how a real session comes together.” Part of what made each session was special was that Noy brought different rhythm sections each time he came to record. The players, which included drummers Dennis Chambers, Vinnie Colaiuta, and Dave Weckl, bass players Will Lee, James Genus, and John Patitucci, allowed him to capture different shades and feels of his signature style across the selection of tracks and give each its own sonic identity. “It gave a lot of variety from session to session,” said Dellarocco. “It was really cool to hear the differences, and at the same time once we put it all together it’s all immediately identifiable as Oz.” “I look at all of my records as jazz records in a way, because in the end it’s all about getting different players in the room and just seeing what happens,” said Noy. “When you can get comfortable in an environment like this, it’s effortless to get takes and get some really good music happening.” To hear Snapdragon and for more information about Oz Noy, please visit: http://www.oznoy.com/ For more information about Sweetwater Studios, please visit: http://www.sweetwaterstudios.com/ About Sweetwater Studios Sweetwater Studios is a wholly owned subsidiary of Sweetwater Sound, Inc., the largest online music instrument retailer in the country. With three world-class studios designed by Russ Berger and access to a greater diversity of musical equipment and professional audio gear than any other recording studio in the world, Sweetwater Studios is able to accommodate just about any recording, mixing or mastering project, no matter how simple or complex. Sweetwater Studios also has an exceptional staff of producers, engineers, session musicians and studio technicians to ensure that any artist will get personalized, first-class treatment from start to finish. click the INFO button for more....
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Alamo Music Center

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Guitar Of The Day

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Tim Pierce
Tim PierceLessons

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