The Influence of Classical Music in Jazz, with special guest Dr Thomas Foster.
The guys discuss (and demonstrate) the influence of classical music in Jazz. Dr. Thomas Foster is a composer, classical guitarist, educator, and adaptive music specialist in Los Angeles, California. He received his Doctor of Musical Arts degree from University of Southern California’s prestigious Thornton School of Music and his Master's degree from the Appalachian State University where he studied under the tutelage of the renowned Aaron Shearer. His interest in music as a healing modality led him to a Masters degree in Special Education and to music therapy studies with Dr. David Luce at Chapman University, He has recently been composing music for spacechannel.com (under the name Commander Z) and independent film and media projects. In addition, he is the creative force behind Sound Sage, a music therapy app curriculum currently used by Point Motion, a company that designs motion-capture software for health and education institutions. In his capacity as a teaching ambassador for the Little Kids Rock foundation he conducts professional development workshops on techniques and strategies for including students with disability in performance ensemble settings. For more than three decades, Grammy and Emmy nominated guitarist, composer and producer David Becker has continued to define himself as one of the best and most unique voices in jazz and contemporary music by combining diverse influences and a passion for the new and different, and his ability to play for the present while always keeping an eye on the past and future. He has led the critically acclaimed DAVID BECKER TRIBUNE to a worldwide audience by performing in more than 30 countries. Over the years, the DBT has shared the stage with such celebrated jazz acts as Miles Davis, Chick Corea, Michael Brecker and many more. German television journalist Roger Willemsen (ZDF) called him "One of the best Jazz guitarists ever." Jazz Podium and Downbeat called him "A poet on the Jazz Guitar." Jazz Thing and Gitarre & Bass called him” a virtuoso”. David has released 15 recordings many topping the jazz and contemporary music charts. The DBT has performed at some of the most prestigious venues throughout the world including London's BARBICON CENTRE, Rotterdam's DE DOELEN, New York’s MADISON SQUARE GARDEN and BIRDLAND. The DBT has also appeared at several international jazz festivals including The Monterey Jazz Festival. David Becker graduated from Musicians Institute in 1981 at age 19 and by age 22 he was touring the globe with the David Becker Tribune. David signed with MCA records in 1986 and the first DBT release LONG PETER MADSEN debuted. SIBERIAN EXPRESS (#1 R&R) followed in 1988 and the DBT established themselves in the world of Contemporary Jazz performing in 44 of the 50 US states. In 2005, Becker released a duo effort with guitar master Joe Diorio, THE COLOR OF SOUND. The CD was called "One of the best Guitar duo recordings of all time." LEAVING ARGENTINA from 2007 received high praise by the international press. Down Beat gave it “4 Stars” and the BBC said, “Brilliant musicianship, a really lovely album, in fact.” David’s music has been played on radio and television around the globe including ARD, The Weather Channel, Voice of America, XM and Sirius Radio, NPR, Europa Plus, and AEI In-Flight Entertainment. David Becker has also performed with guitar greats such as Attila Zoller, Larry Coryell, John Abercrombie and Kenny Burrell. He has released three instructional books: GETTING YOUR IMPROVISING INTO SHAPE (Mel Bay/Acoustic Music), PLAYING IN SHAPES (FingerPrint) and RHYTHMIC MOTIFS FOR COMPING AND SOLOING (FingerPrint). His books have been top sellers and received great reviews all over the globe. The books are available in English and German. He has performed master classes and workshops at some of the most prestigious Music Conservatories and Universities around the world. With the release of the highly personal and critically acclaimed recording BATAVIA in 2010, Becker crossed the border of musician and has become an advocate for the forgotten WW II Dutch POW’s in Indonesia. BATAVIA was ranked as one of the top 10 World Music recordings of 2010, and continues to receive praise around the globe. The DBT has continued to perform the songs live to further tell the forgotten stories of the POW’s which included his family. Additional projects for 2013/2014 included the TODD WALLIN PROJECT/featuring DAVID BECKER, which David produced and co-composed many of the tracks. The single, "Spring Fling” received steady airplay. And the critically acclaimed DBT release DISTANCE TRAVELED which made it into the CMJ Jazz top 20. In 2015, The Heritage DAVID BECKER - Signature model guitar was unveiled at NAMM. Two new recording projects were released. A solo outing THE LONELY ROAD (Acoustic Music Records) and a tribute to Attila Zoller, MESSAGE TO ATTILA(ENJA) which also features Ron Carter, Pat Metheny, Mike Stern, John Abercrombie, Peter Bernstein and more. Also in 2015, a new David Becker instructional video, TRANSITIONS TO JAZZ was released by True Fire and has been in the top 10 most popular videos since its release. THE LONELY ROAD reached #30 on the iTunes Instrumental top 100 charts and was called, “One of the best solo guitar CD’s available today.” (Amazon UK) In June of 2018, the DBT released a new studio recording single of KIWI DREAMS written for their 2016 Tour of New Zealand. David also teamed up with renowned guitarist Brad Rabuchin (Ray Charles) to record a tribute album for guitarist John Abercrombie. FOR JOHN was released in June 2019 and has been receiving great praise around the globe.
Days Of Wine & Roses
A quick little trip around "The Days Of Wine & Roses" from the one and only David Becker. Be sure to click on the links and check out David's great Jazz courses and albums.
David Becker is back with his unique version of "Old Folks".
DAVID BECKER: -Jazz Blues Comping explained
Comping on a Blues form is one of the foundations of being a great Jazz guitar player.
David Becker: "Etude #1"
Working on your Jazz chops...go no further, check out the great Jazz guitarist/educator, David Becker with a little exercise in C/Am.
Meanwhile back At Norm's, it's Vintage Guitar Minute Time
Norman Harris Just Found One Of The Rarest FENDER STRATOCASTERS
Norman Harris Just Found One Of The Rarest FENDER STRATOCASTERS...a near mint 1958 early 3 tone sunburst in a mint condition tweed case, with original strap, wammy bar etc.
The Upload Crew - (you can upload media to the AGN app, try it..!)
Arinjoy Sarkar: Blues in D Minor
He's back, our favorite Blues Upload Crew Member, , Arinjoy Sarkar......Backing Track : Monster Mike Welch
How I STAY INSPIRED and WHY I Don't Have a SIGNATURE Guitar.
Wise words from the master....LA's favorite session player, the one and only Tim Pierce.
Guitar Of The Day
1969 Martin D-28 Double Pickguard
Flat top Friday: 1969 Martin D-28 Double Pickguard, Norman's Rare Guitars.
AGN Pro Files
An Interview with Sammy Boller
Detroit, Michigan. Rock City. It’s a perennial hotbed for the coolest new offerings in gritty, loud music. Falling in step with this notorious reputation, is guitarist and Candyrat recording artist, Sammy Boller. A former music student at the University of Michigan, Sammy catapulted onto the national radar in 2012, when Joe Satriani selected him as a winner in Guitar Center’s “Master Satriani” competition. Now, an internationally-acclaimed player, Sammy has amassed a large and loyal online following, and he earns his living as a full-time musician. Prior to embarking on his solo career, Sammy played guitar for the band, Citizen Zero, and Their State Of Mind album notched up multiple radio singles, including “Go (Let Me Save You)”, which cracked the Top 15 on Billboard’s Mainstream Rock Chart. Sammy also spends time on the road riding shotgun with world-renowned amplifier wizard Dave Friedman (Friedman Amplification) and The two regularly embark on runs through the States and Europe to sponsor clinics and gear demonstrations. Sammy is also a contributing columnist for Guitar World Magazine and His online column ("Secrets of Shred With Sammy Boller") has a loyal monthly following, regularly racking up view counts in the tens of thousands. When asked to describe his influences and approach, Sammy says, "My guitar playing has always been about plugging into an amp and blowing the walls down. I grew up wanting to be Eddie Van Halen and Randy Rhoads, but over time I've found my own dark and aggressive style. These days, my dream as a musician is to make people feel as connected to the cosmos as I feel when I play the guitar. I'd love nothing more than that."
Guitar Of The Day
1966 Fender Jazz Bass
1966 Fender Jazz Bass Candy Apple Red Greg Coates at Norman's Rare Guitars.
UPDATE: MARCH 3, 2021: DEAN GUITARS INTRODUCES MD24 FLOYD ROASTED MAPLE VINTAGE ELECTRICS
TAMPA, FL — If you're looking for vintage appeal with modern playability and tone, look no further than the new MD24 Floyd Roasted Maple Vintage models from Dean. The MD24 F is now available with a roasted maple neck and fingerboard for improved stability and bright tones, in two new color finishes, Vintage Blue and Vintage Orange and they're loaded with a Floyd 1000 Series tremolo system and direct mount Seymour Duncan TB5/APH-1 sandblasted Zebra pickups. Like other series extensions in Dean’s collection of high-quality electric guitars, the fundamentals of the MD24 Select style carry over to the new MD24 Floyd Roasted Maple Vintage models. These latest additions feature a solid basswood body with a Flat Top and a contoured arm cut, and roasted maple neck. This tonewood combination provides a great blend of bottom end, sweet mids, and articulate highs. The Floyd Rose 1000 Series tremolo system keeps tuning stable during all your heavy riffing and blistering solos. These guitars offer bolt-on construction with a 25 ½’’ inch scale with a dual-action truss rod that provides an extra midrange punch. The C-shape neck is satin-finished with a roasted maple fingerboard with 12-inch radius and abalone dot inlays. The MD24 Floyd Roasted Maple Vintage has 24 jumbo frets, which widen to more than 2 ¼ -inchs at the last fret. Grover 18:1 tuners provide added stability with a dome black finish against the natural headstock. The exclusive Seymour Duncan TB5/APH-1 sandblasted zebra pickups serve the dual purpose of capturing natural tone as needed and transforming the MD24 Floyd Roasted Maple Vintage models into tone machines when desired. The custom trembucker at the bridge delivers high output crunch and lead tones, while the APH in the neck enables sweet, syrupy neck sustains. The simple controls of the volume knob and 3-way toggle switch provide ample possibilities and the dome black knobs match the black hardware to polish off the look. For more on the MD24 Floyd Roasted Maple Vintage Blue and MD24 Floyd Roasted Maple Vintage Orange, click the INFO button now.......
Norman's Rare Guitars
Rogo and Lemmo playing a 1950's National Debonaire & 1963 Fender Jazzmaster
Rogo and Lemmo playing a 1950's National Debonaire & 1963 Fender Jazzmaster
Guitar Of The Day
1958 Fender Stratocaster
Guitar of the Day: 1958 Fender Stratocaster, Sunburst Norman's Rare Guitars