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Alamo Music Center
Fender Player Stratocaster Comparison SSS vs. HSS vs. HSH.
After running down the pickup options on American Pro II Stratocasters, we had to check out the pickup offerings on another one of the most popular lines, the Player Series. The Player Series offers both SSS and HSS, as well as an HSH Strat-- "H" meaning, Humbucker! Check out these awesome Humbuckers on 3 great Strats, and let us know which you like best!
0:00 Intro
1:14 Specs
8:36 SSS Demo
10:02 HSS Demo
11:28 HSH Demo
12:58 Wrapping Up
David Becker
LessonsVintageGuitar Of The DayJazzDavid BeckerCountryRockBluesAcoustic
Doug Pettibone: Guitar player with John Mayer/Lucinda Williams/Jewel/Tracy Chapman/Lisa-Marie Presley and many others
Doug Pettibone started to play the guitar at the age of eight. His first teacher was Andy Summers, formerly of The Police. With nine years, Doug studied with Eddie Lafreniere, guitarist for big band leader Jimmy Dorsey, with whom he spent the next five years studying the music of Dave Brubeck and Duke Ellington. Later he received a scholarship to Pepperdine University-Malibu for Jazz Guitar, Classical Guitar and Voice, graduating with a triple major in 1984. In the following years he played with many different artists of various genres.
In 1999, Doug started a world tour with Jewel that lasted for a year and a half. In 2001, he played pedal steel, mandolin and background vocals for Tracy Chapman's North American tour. Shortly after that, Lucinda Williams hired Pettibone as her multi-instrumentalist, singer and music director to tour, record, and co-produce. Doug´s intensive collaboration with Lucinda lasted for eight years, and continued at a later stage again. In the following years, Pettibone realized several projects with other artists. In 2004 Doug participated in the Legends Rock TV show produced in the South of France, featuring guest artists such as Sam Moore, Billy Preston and Tony Joe White. Ray LaMontagne is amongst the artist Doug went on tour with, in 2009 it was Marianne Faithfull who called him up to go on tour. After that Marianne Faithfull and Doug Pettibone started to write together new songs for a new album.
In the last few years, Pettibone has played live and/or recorded with some of the most influential artists of our times, among them Keith Richards, Norah Jones, Steve Earle, Elvis Costello, Joan Baez, Mark Knopfler, Draco Rosa, Sting, Michelle Shocked, Vic Chesnutt, Kevin Montgomery, amongst others. In 2012 he went on tour with Lisa Marie Presley, daughter of Elvis Presley. In 2013 Pettibone toured with Lucinda Williams with just the two of them on stage.
He joined John Mayer's touring band as lap steel and guitar player for the Born and Raised 2013 World Tour.
2016 Doug is on World Tour with the Italian Zucchero - accompanied by Brian Auger on Hammond Organo.
Alamo Music Center
The Best Budget Mahogany Acoustic Guitar Ibanez AC340OPN-
The Best Budget Mahogany Acoustic Guitar Ibanez AC340OPN-
News & latest Releases
Peavey - VYPYR X3 Quick Start Guide
Peavey - VYPYR X3 Quick Start Guide
Griff Hamlin_ Blues Guitar Unleashed
Blues Soloing Move - House Pattern (Major) To Box 3 Pentatonic Minor To Pentatonic 6 Pattern
This video is one of my favorite "moves" around and through some of my favorite blues soloing scales and sounds.
If you've ever heard me talk about what I call the, "core position," for many blues players... this is it.
"Notice how, with minimal movement, I can go through 3 unique sounds easily and comfortably, with only minor adjustments getting from one scale to the next...
In my opinion, that should be your goal, not moving around the fretboard in large leaps and bounds."....Griff
AGN Pro Files
Bowie's Basslines - An Interview with bass player, Carmine Rojas. - from Bowie to Bonamassa
Bowie's Basslines - An Interview With Carmine Rojas. Carmine Rojas played bass for David Bowie through the defining 'Let's Dance' period and his basslines are now a big part of Rock history. He then went on to work with Rod Stewart, Julian Lennon and in recent years, Joe Bonamassa. Carmine shows us the inspitation behind his iconic bass line on 'China Girl'.
New Releases - Guitars/Bass/Gear
Epiphone Pre-War SJ-200 Rosewood Reissue – Epiphone Inspired by Gibson
Dinesh demos the new Epiphone Pre-War SJ-200 Rosewood Reissue from the Epiphone Inspired By Gibson Custom collection – new for 2025!
▶ Get YOUR Epiphone Pre-War SJ-200 Rosewood Reissue HERE: https://bit.ly/4flzYTb
▶ Shop the FULL Inspired by Gibson Custom Collection: https://bit.ly/45kZovB
Watch as Dinesh demos the new Epiphone Pre‑War SJ‑200 Rosewood Reissue acoustic guitar from the Epiphone Inspired by Gibson Custom collection, featuring a thermally aged solid spruce top, solid rosewood back, and a two‑piece maple neck with a rosewood stringer and round‑D profile, presented here in a Vintage Sunburst finish.
After the Gibson SJ-200 was introduced in 1937, it quickly earned the title “The King of the Flat-Tops” thanks to its majestic appearance, superior sound, and exceptional projection. The earliest models featured rosewood back and sides, later replaced by maple in 1947. Due to limited post-Depression demand, very few pre-war SJ-200s were made — making rosewood-bodied originals highly prized by today’s collectors.
Now, Epiphone and Gibson Custom have partnered to create the Epiphone Pre-War SJ-200 Rosewood Reissue, an Inspired by Gibson Custom recreation of this rare vintage icon. It features solid rosewood back and sides, a thermally aged solid spruce top with traditional scalloped X-bracing made from quarter-sawn spruce, and a two-piece maple neck with a rosewood stringer and Round D profile, attached via a glued-in dovetail joint.
The ebony fretboard features mother-of-pearl graduated Crown inlays and 20 standard frets. Additional vintage-style appointments include an SJ-200-style pickguard with traditional graphics and an ebony open two-bar Moustache™ bridge with mother-of-pearl inlays. The nut, saddle, and bridge pins are all bone.
The Gibson “open book” headstock features a vintage Epiphone logo and Gibson Crown in aged mother-of-pearl, along with a stinger and Inspired by Gibson Custom Double Diamond logo etched on the rear.
For modern stage and studio needs, it comes equipped with an L.R. Baggs™ Element Bronze VTC pickup and preamp, with soundhole-mounted controls — all housed in a Red Line-inspired hardshell case featuring Inspired by Gibson Custom graphics.
AGN Pro Files
RockBlues
Blues-Metal master, Eric Steckel
Eric Steckel's career spans over 20 of his 29 years. Discovered by British Blues legend John Mayall as a kid, Eric spent much of his younger days touring Europe and the USA and has literally grown up on the road with a guitar in his hands.. Eric calls his style of playing BLUES METAL and that's a great description.....a blend of heavy, intense speed, original, soulful lines and bends all served up with a feel and groove second to none. Eric plays his own signature model Knaggs guitar through a Mezza Barba and the whole package just rocks beyond belief.
Alamo Music Center
The Gretsch Jet The Most Under-appreciated Single-Cut Electric Guitars
The Gretsch Jet The Most Under-appreciated Single-Cut Electric Guitars: "Everyone knows the Telecaster and Les Paul, the two juggernauts of "single-cut" electric guitars; but what is the most underrated, under-appreciated single-cut? We present for your consideration, the Gretsch Jet; an awesome option from a classic manufacturer with a sound all its own. Today we're taking a look at a couple great options with Filtertron-style pickups, the jangle is present, with sparkling highs and balanced mids and lows. The Gretsch Jet G5230T and Gretsch Jet G5220 are from their Electromatic series, which are affordable and well made guitars; take a listen to the stop tail and Bigsby versions of the Jet, and tell us what you think!"
Archtop Crazy
Episode 3: Freddie Green Style Comping. Jonathan explains the dark art of acoustic rhythm comping, often referred to as the "Freddie Green" style of big band rhythm playing.
Archtop Crazy with Jonathan Stout: Episode 3: Freddie Green Style Comping. Jonathan explains the dark art of acoustic rhythm comping, often referred to as the "Freddie Green" style of big band rhythm playing. Freddie was the guitar player in the Count Basie band from 1937 until 1987 and is regarded as the undisputed master of this unique style of rhythm playing.
Norman's Rare Guitars, The Podcast
Episode 22 | Angela Petrilli
On this episode, Norm is joined by Angela Petrilli, of Picking with Petrilli! Angela is an LA native who was in the band Roses & Cigarettes, until tragedy struck and the other half of her band was taken too soon by cancer. In her efforts to rebuild from such a tragic loss, she's regrouping and hitting the road on her own.
Alamo Music Center
VintageTips, Tech & RepairsCountryBluesAcousticRecording
Alamo Music Center: What the heck is the difference between the Gibson J-45 and Gibson Southern Jumbo
For 2020 Gibson Guitars has relaunched their line of acoustic guitars with models falling into two categories - Original Collection and Modern Collection. The launch of the Original collection brought back a fan favorite, the Gibson Souther Jumbo! But, what is the Southern Jumbo? Is it just a dressed up J-45 or are their more differences between these two guitars? That is a common question so today we address their differences and their similarities by looking at the relaunched Gibson Souther Jumbo and the 50s J-45 Original.