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Alamo Music Center
Fender Player Stratocaster Comparison SSS vs. HSS vs. HSH.
After running down the pickup options on American Pro II Stratocasters, we had to check out the pickup offerings on another one of the most popular lines, the Player Series. The Player Series offers both SSS and HSS, as well as an HSH Strat-- "H" meaning, Humbucker! Check out these awesome Humbuckers on 3 great Strats, and let us know which you like best!
0:00 Intro
1:14 Specs
8:36 SSS Demo
10:02 HSS Demo
11:28 HSH Demo
12:58 Wrapping Up
New Releases - Guitars/Bass/Gear
Epiphone Pre-War SJ-200 Rosewood Reissue – Epiphone Inspired by Gibson
Dinesh demos the new Epiphone Pre-War SJ-200 Rosewood Reissue from the Epiphone Inspired By Gibson Custom collection – new for 2025!
▶ Get YOUR Epiphone Pre-War SJ-200 Rosewood Reissue HERE: https://bit.ly/4flzYTb
▶ Shop the FULL Inspired by Gibson Custom Collection: https://bit.ly/45kZovB
Watch as Dinesh demos the new Epiphone Pre‑War SJ‑200 Rosewood Reissue acoustic guitar from the Epiphone Inspired by Gibson Custom collection, featuring a thermally aged solid spruce top, solid rosewood back, and a two‑piece maple neck with a rosewood stringer and round‑D profile, presented here in a Vintage Sunburst finish.
After the Gibson SJ-200 was introduced in 1937, it quickly earned the title “The King of the Flat-Tops” thanks to its majestic appearance, superior sound, and exceptional projection. The earliest models featured rosewood back and sides, later replaced by maple in 1947. Due to limited post-Depression demand, very few pre-war SJ-200s were made — making rosewood-bodied originals highly prized by today’s collectors.
Now, Epiphone and Gibson Custom have partnered to create the Epiphone Pre-War SJ-200 Rosewood Reissue, an Inspired by Gibson Custom recreation of this rare vintage icon. It features solid rosewood back and sides, a thermally aged solid spruce top with traditional scalloped X-bracing made from quarter-sawn spruce, and a two-piece maple neck with a rosewood stringer and Round D profile, attached via a glued-in dovetail joint.
The ebony fretboard features mother-of-pearl graduated Crown inlays and 20 standard frets. Additional vintage-style appointments include an SJ-200-style pickguard with traditional graphics and an ebony open two-bar Moustache™ bridge with mother-of-pearl inlays. The nut, saddle, and bridge pins are all bone.
The Gibson “open book” headstock features a vintage Epiphone logo and Gibson Crown in aged mother-of-pearl, along with a stinger and Inspired by Gibson Custom Double Diamond logo etched on the rear.
For modern stage and studio needs, it comes equipped with an L.R. Baggs™ Element Bronze VTC pickup and preamp, with soundhole-mounted controls — all housed in a Red Line-inspired hardshell case featuring Inspired by Gibson Custom graphics.
David Becker
LessonsVintageGuitar Of The DayJazzDavid BeckerCountryRockBluesAcoustic
Doug Pettibone: Guitar player with John Mayer/Lucinda Williams/Jewel/Tracy Chapman/Lisa-Marie Presley and many others
Doug Pettibone started to play the guitar at the age of eight. His first teacher was Andy Summers, formerly of The Police. With nine years, Doug studied with Eddie Lafreniere, guitarist for big band leader Jimmy Dorsey, with whom he spent the next five years studying the music of Dave Brubeck and Duke Ellington. Later he received a scholarship to Pepperdine University-Malibu for Jazz Guitar, Classical Guitar and Voice, graduating with a triple major in 1984. In the following years he played with many different artists of various genres.
In 1999, Doug started a world tour with Jewel that lasted for a year and a half. In 2001, he played pedal steel, mandolin and background vocals for Tracy Chapman's North American tour. Shortly after that, Lucinda Williams hired Pettibone as her multi-instrumentalist, singer and music director to tour, record, and co-produce. Doug´s intensive collaboration with Lucinda lasted for eight years, and continued at a later stage again. In the following years, Pettibone realized several projects with other artists. In 2004 Doug participated in the Legends Rock TV show produced in the South of France, featuring guest artists such as Sam Moore, Billy Preston and Tony Joe White. Ray LaMontagne is amongst the artist Doug went on tour with, in 2009 it was Marianne Faithfull who called him up to go on tour. After that Marianne Faithfull and Doug Pettibone started to write together new songs for a new album.
In the last few years, Pettibone has played live and/or recorded with some of the most influential artists of our times, among them Keith Richards, Norah Jones, Steve Earle, Elvis Costello, Joan Baez, Mark Knopfler, Draco Rosa, Sting, Michelle Shocked, Vic Chesnutt, Kevin Montgomery, amongst others. In 2012 he went on tour with Lisa Marie Presley, daughter of Elvis Presley. In 2013 Pettibone toured with Lucinda Williams with just the two of them on stage.
He joined John Mayer's touring band as lap steel and guitar player for the Born and Raised 2013 World Tour.
2016 Doug is on World Tour with the Italian Zucchero - accompanied by Brian Auger on Hammond Organo.
Tim Pierce
Tim Pierce | This Solo Changed My Life | John Waite - Change | With link for TABS
Tim Pierce reviews one of his first solos that changed his life which was off of John Waite's single "Change"
Alamo Music Center
Guild M-120 vs. M-140 Which is the Best Concert-Sized Acoustic
Today we're diving a little deeper into Guild Guitars with the M-120 and M-140-- two concert sized, all-solid wood acoustics that would be perfect for the fingerpickin' songwriter. Take a look and a listen and let us know which you like more!
John Lere: "Adventures In Chicken Pickin'"
LessonsCountry
"Hot Wired"By Brent Brent Mason.
Who Is John Lere?
John W. Lere Jr. was born with a guitar in his hands. Not really, but it's a romantic thought and seems very fitting if you're familiar with him. Whether banging on different toys with a pencil or plucking around on various beginner guitars as a child, John Lere has been making music his entire life. He began traditional study on the guitar at the age of 9, taking weekly lessons from Art Gomez at Vesley Music in Las Vegas, NV, learning the fundamentals and written language of music. John started giving his own lessons to neighborhood kids or friends at school and loved everything about the guitar. As a freshman in High School he joined the Stage Band and was introduced to jazz music. The piece of music given to him to play for his audition was 'Birdland' by Weather Report. All of the sudden an obsession with this different type of music took over and John went on to play in many different High School Jazz Ensembles around Las Vegas, constantly learning and improving.
He was accepted to the Las Vegas Academy of International Studies and Performing Arts after his sophomore year and the study of jazz music went into overdrive! This new learning environment was a dream come true to any kid that wanted to play, practice and study music all day and that is exactly what John did. LVA Jazz band director Alan Lawson, introduced John to legendary & local guitar instructor Hap Smith(RIP Hap. You will be forever missed) and was taught a deeper lesson in discipline and music theory. John continued regular study With Hap Smith during his junior and senior years, and began teaching part time(mostly to kids and beginners) at local music shop Pat's Desert Music. With College just around the corner, John set his sights on a school on the other side of the country. Being Alumni of Berkeley School of Music in Boston, Hap helped John prepare an audition piece and gave a very gracious letter of recommendation. After much consideration however, the decision was made to stay in Las Vegas For College and he accepted a scholarship from The University Of Nevada Las Vegas. Over the next few years John studied with jazz great Joe Lano, focusing on chord inversions, chord solos, different picking techniques and smoking cigarettes.
John Played in many different bands, many different styles and genres, toured around the country many times, teaching along the way where ever possible. He has worked for Carnival Cruise Lines and traveled to Mexico and Canada, but never really feeling satisfied with what he was doing. That would soon change! Even though John had listened to and been a big fan of country music throughout his whole life, when he heard the music of The Hellecasters he became totally intrigued by the many different sounds, that in the right hands, the Telecaster could produce, and so began the journey towards Tele-mastery. All of the sudden that fire and enjoyment of playing the guitar was back! A desire to teach was also resurrected and a feeling of responsibility to give back to anybody aspiring to learn the guitar.
John Lere has dedicated his life to music and of all the many different instruments in the world, the one that chose him was the Guitar. He has acquired an extremely large amount of knowledge and skill and he continues to strive for new things on the guitar as well as in Life. Fortunately, it is all available for purchase for a great low price! LOL
Welcome to Adventures in Chicken Pickin’
Guitar Players, aspiring Chicken Pickers, professional musicians and everyone else who love things guitar related, this is the place for you! Be part of an online community of guitar players, teachers, collectors, luthiers, and other enthusiasts. If you’re interested in learning how to play guitar or want to improve upon what you already know, Sign up for the Academy of Chicken Pickin’ and we will plan out a structured course of study that’s designed solely for you with the aim at getting you to the level of playing you wish to be. Or just hang out and chat with others about your favorite players and bands. Stay tuned for more adventures and cool stuff to be added very soon. Thank you!
John Lere
Archtop Crazy
Episode 3: Freddie Green Style Comping. Jonathan explains the dark art of acoustic rhythm comping, often referred to as the "Freddie Green" style of big band rhythm playing.
Archtop Crazy with Jonathan Stout: Episode 3: Freddie Green Style Comping. Jonathan explains the dark art of acoustic rhythm comping, often referred to as the "Freddie Green" style of big band rhythm playing. Freddie was the guitar player in the Count Basie band from 1937 until 1987 and is regarded as the undisputed master of this unique style of rhythm playing.
Alamo Music Center
Fender Tone Master Deluxe Reverb Comparison Original vs. Blonde
"We're back with a comparison of the (much beloved) Fender Tone Master line! This year saw the release of the new Blonde variations, with subtly different voicings for the Deluxe Reverb and Twin Reverb amplifiers-- with all the lightweight portability and incredible emulation that we've come to expect from these amps. Today we're comparing the original black/silver Deluxe Reverb Tone Master with the Blonde, and we'd love to hear what you think below! Can you hear the difference? Let us know!"
Alamo Music Center
Fender American Pro II HSS vs. SSS The Difference a Humbucker Makes
Today we're looking at a couple great Fender Stratocasters from the American Professional II series-- one of which has three single coils (SSS) and the other has 2 single coils and a humbucker (HSS). The addition of the humbucker adds a whole new sonic palette that is available to the Stratocaster, but is that tone right for you? Check out the demos and tell us what you think!
0:00 Intro
0:42 Runnin' Down the Specs
12:23 Clean Demo
16:57 Overdrive Demo
21:27 Wrapping Up
Griff Hamlin_ Blues Guitar Unleashed
Griff Hamlin's, Blues Guitar Unleashed_Best Online Blues Instructional Series
If you're a budding Blues player or a seasoned professional, Griff Hamlin's Blues Guitar Unleashed is a MUST HAVE.....check out Griff's latestYoutube Blues tip and subscribe to Blues Guitar Unleashed now.....
Griff Hamlin, "There are a lot of different tunes that, while "bluesy," aren't really blues songs (they aren't a 12 bar blues.)
This particular progression, which is used in songs like, "Blue On Black," "Sweet Home Alabama," and a lot of other classic rock and "blues" tunes, lends itself really well to experimenting with both the major and minor blues and pentatonic scales.
So, in this video, I'll show you the progression, how I put it in the looper, and how I go back and forth between those major and minor pentatonic scales to hear how they work and how they create contrast when used together."
Alamo Music Center
Alamo Music Center | The Gibson 50s LG-2 vs 50s J-45 Original | Comparing Two American Acoustic Classics From Gibson
The Gibson LG-2 was introduced in 1942 as a variation in the popular line of small body L series guitars. It had a smaller lower bout and wider upper bout than the L series along with a shallower waist. These changes in proportion gave the LG-2 a unique voice that had more breadth than the L series. It became the small guitar that could sound loud with a character similar to its big brother - the J-45. For 2020 Gibson Guitars has released a new line of acoustic guitar models called the Original Collection and that has seen the return of 1950s era specs in both the returned LG-2 and the J-45. The LG-2 has had plenty of fans in county, folk and blues for decades and the J-45 needs no introduction. Apart from the body shape and size, these two guitars share a lot of similarities and so it is time to put them to the test and see which one is right for you.
Tim Pierce
5 Tone TRICKS You NEED to Know : 1963 Gibson 335
This weeks YouTube video features a fantastic 335.
"We take a really deep dive into the kaleidoscope of tones you can get out of ONE guitar.
We use amp gain, pick velocity, volume knob and tone knob tweaks, the pick up selector and finally some effects choices “on the fly”.
click the INFO button to take the 14 day free trial in the Master Class.